Act 1. Overture - Samuel Ramey, Borodin, Alexander
Act 1. Sands Of Time
Act 1. Salaam, noble
Act 1. My Magic Lamp
Act 1. I sat down, f
Act 1. Bazaar Of The
Act 1. Entrance Of L
Act 1. Not Since Nin
Act 1. Bauble, Bangl
Act 1. Paradise Gard
Act 1. Stranger In P
Act 1. He's In Love
Act 1. The Wazir's P
Act 1. Let the sente
Act 1. Bored
Act 1. Fate - Finale
Act 2. Night Of My N
Act 2. Stranger In P
Act 2. Imagine! The
Act 2. Dear Hajj, ou
Act 2. Now tell me a
Act 2. The Olive Tre
Act 2. Zubbediya
Act 2. Samaris' Danc
Act 2. Finale - Act
Listening to this high-powered 1991 studio recording may forever spoil your enjoyment of the mostly tepid voices in the 1955 movie version of Kismet. Producer Thomas Shepard and music director Paul Gemignani enlisted some ... more »of opera's best voices to record this quite operatic musical, called "a musical Arabian night" and based on the themes of 19th-century Russian composer Alexander Borodin. Samuel Ramey is a bit turgid as the Poet. Luckily, Julia Migenes as Lalume is sensational and Jerry Hadley as the Caliph and Ruth Ann Swenson as Marsinah are simply glorious. Less successful are a hysterical Mandy Patinkin (in only one number) and a braying Dom Deluise (in a vocally undemanding role as the Wazir). Thankfully, the singers are at their best in the most challenging numbers, which include some all-time favorites: "Stranger in Paradise," "Not Since Nineveh," "Baubles, Bangles, and Beads," "And This Is My Beloved," and "Night of My Nights." This CD clocks in at a generous 68 minutes, but you'll probably find yourself listening to the "hits" over and over. The same cast also recorded Man of La Mancha with Placido Domingo. Full lyrics are included. --David Horiuchi« less
Listening to this high-powered 1991 studio recording may forever spoil your enjoyment of the mostly tepid voices in the 1955 movie version of Kismet. Producer Thomas Shepard and music director Paul Gemignani enlisted some of opera's best voices to record this quite operatic musical, called "a musical Arabian night" and based on the themes of 19th-century Russian composer Alexander Borodin. Samuel Ramey is a bit turgid as the Poet. Luckily, Julia Migenes as Lalume is sensational and Jerry Hadley as the Caliph and Ruth Ann Swenson as Marsinah are simply glorious. Less successful are a hysterical Mandy Patinkin (in only one number) and a braying Dom Deluise (in a vocally undemanding role as the Wazir). Thankfully, the singers are at their best in the most challenging numbers, which include some all-time favorites: "Stranger in Paradise," "Not Since Nineveh," "Baubles, Bangles, and Beads," "And This Is My Beloved," and "Night of My Nights." This CD clocks in at a generous 68 minutes, but you'll probably find yourself listening to the "hits" over and over. The same cast also recorded Man of La Mancha with Placido Domingo. Full lyrics are included. --David Horiuchi
MOMENTS SO BEAUTIFUL THAT WILL BRING TEARS TO YOUR EYES, BUT
J. T Waldmann | Carmel, IN, home to the fabulous new Regional Perf | 07/30/2006
(3 out of 5 stars)
"This KISMET has its moments. Some of them will take your breath away, and others will make you cringe. Overall, it's a recording that you might want to include in your library, primarily because of the marvelous singing by Jerry Hadley.
"Stranger in Paradise," sung by Hadley & Ruth Ann Swenson, is so ravishingly beautiful that it will bring tears to your eyes. That moment alone is worth the price of this album. Additionally, Hadley's "Night of My Nights" will absolutely give you goose bumps. In fact, I doubt if there has ever been a better sung "Caliph" anywhere. Listen to the way he pops off high A-flats & B-flats. Wow!
