Search - he is the composer, they are the performers, Sir Neville Marriner :: Mozart: Requiem, Sacred Music

Mozart: Requiem, Sacred Music
he is the composer, they are the performers, Sir Neville Marriner
Mozart: Requiem, Sacred Music
Genres: Pop, Classical
 
  •  Track Listings (15) - Disc #1
  •  Track Listings (14) - Disc #2

No Description Available. Genre: Classical Music Media Format: Compact Disk Rating: Release Date: 14-MAR-1995

     
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Product Description
No Description Available.
Genre: Classical Music
Media Format: Compact Disk
Rating:
Release Date: 14-MAR-1995

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CD Reviews

Buy it for the first disc alone
altoman | Springfield, VA | 01/24/2001
(4 out of 5 stars)

"This is one of those two-fers that combine previously issued recordings that deserve to be heard. Erna Spoorenberg, not Ileana Cotrubas as stated in the track listing above, opens the first disc with the famous motet Exsultate, Jubilate. Her voice is fine and her technique is exemplary, but there is nothing about her voice or performance of this familiar work that make it truly outstanding. The second disc of the set is given over to the Beyer edition of the Requiem. If you are used to the traditional completion of the Mozart Requiem, this will contain some surprises that go beyond merely the cosmetic. For example, near the end of the Lacrimosa the orchestration is very different, with different violin figuration than the traditional completion, and the Sanctus sports a new ending. The performance seems a little staid in places--the opening Requiem doesn't have a really mournful feel and the Kyrie does not have the urgency of a desperate plea for mercy in light of the coming judgment. The performance catches fire in places, notably in the Dies Irae and the Sanctus, and it is a shame that that level of intensity did not carry through the entire work.But it is the balance of the first disc that make this CD worth purchasing. The performance of the Kronungsmesse is superb, and the little-known Litaniae Lauretanae contains much beautiful music, including a magnificent Agnus Dei that just demands to be repeated. In her final cadenza, Cotrubas ascends to a remarkable pure and beautiful high D, and her singing throughout is extremely heartfelt and affecting. The other soloists are excellent and they all work together as a true quartet, not just four singers competing for the limelight. Throw into the mix a very fine choir (unfortunately not always the case in some recordings, where the star quality of the soloists is the main concern, even though the chorus is heard far more) and you have a recording well worth purchasing."