Suite for solo cello No. 1 in G major, BWV 1007: Prelude
Suite for solo cello No. 1 in G major, BWV 1007: Allemande
Suite for solo cello No. 1 in G major, BWV 1007: Courante
Jewish Poems (3), for orchestra: 1. Prayer
Cello Concerto No. 1 in C major, H. 7b/1: Minuet
Apr?s un r?ve ('Dans un sommeil'), song for voice & piano, Op. 7/1
Sonata for cello & continuo in G major: Allegro
Sonata for cello & continuo in G major: Grave
Sonata for cello & continuo in G major: Vivace
Suite for solo cello No. 3 in C major, BWV 1009: Prelude
Suite for solo cello No. 3 in C major, BWV 1009: Sarabande
Suite for solo cello No. 3 in C major, BWV 1009: Bourr?e I
Suite for solo cello No. 3 in C major, BWV 1009: Bourr?e II / Bourr?e I
Suite for solo cello No. 3 in C major, BWV 1009: Gigue
Sonata for cello & piano No. 2 in F major, Op. 99: Allegro vivace
Sonata for cello & piano No. 2 in F major, Op. 99: Adagio affettuoso
Sonata for cello & piano No. 2 in F major, Op. 99: Allegro passionato
Sonata for cello & piano No. 2 in F major, Op. 99: Allegro molto
Passacaglia
Track Listings (26) - Disc #2
Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33: Thema, Moderato semplice
Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33: Var. 1, Tempo della Thema
Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33: Var. 2, Tempo della Thema
Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33: Var. 3, Andante sostenuto
Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33: Var. 4, Andante grazioso
Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33: Var. 5, Allegro moderato
Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33: Var. 6, Andante
Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33: Var. 7, Allegro vivo
The Little Shepherd, for piano (Children's Corner No. 5), L. 113/5
Cello Concerto No. 1 in C major, H. 7b/1: Minuet
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Introduction
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Theme
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 1
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 2
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 3
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 4
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 5
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 6
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 7
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 8
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 9
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Var. 10
Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184): Finale
Cello Concerto No. 1 in A minor, Op. 33: First movement
Chant Sans Paroles, for cello
Work(s): Practice Session Excerpt: Schumann Concerto Cadenza and Coda
An introductory note by Rose's best-known student, Yo-Yo Ma, explains the importance of this collection briefly and accurately: "Leonard Rose was one of the greatest cellists of our time ... he changed the way we think abo... more »ut the cello and raised our standards forever." These two discs add previously unknown material to Rose's already extensive discography, beginning with some Bach dating from 1936 when he was a student at the Curtis Institute and including part of his 1947 Town Hall recital, Bach's unaccompanied Suite No. 3, Brahms's Sonata in F and, best of all, Richard Strauss's Don Quixote (which he never recorded commercially) with George Szell conducting the New York Philharmonic. The booklet includes an autobiographical note. --Joe McLellan« less
An introductory note by Rose's best-known student, Yo-Yo Ma, explains the importance of this collection briefly and accurately: "Leonard Rose was one of the greatest cellists of our time ... he changed the way we think about the cello and raised our standards forever." These two discs add previously unknown material to Rose's already extensive discography, beginning with some Bach dating from 1936 when he was a student at the Curtis Institute and including part of his 1947 Town Hall recital, Bach's unaccompanied Suite No. 3, Brahms's Sonata in F and, best of all, Richard Strauss's Don Quixote (which he never recorded commercially) with George Szell conducting the New York Philharmonic. The booklet includes an autobiographical note. --Joe McLellan
CD Reviews
A Glimpse Into the Artist's Craft
John B. Kogut | rockville, md USA | 03/17/2002
(5 out of 5 stars)
"One of my idols in recordings since my earliest cellistic days, what a treat to be able to hear him in pieces otherwise unrecorded, and to even be privy to practice sessions! In one of them you can even hear him emit an expletive when annoyed at himself! This is a gem, a true collector's item for the cognoscenti."
Early works unveiled
Chi-Chi | Japan | 04/05/2001
(5 out of 5 stars)
"What's so interesting about this 2-CD set is that it contains great cellist Leonard Rose's early playing--from the time when he was a student at Curtis Institute. People who already have other Rose's CDs will enjoy listening his music when he was a teenager. Since many of the pieces on the CDs, in the 1930s and 40s, were recorded for radio broadcasting, I have to admit that the sound quality is not superb. But, in spite of that, there are so much more in this CD set to explore Rose's music. The one small funny stuff is that, in the final piece, the producer put a very rare-to-hear, practice by Rose, which might encourage young cello students to head for more practice. After listening this 2 CDs, I felt like I can get a little closer to Rose in person."