Work(s): [Unspecified] Concerto for piano and orchestra
Work(s): [Unspecified] Concerto for piano and orchestra
Work(s): [Unspecified] Concerto for piano and orchestra
Concertino de printemps, for violin & chamber orchestra (or piano), Op. 135
String Quartet No. 7, Op. 87: Mod?r?ment anim?
String Quartet No. 7, Op. 87: Doux et sans h?te
String Quartet No. 7, Op. 87: Lent
String Quartet No. 7, Op. 87: Vif et gai
Chants populaires h?bra?ques (6), song cycle for voice & piano (or orchestra), Op. 86: No. 1, 'La separation'
Chants populaires h?bra?ques (6), song cycle for voice & piano (or orchestra), Op. 86: No. 2, 'Le chant du veilleur'
Chants populaires h?bra?ques (6), song cycle for voice & piano (or orchestra), Op. 86: No. 3, 'Chant de deliverance'
Chants populaires h?bra?ques (6), song cycle for voice & piano (or orchestra), Op. 86: No. 4, 'Berceuse'
Chants populaires h?bra?ques (6), song cycle for voice & piano (or orchestra), Op. 86: No. 5, 'Gloire a Dieu'
Chants populaires h?bra?ques (6), song cycle for voice & piano (or orchestra), Op. 86: No. 6, 'Chant hassidique'
La cr?ation du monde, ballet for orchestra, Op. 81
Suite fran?aise (5), for orchestra, Op. 248b: No. 1, 'Normandie'
Suite fran?aise (5), for orchestra, Op. 248b: No. 2, 'Bretagne'
Suite fran?aise (5), for orchestra, Op. 248b: No. 3, 'Ile-de-France'
Suite fran?aise (5), for orchestra, Op. 248b: No. 4, 'Alsace-Lorraine'
Suite fran?aise (5), for orchestra, Op. 248b: No. 5, 'Provence'
A beguiling disc of vintage performances composed, conducted, accompanied, or supervised by Darius Milhaud himself. Marguerite Long's light touch is perfect for the lucid, transparent Concerto, whose second movement, a lap... more »ping barcarole, clings to the memory. The Violin Concertino is an eight-minute tuneful gem redolent of springtime; Milhaud later added three brief pieces to form his Four Seasons. The Quartet is a slight charmer, with what sounds like a hoedown in the finale. The song cycle is based on Eastern European Jewish melodies, and it's beautifully sung by the young Martial Singher. By far the best-known work is La Création du Monde. Milhaud leads an idiomatically oily small French orchestra in a performance that sounds more Pigalle and less jazzy than those we're used to by Bernstein, Carew, or Munch. The Suite Française is another slight charmer, short pieces based on provincial dances. There's more to Milhaud than meets the ear here but, aside from the songs, it's a fine sampler of the lighthearted boulevardier aspect of his work in the 1920s and 1930s. An appealing disc made valuable by the composer's authoritative presence. --Dan Davis« less
A beguiling disc of vintage performances composed, conducted, accompanied, or supervised by Darius Milhaud himself. Marguerite Long's light touch is perfect for the lucid, transparent Concerto, whose second movement, a lapping barcarole, clings to the memory. The Violin Concertino is an eight-minute tuneful gem redolent of springtime; Milhaud later added three brief pieces to form his Four Seasons. The Quartet is a slight charmer, with what sounds like a hoedown in the finale. The song cycle is based on Eastern European Jewish melodies, and it's beautifully sung by the young Martial Singher. By far the best-known work is La Création du Monde. Milhaud leads an idiomatically oily small French orchestra in a performance that sounds more Pigalle and less jazzy than those we're used to by Bernstein, Carew, or Munch. The Suite Française is another slight charmer, short pieces based on provincial dances. There's more to Milhaud than meets the ear here but, aside from the songs, it's a fine sampler of the lighthearted boulevardier aspect of his work in the 1920s and 1930s. An appealing disc made valuable by the composer's authoritative presence. --Dan Davis