Ken Johnson (big_kahuna_ken@hotmail | Hope International University, Fullerton, Ca | 10/14/1998
(5 out of 5 stars)
"This CD is one of the best in Swing that I have heard. I like it because it is the origenal recordings of the musicians. Yes the CD might not have the same perfect quality of the modern, remastered CDs, but that classic feel is unbeatable. This is the music that my grandparents listened to on Saturday night with an antique radio. This is the music that I want to listen to as well with that same feel."
Swing Revival Met "Fabulous"-ly On RCA Big Band Set
Anthony G Pizza | FL | 01/14/2001
(4 out of 5 stars)
"RCA's "Fabulous Swing Collection" was released to exploit a national big band revival craze, led by groups like Cherry Poppin' Daddies and Brian Setzer's Orchestra and in full swing (pardon the pun) in 1998. That revival has cooled but this generous (19 songs, 65 minutes) set remains among the era's better one-disc compilations (all songs from RCA family labels) for now third-generation fans.It may not have been all the classics revivalists danced to; two swingin' Louises (Prima and Jordan) recorded their jump, jive and wailin' big band tunes for Capitol and Decca Records, respectively. But many of the era's signature tunes are represented, sounding surprisingly warm in analog sound: Glenn Miller's anthemic "In The Mood," "String of Pearls," and "American Patrol," Benny Goodman's hard, wild swinging "Sing, Sing, Sing" (heard recently and famously in a cookie commercial but better in Goodman's 1938 Carnegie Hall concert), Cab Calloway's 1933 "Minnie The Moocher," which he performed nearly a half-century later in the first "Blues Brothers" film and here does in full-throated youthful yodel. You also get seminal sides from Charlie Barnet ("Cherokee"), Tommy Dorsey ("Marie," "Opus One"), and Duke Ellington ("Take The 'A' Train," "Cotton Tail"). While these songs swing sweeter than 1998's martini-and-cigar crowd might have liked, "Fabulous" may well be among the few big band CDs a new fan would need. Longtime fans have these classics on the artists' original LPs (or more studious sets like Columbia's "16 Most Requested Big Band Themes") and can probably swing past it."
Entertaining, but some tracks don't belong here
Elizabeth Rosenthal | 04/06/2002
(3 out of 5 stars)
"The main problem with this CD is the coupling of great tracks with fairly awful ones.On the great side, you have Benny Goodman's rollicking "Don't Be That Way" and a song destined to kill live in "Sing Sing Sing." Tommy Dorsey's beautiful "Opus One" and lively "Boogie Woogie." Duke Ellington's signature "Take The 'A' Train." Artie Shaw's bouncing "Back Bay Shuffle." Glenn Miller's theme for jitterbuggers, "In The Mood." Then there are the disappointments. The whitebread "Casa Loma Stomp" by Glen Grey. The cringe-inducing "All God's Chillun Got Rhythm" by Bunny Berigan. The extremely silly "Mary Had A Little Lamb" by Fletcher Henderson, which is especially disillusioning to hear when one considers that Henderson supplied a good many of Benny Goodman's hard swinging band arrangements!We can at least be thankful that Kay Keiser and Hal Kemp didn't show up on this disc."
Best I've Heard
Anthony G Pizza | 07/11/2002
(5 out of 5 stars)
"I purchased several swing collections previously and they all had poor quality audio - they had not been cleaned up from the original recordings. This CD is MUCH cleaner and makes for an enjoyable experience."
SUPERLATIVE SWING COLLECTION.
scotsladdie | 06/22/2000
(5 out of 5 stars)
"A truly magnificent collection of great sides originally waxed in the thirties and forties, this CD is indispensible for any Jazz-Swing-Big-Band enthusiast! Here we get Benny's terrific signature theme "Don't Be That Way", Shaw's own swingy composition "Non-Stop Flight", T.D.'s immortal "Boogie Woogie" (which many jazz purists deplore because of its innovative use of instrumentals -rather that solo piano work- the public obviously disagreed- recorded in 1938, it went on to sell an incredible 4 million copies!) "Take The "A" Train is Ellington's timeless record and Miller offers his "String of Pearls". "Marie" was recorded by Dorsey in early 1937; he traded 7 arrangements for this famous record (he heard the arrangement being performed by an obscure Black Band and instinctively knew the record would be a hit). "Back Bay Shuffle" offers another killer-diller instrumental from Artie Shaw's great '38 band. My only gripe is that the definitive (more swinging and less corny) version of "Casa Loma Stomp" is NOT the one we get in this otherwise excellent collection."