Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Liebesbotschaft
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Kriegers Ahnung
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Frühlingssehnsucht
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Ständchen
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Aufenthalt
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: In der Ferne
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Abscheid
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Der Atlas
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Ihr Bild
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Das Fischermädchen
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Die Stadt
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Am Meer
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Der Doppelgänger
Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: Die Taubenpost D. 965A
Totengräbers Heimweh ('O Menschheit, o Leben...'), song for voice & piano, D. 842
Nachtstück ('Wenn über Berge sich der Nebel breitet'), song for voice & piano, D. 672 (Op. 36/2)
An den Mond ('Guess, lieber Mond'), song for voice & piano, D. 193 (Op. 57/3)
Im Frühling ('Still sitz ich'), song for voice & piano, D. 882
"[Gerhaher's] voice, reminiscent of Fischer-Dieskau's, also exhibits many of that master-singer's stylistic virtues ... this is interpretation of Lieder at the highest level." - GRAMOPHONE Schubert's "Swan Song" cycle o... more »f fourteen Lieder, written at the very end of his tragically brief life, contains some of his most perfect and moving songs, including "Liebesbotschaft," "Ständchen," "Abschied," and "Der Doppelgänger". The album is rounded out with an additional four Schubert songs of sublime beauty, including the hypnotic "Nachtstück" or "Night Piece". The performance of these sublime works is generally reserved to the most insightful vocal artists, and one of those who has attracted worldwide notice recently is the young German baritone Christian Gerhaher. Born in Straubing, Germany, Gerhaher studied with Paul Kuen and Raimund Grumbach. He also took courses with Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf, and Inge Borkh. In 1998, he won the International Award Pro Musicis in Paris/New York. In 2002, he was awarded the German prize Echo Klassik for Best Lied Interpretation for the recording of Schubert's Winterreise. As a Lied accompanist Gerold Huber has performed at the most prestigious festivals and also enjoys a career as solo pianist.« less
"[Gerhaher's] voice, reminiscent of Fischer-Dieskau's, also exhibits many of that master-singer's stylistic virtues ... this is interpretation of Lieder at the highest level." - GRAMOPHONE Schubert's "Swan Song" cycle of fourteen Lieder, written at the very end of his tragically brief life, contains some of his most perfect and moving songs, including "Liebesbotschaft," "Ständchen," "Abschied," and "Der Doppelgänger". The album is rounded out with an additional four Schubert songs of sublime beauty, including the hypnotic "Nachtstück" or "Night Piece". The performance of these sublime works is generally reserved to the most insightful vocal artists, and one of those who has attracted worldwide notice recently is the young German baritone Christian Gerhaher. Born in Straubing, Germany, Gerhaher studied with Paul Kuen and Raimund Grumbach. He also took courses with Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf, and Inge Borkh. In 1998, he won the International Award Pro Musicis in Paris/New York. In 2002, he was awarded the German prize Echo Klassik for Best Lied Interpretation for the recording of Schubert's Winterreise. As a Lied accompanist Gerold Huber has performed at the most prestigious festivals and also enjoys a career as solo pianist.
CD Reviews
Consumate artistry
Dennis Weiscopf | New York, New York | 01/23/2010
(5 out of 5 stars)
"This is a performance that combines perfect bel canto singing with startlingly meaningful projection of the texts. Singer and pianist are completely in sync with each other. The recording is clear and balanced at a normal concert volume of sound. This should be recommended as an exemplary lieder disc for aspiring singers."