Howard G Brown | Port St. Lucie, FL USA | 11/26/2003
(5 out of 5 stars)
"Granted, this is stylistically far removed from what fans of shanties expect to hear today. But if I want rough-edged, realism, I'll sing the songs myself -- and often do, while walking the dog (he howls along with me).This may be akin to Klemperer conducting Bach -- but his recording of the St. Matthew Passion is a classic, and so is this set by Shaw and his chorale. The arrangements are never less than entertaining, and take full measure of the chorale's prowess. But "Lowlands" and "Shenandoah" are performed with with such attention to vocal lustre along with emotional commitment that they must rank among the finest choral performances available to us. In "Lowlands," especially, the sheer sound -- the rise and fall of the voices --embodies the the sense of loss the words seek to express, so that the repeated phrase "My dollar-and-a-half a day..." assumes a tragic dimension, like "Poor Tom's a'cold" in King Lear.It does beat the version I sing with my dog, in my rough, authentic baritone."
Childhood memories
mattgb1 | 09/29/2001
(5 out of 5 stars)
"My fisherman father had this as a 33 LP. I remember listening and singing along to this album as a child. My father is gone now and his copy lost. I am happy to have found this."
Some good basic stuff
mattgb1 | New York City | 11/07/2001
(4 out of 5 stars)
"They're a bit more stylized than I usually like (mainly because they felt a need to package this stuff more for appeal to the "mainstream" audience back then) but some really good songs, including the best recorded rendition of "Spanish Ladies" that I've ever heard.I still have a scratched-up, well-used LP of this that I wouldn't part with."
Much better than "authentic"
Santa Fe Listener | Santa Fe, NM USA | 10/10/2005
(5 out of 5 stars)
"I'm perplexed by the grousing that this CD doesn't represent "authentic" sea shanties. Do other reviewers have access to the singing styles of the 18th and 19th century aboard ship? Do they think the raucous versions on various Irish recordings, which sound like they came from pubs well past happy hour, are authentic? As with Christmas carols, the styles of folk singing adapt themselves to time and place, and always have.
I can only second the reviewers who remark that choral singing doesns't get any better. This seems literally true, for even Shaw himself never surpassed the male a capella ensemble we hear on this CD, which is uncannily precise as to blending of voices, harmony, intonation, and rhythmic unison. The engineers also gave him better sound than on any other Shaw CD I know of, including the ones devoted to Stephen Foster, Christmas carols, and Irish folk songs. All in all, this recording from 1960 is one of a kind."
THE BEST OF THE BEST
Jared Hoke | Marine on St. Croix, MN | 03/06/2005
(5 out of 5 stars)
"I have savored this recording since it first came out, now almost 45 years ago. The Robert Shaw Chorale of the early 60's, for me, defines what a chorus ought to sound like, just like a really good Steinway defines the sound of "pianoforte". His men were especially fine, and they are ideal for these wonderfully imaginative and musical settings (bless you, Alice Parker!) of, what is truly, the people's music.
There are not enough "stars" for this recording, and I say that as a lifelong singer, with years as a section leader in a large semi-professional chorus. For me, Robert Shaw always was and always will be in a class by himself.