Ruth Ann Swenson is a lovely "Marsinah," although she doesn't seem as comfortable in the role as either Doretta Morrow on the 1953 Original Cast recording or Lee Venora in the 1965 Lincoln Center Revival. Julia Migenes (Have you seen her CARMEN?) is in great voice as "Lalume," playing her more subtly than either Joan Diener or Anne Jeffreys. I prefer broad. Dom DeLuise is a wretched "Wazir" and sticks out like a sore thumb among the trained voices. But most wretched of all is Mandy Patinkin singing "Zubbediya," usually sung by the "Widow Yussef." What was producer Thomas Z. Shepard smoking?
Of course, the overall success of any KISMET depends on the actor/singer who play "Hajj, the Poet," and let's face it, Alfred Drake owns the part. Samuel Ramey has the voice and the looks but, unfortunately, limited acting ability. He sings all the right notes, but appears more concerned with producing a gorgeous tone than with interpreting the song. His best moment is "The Olive Tree."
Paul Gemignani leads the London Symphony Orchestra and the combined forces of the Ambrosian Singers and the Concert Chorale of New York, and how welcome they are in lieu of today's synthesized pit bands and scaled-back corps of singer/dancers. However, at times the shear mass of musicians tends to bog down the show.
In spite of its flaws, this is still a valuable recording and deserves a place in your library along with the 1953 Broadway Cast and the Lincoln Center recording - if Sony/BMG ever gets around to remastering it."
Excellent recording
Jason Flum | East Windsor, NJ United States | 08/11/2001
(5 out of 5 stars)
"This is a very strong recording of "Kismet" with some great performances by Samuel Ramey, Ruth Ann Swenson, Julia Mignes and especially Jerry Hadley. The latter's "Stranger in Paradise" (along with Swenson) and "Night of My Nights" are the best versions I've heard of these songs - absolutely beautiful. The weak parts? Dom Deluise as the Wazir -- ok, he SOUNDS the part, but he can't really sing and Mandy Patinkin on "Zubbedya (I'm sure I'm misspelling it). I'm a big Mandy Patinkin fan but he's WAY over the top on this insignificant track. I know for a complete recording of the show they needed to include this song, but frankly, this is a ridiculous track I'll be skipping over on future listens. Still, these two negatives aren't enough to argue against buying this high quality recording with MOSTLY high quality performances."
OH MY!
Good Stuff | 03/08/2005
(5 out of 5 stars)
"This is magic. Don't miss Jerry Hadley here. This remarkable artist is simply phenomenal, as is just about everyone else. Yes, Mr. Patinkin is actually a bit of a Potemkin here! But isn't he always? I think his popularity is a New York thing. But he comes and goes quickly, allowing us to revel in the voluptuousness of the rest of the cast and the dazzling music they have to sing.
OH MY!!"
A glorious recording, but do we really need another KISMET?
Mark Andrew Lawrence | Toronto | 02/27/2004
(4 out of 5 stars)
"Given the number of KISMET recordings out there, it seemed strange to me in 1991 when SONY offered up this new recording with Samuel Ramey. But it is a wonderful recording of the score, well sung and acted, and beautifully played by the London Symphony orchestra. It is also more complete than the two cast albums (1953 and 1965)and restores a song cut pror to opening: "My Magic Lamp." Even Samuel Ramey, a bass, is once again cast in a baritone role but makes it sound quite natural. Ruth Ann Swenson and Jerry Hadley make a perfect pair of lovers, and Julia Migenes is properly lusty as Lalume. As the evil Wazir Dom DeLuise is properly comic even if he does not bring full voice to the Wazir's few musical moments as did Henry Calvin in the original. As for Mandy Patinkin's take on the marriage broker... well it is just a small throwaway bit that leads into a wild dance. Mandy does not give the number the full musical value it needs and the voice quickly becomes irritating before the 90-second track ends. Skip the track. It would be a shame to bypass this wonderful Cd because of one overdone moment.The recording has been produced by Thomas Z. Shepard with the same care he always takes with his Broadway cast albums.Did we really need another recording of KISMET? After all there are 2 Broadway cast albums (original and revival), a movie soundtrack, a finely sung studio cast album Robert Merrill, Regina Resnik, Kenneth McKellar and the Mantovai strings; a lavish 2 CD set from TER/JAY that has every single note of the score plus an appenix of songs for the revised version called TUMBUKTU... and now this "digital" recording. Enough is enough. Lets have no more recordings of KISMET and instead focus on some of the scores that have not recieved their due!"