Search - Howard Shore :: Eastern Promises [Original Motion Picture Soundtrack]

The newest masterpiece from Howard Shore has arrived!

John Williams | Budapest, Hungary | 09/26/2007

(5 out of 5 stars)

"I will try not to sound cheesy, but i can't help myself, when a new Shore-composition comes out. The master of music has turned to the softer, more simple melodies, and that is most understandable, after the grand opera of the Lord of the Rings. Shore transforms easily to the small pieces of Cronenberg, his long time collaborator of two decades. The Maestro (And I grant only him and John Williams the title "maestro")uses hungarian and russian folk insteruments, such as the tarogato and the cimbalom, and they sound so new, so different. As a hungarian, it's so nice for me to know that he incorporates these interesting, center-eastern european music into his sophisticated, intimate western tunes. The clarinet and the violin also get major parts in this score, and Shore prevails again with, in my opinion an Oscar-worthy effort. I highly recommend this CD, because it is one from the more hummable pieces of Shore, similar like the superb The Departed, but much more eastern flavored. These could be put together as siblings, because they represent a certain stage of Howard Shore's career. I wonder where he's going next, because the man is on top of his game most definately. But he and I (and millions of Shore-likers too) want to have him do the Hobbit or another great epic. Let's pray to the God of Music. Until then, listen to this wonderful work of the Academy Award winning composer, Howard Shore."

Promises Kept: Shore's Somber Score for "Eastern Promises"

G M. Stathis | cedar city, utah USA | 11/30/2007

(4 out of 5 stars)

"David Cronenberg's "Eastern Promises" proved to be one of the grittiest and darkest films of the year engaging a topic that is simply gut-wrenching. Howard Shore's approach to the film is at once somber and tense. His focus on strings, especially solo violin, through most of his score gives background to characters in a very dark setting. The tone is in great part Russian (including of course some traditional source music and instrumentation), as befits the plot and several characters. As a soundtrack the recording is incredibly effective for music on a rainy autumn day. Shore again exhibits his amazing versatility in writing a serious and moving score. This is a work far removed from "The Lord of the Rings," but that should not be seen as a critique, just recognition of another fine effort from one of the great composers of this time. An outstanding solo performance by violinist Nicola Benedetti, and solid production values with adequate packaging by Sony.

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More bittersweet minimalism from Shore

crown of indica | saint paul,mn,usa | 10/01/2007

(5 out of 5 stars)

"This score was much better than Howard's work for A History of Violence in my opinion because it wasn't forced,but had a nice,steady flow to it--what I think he's best at.As usual,the music stands alone much better if you experience it in the context of the film first,but it's still great mood music.The music tends to be spacious over-all,and then brought into focus by the amazing violin soloist:it's like velvet rubbed against the soul."