What Is This Thing Called Love? - Mel Tormé, Porter, Cole
Little White Lies - Mel Tormé, Donaldson, Walter
Get Out of Town - Mel Tormé, Porter, Cole
A Little Kiss Each Morning - Mel Tormé, Woods, Harry
I Cover the Waterfront - Mel Tormé, Green, Johnny [1]
A Cottage for Sale - Mel Tormé, Conley, Larry
The Best Things In Life Are Free - Mel Tormé, Brown, Lew
Gone With the Wind - Mel Tormé, Magidson, Herbert
But Beautiful - Mel Tormé, Burke, Johnny [Lyri
You're Driving Me Crazy - Mel Tormé, Donaldson, Walter
Willow Road - Mel Tormé, Torme, Mel
Try A Little Tenderness - Mel Tormé, Campbell, Jimmy [Vo
A Foggy Day - Mel Tormé, Gershwin, George
Until the Real Thing Comes Along - Mel Tormé, Cahn, Sammy
Track Listings (14) - Disc #2
I Got the Sun in the Morning - Mel Tormé, Berlin, Irving
Night and Day - Mel Tormé, Porter, Cole
Fine and Dandy - Mel Tormé, James, Harry
Careless Hands - Mel Tormé, Hilliard, Bob
I Can't Give You Anything But Love - Mel Tormé, Fields, Dorothy
Three Little Words - Mel Tormé, Kalmar, Bert
The Day You Came Along - Mel Tormé, Coslow, Sam
Again - Mel Tormé, Cochran, Dorcas
Love, You Funny Thing - Mel Tormé, Ahlert, Fred E.
Blue Moon - Mel Tormé, Hart, Lorenz
You're Getting to Be a Habit with Me - Mel Tormé, Dubin, Al
Born to Be Blue - Mel Tormé, Torme, Mel
A Stranger In Town - Mel Tormé, Torme, Mel
It's Easy to Remember - Mel Tormé, Hart, Lorenz
The man whose voice earned him the nickname "Velvet Fog" had a long and productive career, not only as a consummate jazz crooner, but as writer and arranger as well. Much of the material featured on this budget-priced two-... more »CD set is from Torme's earlier period, specifically the 1940s and early '50s. His voice is smooth and flexible, containing more honey than fog and has a boyish, romantic quality. Couple that with the lush strings and brassy, Vegas-like backgrounds, and you have the perfect prescription for those after-work blahs. Torme's way with "Little White Lies" and "You're Driving Me Crazy" is insouciantly sassy, but he shifts gears easily to heartfelt yearning on "Blue Moon" and "Born to Be Blue" and then to some upbeat, finger-snapping on "Three Little Words." Plus, the album contains his No. 1 hit from 1949, "Careless Hands." Much of the second disc finds Mel in a mellow mood--need we suggest, say, champagne on ice? As with the other Cocktail Hour sets, this one comes with an abundance of music but a paucity of information about it. The set lets the music do the talking. --Wally Shoup« less
The man whose voice earned him the nickname "Velvet Fog" had a long and productive career, not only as a consummate jazz crooner, but as writer and arranger as well. Much of the material featured on this budget-priced two-CD set is from Torme's earlier period, specifically the 1940s and early '50s. His voice is smooth and flexible, containing more honey than fog and has a boyish, romantic quality. Couple that with the lush strings and brassy, Vegas-like backgrounds, and you have the perfect prescription for those after-work blahs. Torme's way with "Little White Lies" and "You're Driving Me Crazy" is insouciantly sassy, but he shifts gears easily to heartfelt yearning on "Blue Moon" and "Born to Be Blue" and then to some upbeat, finger-snapping on "Three Little Words." Plus, the album contains his No. 1 hit from 1949, "Careless Hands." Much of the second disc finds Mel in a mellow mood--need we suggest, say, champagne on ice? As with the other Cocktail Hour sets, this one comes with an abundance of music but a paucity of information about it. The set lets the music do the talking. --Wally Shoup
William Y. Cartwright | Cincinnati, OH USA | 11/20/2000
(1 out of 5 stars)
"It's a double CD at a bargain price but it's not a bargain. I checked out the first CD and discovered the 2 of the tracks were without Mel Torme. Studio orchestra is mostly strings and the overall quality and frequency response left much to be desired. There were no liner notes about the CD."