Tierney Sutton, a leading figure in vocal jazz for nearly a decade, maintains that the obsession with fame and material things - a phenomenon that has been accelerated and amplified in this media-centric new century - is w... more »asted energy. Worse yet, it comes with a dark aspect that can infect the soul. Such is the premise of Desire. While the songs in this eleven-track set are mostly jazz standards, they are framed by opening and closing tracks that are embellished with lyrics lifted from sacred religious and spiritual texts. "To me, this record is about stepping back and recognizing the difference between the voices we hear that are not our own and the ones that are truly within us," Sutton explains, "and discovering that the material things that we want or desire are not usually a path to happiness, and are not usually a path to ourselves."« less
Tierney Sutton, a leading figure in vocal jazz for nearly a decade, maintains that the obsession with fame and material things - a phenomenon that has been accelerated and amplified in this media-centric new century - is wasted energy. Worse yet, it comes with a dark aspect that can infect the soul. Such is the premise of Desire. While the songs in this eleven-track set are mostly jazz standards, they are framed by opening and closing tracks that are embellished with lyrics lifted from sacred religious and spiritual texts. "To me, this record is about stepping back and recognizing the difference between the voices we hear that are not our own and the ones that are truly within us," Sutton explains, "and discovering that the material things that we want or desire are not usually a path to happiness, and are not usually a path to ourselves."
SIZZLING, HAUNTING GRAMMY-NOMINATED PERFORMANCES BY THE TIER
RBSProds | Deep in the heart of Texas | 03/04/2009
(5 out of 5 stars)
"Five MARVELOUS Stars!! A STELLAR Grammy-nominated musical look at desire and temptation. For a decade and an half, jazz diva Tierney Sutton's highly creative band has been one of jazz' longer-running small ensembles. Some of her CDs are thematic, such as the Bill Evans tribute Blue in Green and the sideways glance of On the Other Side of love ("Get Happy" as a dirge was both daring and effective). This highly enjoyable CD can also be looked at from the 'spiritual thematic point of view' decrying the seductive dangers of fame and fortune or even as homage' from one of today's certified young jazz divas to past singing stars like Peggy Lee (Fever), Carmen McRae (Skylark) and Julie London (Cry Me a River). Lady Day, Abbey, June, Betty, and Ella also come to mind. As usual, Ms Sutton is a cohesive member of her talented, somewhat instrumentally unusual quintet, as in the title of another CD called I'm with the Band. Versatile pianist Christian Jacob, drummer Ray Brinker (who is on fire) and 2 inventive bassists: Kevin Axt & Trey Henry who work well together on the bottom, round out the five spots. These 5 take some familiar standards into new fiery frameworks and multi-rhythmic setups, often shifting gears in flight out of serene starts to dizzying heights and back again (e.g. the smoldering "Love Me or Leave Me").
The 'best of the best' begins with a beautiful 7 minute exposition of "It's Only A Paper Moon" which starts with a spiritual poem over an urgent Ray Brinker beat. That effectively contrasts with Tierney's out of tempo rhapsodic vocalizing which then leads to a burning in-tempo Christian Jacob solo with Brinker pouring on the heat with his brushes. A sensational "My Heart Belongs to Daddy" again has the urgent beat and voice, as the song takes on a celestial meaning for the word "Daddy" as Brinker's accents and rimshots burn behind Tierney's and Jacob's sizzling highly-stylized solos. The two bassists also effectively use differing pizzicato roles on the bottom and in the arrangements. "Long Daddy Green" switches the "Daddy" word and performance to something more seductive. "Fever" escapes Julie London's spell as Tierney puts her stamp on it, bending, twisting, and chopping the notes. "It's All Right With Me" is a smoky experience. Even the insistent multi-tracked "Whatever Lola Wants" bends to Tierney's musical will, as does "Skylark". Tierney Sutton & Band prove it's all about the emphasis & crank up another BIG Winner. DON'T trust the song samples, they don't give a hint of the exhilarating flights that await beyond the intros. Stunning performances!! My Highest Recommendation. Five ENJOYABLE Stars. (This review is based on an iTunes Plus download.)"
