Big & glossy but very enjoyable
JMK | Pacific Northwest | 12/29/2005
(4 out of 5 stars)
"The liner notes on this Brasilian import CD state that the budget for this album was approximately $200,000, which is a staggeringly huge amount, especially for 1977-78. But this is definitely Sergio's lushest production from his Elektra years, so maybe it's correct.
Sergio maintains a fine balance between lush pop ("Bridges," which charted in the Philippines, and "Midnight Lovers," which includes some gorgeous multi-tracked harmonies), Brasilian jazz ("Misturada," one of his finest instrumental outings, and "Tiro Cruzado", a very funky piece previously done by Jobim and Miucha), as well as some proto-disco material ("One More Lie" and "That's Enough For Me.").
This album basically fell flat in the American market--by the time Sergio released his next, and last, Elektra album (the lamentable "Magic Lady"), he had been "demoted" from the Butterfly label to the budget standard red Elektra label. But this penultimate release from his first Elektra stint is a gorgeous and worthwhile album for all Mendes fans."
Great Music!
G. Linde | ny | 06/11/2005
(4 out of 5 stars)
"Late 70's came back to me like a flash. I used to hear this on the airwave when I was young. stuff like Waters of March, Bridges, Midnight Lover & That's enough for me are a tremendous vocal rhythm that made Sergio Mendez a fixture in Latin-Jazz and Soulful Samba. He's on top of his game."