This is the second full-length release from LA-based singer-songwriter Mia Doi Todd. Mia's music is a deceptively simple combination of voice and guitar. The lyrics are direct, yet charmingly impressionistic. Her artful ap... more »proach and poised delivery subtly reveal sensual undercurrents and a keen, thoughtful determination. Easy comparisons might include early Joni and any era of Kendra Smith, but we all know that repeated plays uncover deeper meanings, for it is here that comples shadings and passionate mixtures of inspiration and influence await discovery. And Mia's music is a many-layered thing. Come Out of Your Mine contains lilting acoustic melodies, innocent rhymes, and moments of dissonant mystery.« less
This is the second full-length release from LA-based singer-songwriter Mia Doi Todd. Mia's music is a deceptively simple combination of voice and guitar. The lyrics are direct, yet charmingly impressionistic. Her artful approach and poised delivery subtly reveal sensual undercurrents and a keen, thoughtful determination. Easy comparisons might include early Joni and any era of Kendra Smith, but we all know that repeated plays uncover deeper meanings, for it is here that comples shadings and passionate mixtures of inspiration and influence await discovery. And Mia's music is a many-layered thing. Come Out of Your Mine contains lilting acoustic melodies, innocent rhymes, and moments of dissonant mystery.
"something about her voice makes me think she'd fit right in at a chic art gallery.It simultaniously makes me shudder, makes me feel comforted, like being sung lullabyes, but the lullabyes are creepy and amazingly intelligent. I want to call it postmodern songwriting, or post-pop, post -folk.
this album is a shimmering star that proves songwriting isnt dead, or dying. emphasizing mood and ideas over rhyme and her complicated vocal melodys that verge on sexy whispering. I reccomend this to anyone. they recorded it in a chapel (?) and the reverb is very organic and adds to the recording. her musical accompaniment is textured and minimal. sometimes approaching acoustic math rock, especially on strawberrys, jackals, and i've got a gun.This album is better than "golden state," but becase that album is produced more like a "pop" record, its a good introduction to her if you dont usually listen to this kind of music.
i would reccomend for fans of beth gibbons, (completely different style, but nontheless) laurie anderson (because of the postmodern art thing), v for vendetta (not the first, but my favorite math rock band) ,blossom dearie (because i assume you like your women sing songwriters whips smart clever) or rufus wainright (just because i assume you like original voices. I'd also reccomend her to anyone who likes modern folk artists like ani defranco or greg brown, and to the snobby indie kids who like the micrphones, belle and sebastion, elliot smith, and death cab for cutie"
A true voice
Eileen Kurahashi | Wrightwood, CA, | 03/29/2000
(4 out of 5 stars)
"Mia Doi Todd shares evocative details of a life carefully observed (and experienced). Heartbreaking and haunting, wonderful imagery, and intellectual, too. All the human themes are present: remembering a lost love, fear of love not lasting, powerlessness and survival."
Gorgeous, dreamy stuff
Eileen Kurahashi | 10/24/1999
(5 out of 5 stars)
"Sure, this stuff's best to put me to sleep, but it's perfect for that! Her voice is so melodic and ethereal, while at the same time being throaty and mellow and her vocals propel the entire gorgeous sound. I've seen her open twice for kristin hersh and while i've nearly fallen asleep both times, I loved the stuff.....it more put me into a mellow, yummy daze than a bored sleep. I just wish she had "Can I" on this album, and also that ppl weren't as bitchy while she's performing. If you need to insult yr way through her set.....just don't......she deserves so much respect......lovely stuff and the cutest outfits."
Goddess of empty spaces.
Jay Matthews | Illinois | 07/20/1999
(4 out of 5 stars)
"Todd punctuates her crystalline voice and the elegant simplicity of her guitar with silences, lulls, pauses and breaths that are more devastatingly effective than any backing band could ever be. Her songs are intricately crafted, charming and premeditated. Yet her dancing background serves her well as she tranforms her careful compositions into natural, seemingly effortless works of natural beauty."