How High the Moon - Sarah Vaughan, Hamilton, Nancy
I'm Glad There Is You - Sarah Vaughan, Dorsey, Jimmy
Make Yourself Comfortable - Sarah Vaughan, Merrill, Bob [Songw
Lush Life - Sarah Vaughan, Strayhorn, Billy
What Is This Thing Called Love? - Sarah Vaughan, Porter, Cole
The Other Half of Me - Sarah Vaughan, Freeman, Stan
Dedicated to You - Sarah Vaughan, Cahn, Sammy
It Never Entered My Mind - Sarah Vaughan, Hart, Lorenz
Shulie a Bop - Sarah Vaughan, Treadwell, George
Lover Man - Sarah Vaughan, Davis, Jimmy [4]
Broken Hearted Melody - Sarah Vaughan, David, Hal
My Man's Gone Now - Sarah Vaughan, Gershwin, George
Lullaby of Birdland - Sarah Vaughan, Shearing, George
Night Song - Sarah Vaughan, Adams, Lee [1]
Dreamsville - Sarah Vaughan, Evans, Ray [Lyricis
Stardust - Sarah Vaughan, Carmichael, Hoagy
Sassy's Blues - Sarah Vaughan, Jones, Quincy
Sarah Vaughan recorded for Norman Granz's Mercury label throughout the 1950s and early '60s, performing brilliantly on material that ranged as far afield as her three-octave voice. She was an effective pop singer, handily ... more »adding substance to the most casual lyric, and a superb ballad singer, finding emotional and musical nuances that few could match. As a jazz singer, she could improvise with an ebullient inventiveness that was a match for the most gifted instrumentalists. This hour-long introduction to her work touches on many of those bases, from the light pop of "Make Yourself Comfortable" to Billy Strayhorn's world-weary "Lush Life" to the hard-swinging scat of "Shulie a Bop" and "Sassy's Blues." Along the way, she gets to match wits with some great soloists, like Clifford Brown and Cannonball Adderley, while members of her regular trios, like pianist Bob James, drummer Roy Haynes, and bassist Joe Benjamin, offer exemplary support. --Stuart Broomer« less
Sarah Vaughan recorded for Norman Granz's Mercury label throughout the 1950s and early '60s, performing brilliantly on material that ranged as far afield as her three-octave voice. She was an effective pop singer, handily adding substance to the most casual lyric, and a superb ballad singer, finding emotional and musical nuances that few could match. As a jazz singer, she could improvise with an ebullient inventiveness that was a match for the most gifted instrumentalists. This hour-long introduction to her work touches on many of those bases, from the light pop of "Make Yourself Comfortable" to Billy Strayhorn's world-weary "Lush Life" to the hard-swinging scat of "Shulie a Bop" and "Sassy's Blues." Along the way, she gets to match wits with some great soloists, like Clifford Brown and Cannonball Adderley, while members of her regular trios, like pianist Bob James, drummer Roy Haynes, and bassist Joe Benjamin, offer exemplary support. --Stuart Broomer
houseseller | Portland, OR United States | 03/07/2002
(3 out of 5 stars)
"As with many "greatest hits" collections, this CD suffers from a handful of tracks that could have been left off. Most of the material is terrific. I mean, this woman can caress the heck out of a lyric. However, careful editing/selection could have created a more consistent product."