Laudate Pueri Dominum (Psalm 112), for voice, flute, 2 oboes, strings & continuo in G major, RV 601: Laudate pueri Dominum (Allegro)
Laudate Pueri Dominum (Psalm 112), for voice, flute, 2 oboes, strings & continuo in G major, RV 601: Sit nomen Domini (Allegro)
Laudate Pueri Dominum (Psalm 112), for voice, flute, 2 oboes, strings & continuo in G major, RV 601: A solis ortu (Andante)
Laudate Pueri Dominum (Psalm 112), for voice, flute, 2 oboes, strings & continuo in G major, RV 601: Excelsus super omnes (Larghetto)
Laudate Pueri Dominum (Psalm 112), for voice, flute, 2 oboes, strings & continuo in G major, RV 601: Suscitans (Allegro molto)
Laudate Pueri Dominum (Psalm 112), for voice, flute, 2 oboes, strings & continuo in G major, RV 601: Ut collocet eum (Allegro)
Laudate Pueri Dominum (Psalm 112), for voice, flute, 2 oboes, strings & continuo in G major, RV 601: Gloria Patri (Larghetto)
Laudate Pueri Dominum (Psalm 112), for voice, flute, 2 oboes, strings & continuo in G major, RV 601: Amen (Allegro)
Cur Sagittas, cur tela, cur faces (Introduzione to Gloria), solo motet for voice, strings & continuo in B flat major, RV 637: (Aria)
Cur Sagittas, cur tela, cur faces (Introduzione to Gloria), solo motet for voice, strings & continuo in B flat major, RV 637: (Recita
Cur Sagittas, cur tela, cur faces (Introduzione to Gloria), solo motet for voice, strings & continuo in B flat major, RV 637: (Aria)
Ascende laeta, solo motet for voice, strings & continuo in A major (introduzione to Dixit Dominus), RV 635: (Aria)
Ascende laeta, solo motet for voice, strings & continuo in A major (introduzione to Dixit Dominus), RV 635: (Recitativo)
Ascende laeta, solo motet for voice, strings & continuo in A major (introduzione to Dixit Dominus), RV 635: (Aria)
Non in pratis aut in horis (introduzione to Miserere), solo motet for voice, strings & continuo in F major, RV 641: (Recitativo)
Non in pratis aut in horis (introduzione to Miserere), solo motet for voice, strings & continuo in F major, RV 641: (Recitativo) Adag
Non in pratis aut in horis (introduzione to Miserere), solo motet for voice, strings & continuo in F major, RV 641: (Aria) Largo non
Non in pratis aut in horis (introduzione to Miserere), solo motet for voice, strings & continuo in F major, RV 641: (Recitativo)
Ostro picta, armata spina (introduzione to Gloria, RV 588), solo motet for voice, strings & continuo in D, RV 642: (Aria) Allegro
Ostro picta, armata spina (introduzione to Gloria, RV 588), solo motet for voice, strings & continuo in D, RV 642: (Recitativo)
Ostro picta, armata spina (introduzione to Gloria, RV 588), solo motet for voice, strings & continuo in D, RV 642: (Aria) Presto
The director of the Tiepolo Baroque Orchestra, Vania Pedronetto, notes that "The Tiepolo Orchestra and the Red Priest have a common aim in life ? to serve words. Even when there are no words and the language is music. So d... more »o not expect the sound in this recording to be monotonous and singsong, or for us to attempt to impress you with screams and sudden bursts of chaotic sound. In his sacred music, Vivaldi uses a heartfelt, ethereal language, which is never dull, but subtly ironical and at times even impassioned."« less
The director of the Tiepolo Baroque Orchestra, Vania Pedronetto, notes that "The Tiepolo Orchestra and the Red Priest have a common aim in life ? to serve words. Even when there are no words and the language is music. So do not expect the sound in this recording to be monotonous and singsong, or for us to attempt to impress you with screams and sudden bursts of chaotic sound. In his sacred music, Vivaldi uses a heartfelt, ethereal language, which is never dull, but subtly ironical and at times even impassioned."