A Masterpiece
Beth C. | San Diego, CA | 03/05/2009
(5 out of 5 stars)
"Any album by the Tierney Sutton Band can be relied upon to be worthwhile, but the band has outdid itself with this amazing album. This work can be open to multiple interpretations, as it looks both at humanity's best and basest desires. The opening song, "It's Only a Paper Moon", when coupled with a spiritual reading from the Bahai faith and a slight change in lyrics, becomes almost meditative. The closing song, "Skylark", soars. In between, "My Heart Belongs to Daddy" loses any of the innocence that the original may have possessed. Tierney puts her own mark on the often interpreted songs like "It's All Right with Me", "Fever", and "Cry Me a River". The lesser known "Long Daddy Green" becomes a fascinating commentary on fortune and fate.
Of course, the Tierney Sutton Band has been working together about 15 years, and it shows - they are one of the tightest vocalist-lead groups around. Their contributions certainly add to the reinterpretations of these songs. Compare Christian Jacob's frenetic accompaniment in "Whatever Lola Wants" to the soaring chords of "Skylark".
This is a CD that will hold up to many listenings and it should be a contender for Jazz Vocalist of the Year."
A Subtle Yet Powerful Musical Statement
Thomas M. Croft | Fort Collins, CO USA | 03/31/2009
(5 out of 5 stars)
"If you're a Tierney Sutton fan, this album is not to be missed (I have everything she and her band have released thus far). Be prepared to listen, really listen, to this one, though. This is not "background music." Rather, this is subtle, elegant, creative and, at times, powerfully moving vocal jazz that only gets better with repeated listenings.
"Desire" comes across as a powerful, even spiritual, musical statement about the nature of human desire, both good and bad, which is just what Tierney and the band had in mind, according to the liner notes. Not one arrangement here is predictable or pedestrian, and the support from pianist Christian Jacob and the rest of the band is, as always, superb. What these musicians do with these tunes, some of them "shop-worn standards," is both remarkable and beautiful. Tierney has a way of conveying irony and other subtle shadings of meaning in her singing of the lyrics that is not often heard. In my opinion, Tierney is the best living female jazz singer. If you're new to her talents, check out the CD "Blue in Green" too. It's my personal favorite among many fine albums."
Another Gem From An Actual Recording Artist.
Douglas McIntyre | Los Angeles, CA | 06/18/2009
(5 out of 5 stars)
"Tierney Sutton and her amazing band are a rarity, actual recording artists. Apparently, everyone who stumbles into a studio is called an "artist", but Sutton, Brinker, Jacob, Henry and Axt are true artists. They push boundries and create something original, challenging, beautiful and real. Tierney Sutton & Company continue to add to a signficant body of work. Maybe they're ahead of the curve, most great artists are. Maybe it will take the public time to catch up, that's not uncommon for great artists either. And make no mistake, these are serious artists performing and creating at a very high and enduring level. Most music is disposable, The Tierney Sutton Band catalogue will have a very long shelf life. "Desire" is the latest addition to a legacy of recording artistry that very few have rivaled... And all hyperbole aside, its just great to listen to."
Tierney comes roaring back
rash67 | USA | 09/22/2009
(4 out of 5 stars)
"I find myself coming back to listen over and over.
The Buddha says that desire is the root of all suffering. Tierney and group come roaring back with their latest "Desire". An album of thoughtful understated meditations on the materialist extremes and Spiritual bankruptcy of the last few years of the stock markets, people buying houses, cars and junk they could never afford, excessive optimism, the Financial Community and their free market idealogs who thru their greed and stupidity destroyed the Wealth of Nations.
Excess Desire. "Long Daddy Green" and "Paper Moon" are cases in point, without sounding preachy she gets her point subtlely across. "Fever", "Whatever Lola Wants" and "My Heart belongs to Daddy" are less about the usual sexual topic than desire. Desire for everything!
There are a few places that disturb the flow, a beat like a migrane headache coming on, but these are done on purpose to emphasize the overall theme. And this is a theme album.
For my money Tierney Sutton and group are the leading edge of jazz vocal. Technically she's arguable the best in the business. Her only potential problem, witness her last album "I'm with the Band", is a tendency to overreach technically, do wierd or difficult things for effect and shortchange the emotional, especially that emotional connection with her audience. "Desire" is a big improvement, emotional without excess technical display.
The overall mood is wistful, the music is tuneful. The prodings of conscience. The dark album ends on the hopeful note of "Skylark".