"How delighted I was when a friend sent me the link for this item. Of course, I (pre)ordered it immediately, knowing what a talented songbird this Lucas guy is. When they say "they don't write them like they used to" I now understand what they mean. The craft and delicacy of these songs was lost before most of us were born. Recordings on 78 are rare enough, and these depression-era nuggets are even rarer for obvious reasons (who had money to buy records then?) so this is a golden opportunity to hear one of the best. Lucas could croon with the best of them, and his sweet tenor tones add a unique feel to these standards (some of which he had the distinction of making a 'hit' first!). His nimble guitar playing serves as a minimal backdrop, as opposed to the 'sweet band' sound of the era, allowing his voice to shine through. The ASV/Living Era folks really bring the sound out of these historic tracks (totalling 76:20!) and include chart positions and dates for all titles. Two cuts from the 'Hit' series of laminated paper records are included here (purchased at newstands in 1932), one of which I just found on e-bay, but this recording is superior and digitally cleaned up. The highlight here is, of course, "Tip-Toe Thru' The Tulips" - the very first recorded version (I have at least 5 others by various 1920's artists) from the 1929 "Gold Diggers of Broadway" which went to #1 on the charts in that year. This collection spans his career from 1924 (an early guitar instrumental) to 1939 (his version of "Over The Rainbow"), an era of American music long forgotten and nonetheless vital."
A singer/guitarist way ahead of his time!!
J. breslin | bosstown, ma USA | 02/01/2001
(5 out of 5 stars)
"this man,compared to others of his era,i feel is in a whole higher plain.his vocal delivery,although old fashioned,has many very modern twists and turns,so inventive...and his guitar playing??absolutey brilliant....elegant...if quality of sound was comparable to today,some of his playing you'd think was done recently.this great musician deserves to be a household name...he can play django like or christianlike but i like his basic vocal/guitar accompanyment the best.i promise you...you'll wonder why this guy is not of legend status![one of the best things about his versions,of all the now standards,is that they all are preceded by the not often heard lyrics of the intro leading up to the beginning we more often hear,i can't remember the term for these clever little set-ups for the main verses]"
Beautiful voice; soulful singing that understands the lyrics
Jmark2001 | Florida | 07/28/2004
(5 out of 5 stars)
"Nick Lucas sang the original version of "Tiptoe Through The Tulips" in his beautiful tenor. Tiny Tim tried to emulate that voice forty years later and turned what was a lovely song into a carnival side-show. Tiny Tim screeched and warbled/wobbled through the high notes. His physically bizarre appearance made the song an oddity rather than a sweet ballad.
But let's get back to Nick Lucas. If you have only heard "Painting the Clouds with Sunshine" in an upbeat tempo, you need to hear Nick sing it as a ballad. He brings out the poignancy and pathos of every line beautifully. The introduction to the song is usually left out but it shouldn't be as it makes it clear that the song is a courageous attempt to keep one's chin up when things are going poorly.
Nick Lucas was a wonderful singer and interpreter of songs. He was also a great guitarist. This is a fine album."
He's the guitar man
Annie Van Auken | Planet Earth | 07/06/2009
(4 out of 5 stars)
"When he sang, NICK LUCAS sounded quite like Eddie Cantor.
On the album's opener, Lucas's New Jersey accent shows as he tip-toes "thru duh tulips."
Piano accompaniment is lost behind Nick's vibrant playing on acoustic waxing of "Pickin' the Guitar" (1923).
"My Best Gal" (1924) is wonderfully clear for a non-mike record.
On his #2 charting "Brown Eyes" (1925), Nick's instrumental skills are again at the fore. In the final minute he enthusiastically foot taps.
Personal note: My mom taught me to play "Sleepy Time Gal" on the ukulele when I was a grade-schooler. Now I know where she learned this tune. Nick's 1925 version reached #3.
Any Carl Stalling/Warner cartoon fan is sure to recognize "A Cup of Coffee, a Sandwich and You." Now we know where Carl learned the song! A wonderful 1926 track.
Irving Berlin's lovely ballad "Always" was inexplicably cut from the Marx Bros. stage play, THE COCOANUTS. On Nick's second go-round of the verse he harmonizes to a violin lead. This well-done 1926 side reached #4.
"Bye Bye Blackbird" includes an intro that will be unfamiliar to most. (1926 chart position: 4)
A second guitar backs him on "Four Leaf Clover" (1927).
Nick adds his own last verse to "My Blue Heaven": As soon as I'm thru'; Strumming, crooning for you; I hurry to my blue heaven. It's fun to play here, I love to bring cheer; But give me my own blue heaven. Why there's the swinging gate, the little walk, the open door; And right inside is just what I've been praying for. We're the happiest three, Molly, baby and me; We're peaceful in my blue heaven.
Tracks #21 and #22 are dubbed from laminated paper "Hit of the Week" discs. From 1932.
The last four 1939 selections feature Nick (guitar), Charles Lees (vibes), Reg Lewis (piano) and Reg Robinson (bass)."