"My father, who was born in the late 19th Century, had seen and heard Caruso in his prime, and considered him the greatest tenor of all. One day in the early 1950's my father came home enraptured. Walking down the street past a record shop, he had heard another voice. My father, whose second home was Carnegie Hall, said excitedly," I have heard another Caruso!" What he had heard, of course, was the voice of Mario Lanza, then starring in "The Great Caruso." My father hated movies, but Mom, my sister, and I persuaded him to come with us to see "The Great Caruso" at, I believe, Radio City Music Hall. After the film was over, my father said of Lanza, "The voice of God in a human being." My father and Lanza are long gone, but in the almost 50 years that have gone by, I see no reason to alter his opinion of Lanza. In the richness, color, and power of his singing, Lanza has no equal, and may never have one. This album is sufficient proof. Magnificent!"
New Fan
E.-L. Topaz | Colorado, USA | 08/27/2000
(5 out of 5 stars)
"I am an 18-year old student. I bought this album after I heard a few of Lanza's songs in the Peter Jackson film, "Heavenly Creatures" and I must say that it is one of the best albums I have ever bought. Lanza was a master of his vocal instrument, drawing every ounce of feeling and energy from the notes and words to create a masterpiece of every song. The resulting pieces in this album combine to make up a beautiful and varied work, with something for every mood you may be in. The classics (such as "Ah, Sweet Mystery of Life"), are obviously appealing, but the lesser-known pieces (my favourite: "Una Furtiva Lagrima") make this a wonderfully enlightening experience. This is a truly Great album."
Marvelous CD set!
Rod Tierman | 12/03/1999
(5 out of 5 stars)
"This is truly a wonderful set to own whether you are a dyed in the wool Lanza fan or if you just want to hear what one of the greatest singers of al time sounded like. Lanza as a singer was a phenomenon . He sounded equally adept at singing a sweet love song like "Memories" or "A Night to Remember" as he did singing a highly dramatic aria like "Vesti la Giubba" or E Lucevan Le Stelle. Lanza's "Danny Boy" will literally melt your heart away, showing a deep emotionalism here without having to resort to the maudlin. ""And This is My beloved""is quite simply put one of the most beautiful recordings ever made. Other songs and arias in this collection like "Donkey Serenade," "Cielo E Mar", "The Serenade from The Student Prince", Song of India", "I'll Walk with God", and a host of others have never been equaled in sheer power and beauty. Buy this set and treat yourself to listening to "The Voice of the Century" in his glorious prime!"
The good and the bad in one collection
D. MCGOVERN | New Zealand | 09/02/2001
(4 out of 5 stars)
"This is (unintentionally, I'm sure) a warts-and-all illustration of Mario Lanza. True, there are magnificent recordings scattered throughout (Serenade, Beloved, E Lucevan Le Stelle, Passione, etc) but the overall impression one is left with is of a sloppy and undisciplined singer who just happened to possess a great voice. The fault lies squarely with BMG and their predilection for selecting the very worst of Lanza, and placing it next to the best. Many of the inferior choices come from Lanza's Coca-Cola radio show, recorded between 1951 and 1952, and featuring prominently on Disc Two. (Disc One is a more consistent selection, and repeats the same tracks from the British one-CD set "The Ultimate Collection", reviewed elsewhere on this site.)
The "Coke" shows were generally under-rehearsed, and represent what in many respects was the most chaotic period of Lanza's short life. Thus it's not surprising that the tenor often sounds unfamiliar with his material, is sometimes off-key, and also makes numerous stylistic lapses. Never intended to be heard beyond their initial broadcast, these supposedly "one-off affairs" nevertheless did produce the occasional gem, but one needs to look elsewhere for examples of those. The three exceptions on this set are the gloriously romantic If I Loved You, One Night of Love, and the poignant Memories. Danny Boy also deserves honorable mention, although the ending should have been remade.
O Paradiso, Somewhere a Voice is Calling, Core 'Ngrato, Deep in My Heart, and With a Song in My Heart represent low points from the Coke Shows. Other poor choices include And This is My Beloved, from the disastrous Lanza on Broadway LP; a rough-as-old-boots Una Furtiva Lagrima; and an off-pitch Cielo E Mar (ironically the one studio recording on this set that *is* inferior to Lanza's Coke Show rendition).
Mario Lanza was blessed with the most spectacular natural tenor voice of the 20th century. Is it too much to expect for BMG to honor his memory more selectively? Where are Lanza's sublime recordings of Che Gelida Manina from "La Boheme", his M'appari, the Improvviso from Andrea Chenier and his unsurpassed Otello Monologue? Or the fabulous Some Day, the gorgeous 'A Vucchella and Lanza's own favorite recording, the haunting Voce E Notte? For the very best of Mario Lanza, buyers will need to look elsewhere."
Another CD from the best!
Catherine Williams | Bluff City Tennesee | 03/17/2000
(5 out of 5 stars)
"When I heard that Mario Lanza had died so many years ago, I was a college student who already owned five or six LP's of his songs. I was truly brokenhearted We had lost such a fine singer at such an early age. This CD is one of the best because of the diversity of songs, all marvelous.A fine addition to any collection."