Perfection amidst perfection
06/02/2002
(5 out of 5 stars)
"If you know any CDs in the Hyperion Schubert series, you know that all of them are excellent and that some are so close to perfection they will bring a lump to your throat. Walker's Schubert, number 8 in the series, is one that will bring a tear to your eye -- or, in at least two bands, a chuckle to your lips. Ranging from one of Schubert's now strange-to-our-understanding Gothic horrors, Die Nonne, to the lovely cradle song, Walker hits the right mood every time. In Die Nonne, she manages to give the work the respect due to it in spite of the outrageous story line -- a nun, seduced and betrayed, who turns to a very violent and bloody revenge -- and bring it to our ears as a whopping great ghost story. In Wiegenlied, the cradle song, she captures precisely the great tenderness of the work, as well as imbuing the piece with the appropriate hints -- (from the lyrics) -- of potential infant mortality. Her Erlkönig is chilling, and her Standchen light-hearted and humorous. All this great interpretation, plus a ravishing voice, unsurpassed phrasing, and perfect technique. How can you resist?"
Beautiful night
HSIEH CHENG CHUNG | Taipei, Taiwan | 11/13/2007
(5 out of 5 stars)
"How did Schubert describe night? In this set, you could get much more faces of night.
Sarah Walker gave me a abundant beautiful nights, you could see the happy song in *Hochzeitslied*,D463(Wedding song); lyric and peace night in*in der mitternacht, D464(at midnight) and *wiegenlied*, D 498; of course and horriable night in *erlkonig*, D328.
I fully enjoy these beautiful songs and treat them as big treasure of Schubert, althought it's my first experience to listen them, so I hope you shouldn't miss them."