Search - Alessandro Scarlatti, Alessandro Stradella, Giovanni Legrenzi :: Pavarotti at Carnegie Hall

Alessandro Scarlatti, Alessandro Stradella, Giovanni Legrenzi
Pavarotti at Carnegie Hall
Genres: Special Interest, Pop, Classical

Track Listings (14) - Disc #1
1. Il Pirro e Demetrio, opera ('La forza della fedelt?'): Le Violette
2. Piet?, Signore (Agnus Dei), aria di chiesa (spurious, by Niedermeyer or F?tis)
3. Eteocle E Polinice, opera: Che fiero costume
4. Ellens Gesang III ('Ave Maria'), song for voice & piano, D. 839 (Op. 52/6)
5. Work(s): Ave verum
6. O Jesu Mi Dulcissime for voice & piano
7. Rigoletto, opera: Ella mi fu rapita...Parmi veder le lagrime
8. Sonetti di Petrarca (3), song cycle for voice & piano (I & II), S. 270 (LW N12): Pace non trovo
9. Sonetti di Petrarca (3), song cycle for voice & piano (I & II), S. 270 (LW N12): Benedetto sia 'l giorno
10. Sonetti di Petrarca (3), song cycle for voice & piano (I & II), S. 270 (LW N12): l' vidi in terra
11. Le duc d'Albe (Il duca d'Alba), opera: Inosservato, penetrava...Angelo casto e bel
12. A vucchella ('Arietta di Posilippo') for voice & piano (or orchestra)
13. Martha, opera: M'appar? tutt'amor
14. La Girometta for voice & orchestra

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CD Details

All Artists: Alessandro Scarlatti, Alessandro Stradella, Giovanni Legrenzi, Franz [Vienna] Schubert, Guida, Giuseppe Verdi, Franz Liszt, Gaetano Donizetti, Paolo Tosti, Friedrich von Flotow, Gabriele Sibella, John Wustman, Luciano Pavarotti
Title: Pavarotti at Carnegie Hall
Members Wishing: 0
Total Copies: 0
Label: Decca
Release Date: 10/25/1990
Genres: Special Interest, Pop, Classical
Styles: Vocal Pop, Opera & Classical Vocal, Forms & Genres, Short Forms, Historical Periods, Baroque (c.1600-1750), Instruments, Keyboard
Number of Discs: 1
SwapaCD Credits: 1
UPC: 028942152625

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CD Reviews

A must-have for Pavarotti fans

javierbil@maptel.es | Spain | 08/23/1999

(5 out of 5 stars)

"The recital was one of Pavarotti's greatest accomplishments. But as far as I know, this is his only recording with piano accompaniment: in 1987, at NY's Carnegie Hall. So it's a unique opportunity to hear the familiar voice in all its pure clarity, devoid of orchestral support, and to listen to Pavarotti singing baroque songs and arias, religious music, and lieder, as well as his trademark opera arias and neapolitan songs. And the tenor gives each piece its specific meaning and style: from the spiritual unction of 'Pietà, signore' to the joy of 'La Girometta'. Great piano accompaniment, specially in Listz's sonetti."