Homenaje pour 'Le tombeau de Claude Debussy,' for guitar, G. 56
Popular Spanish Songs (7), for voice & piano, G. 40: El pa?o moruno
Popular Spanish Songs (7), for voice & piano, G. 40: Seguidilla murciana
Popular Spanish Songs (7), for voice & piano, G. 40: Asturiana
Popular Spanish Songs (7), for voice & piano, G. 40: Jota
Popular Spanish Songs (7), for voice & piano, G. 40: Nana
Popular Spanish Songs (7), for voice & piano, G. 40: Canci?n
Popular Spanish Songs (7), for voice & piano, G. 40: Polo
El Sombrero de tres picos, suite from the ballet for piano: Danza Del Molinero
El Amor brujo, concert version for small orchestra, G. 48: Canci?n del Pescador
El Amor brujo, concert version for small orchestra, G. 48: Canci?n del Fuego Fatuo
El Amor brujo, concert version for small orchestra, G. 48: Pantomima
El Amor brujo, concert version for small orchestra, G. 48: Medianoche
El Amor brujo, concert version for small orchestra, G. 48: Danza Ritual del Fuego
Spanish pieces (4), for piano, G. 37: Cubana
Seguidillas, for guitar ensemble
Transcripciones Para Lira Orfeo, for guitar ensemble: Mozart: Menuet de D. Joan
Transcripciones Para Lira Orfeo, for guitar ensemble: Beethoven: Menuet
Transcripciones Para Lira Orfeo, for guitar ensemble: Mozart: Serenata de D. Joan
Transcripciones Para Lira Orfeo, for guitar ensemble: Chopin: Preludi
Transcripciones Para Lira Orfeo, for guitar ensemble: Mendelssohn: Roman?a
Transcripciones Para Lira Orfeo, for guitar ensemble: Schumann: Coral
Transcripciones Para Lira Orfeo, for guitar ensemble: Schumann: Roman?a sense paraules
Transcripciones Para Lira Orfeo, for guitar ensemble: Mendelssohn: Roman?a
La filla del marxant, for orchestra of plucked instruments
L'anunciaci?, for orchestra of plucked instruments
L'Hostal de la Peira, for orchestra of plucked instruments
Suite espa?ola No. 1, for piano, Op. 47, B. 7: 1. Granada
Miguel Llobet (1878-1938) was a close contemporary and friend of Manuel de Falla (1876-1946), but never became so famous. In fact, his fame stems largely from his arrangements of Falla?s music, such as his transcription fo... more »r two guitars of Falla?s ballet El amor brujo. Falla?s own Homenaje pour le tombeau de Debussy is surely one of the greatest guitar works of the twentieth century, and it and other masterpieces are appropriately joined here by a work of Llobet?s own composition. Lira Orfeo was a Barcelona music society of which Llobet was both a founder and the director. This recording employs only vintage instruments with connections to Spanish and Catalan music.« less
Miguel Llobet (1878-1938) was a close contemporary and friend of Manuel de Falla (1876-1946), but never became so famous. In fact, his fame stems largely from his arrangements of Falla?s music, such as his transcription for two guitars of Falla?s ballet El amor brujo. Falla?s own Homenaje pour le tombeau de Debussy is surely one of the greatest guitar works of the twentieth century, and it and other masterpieces are appropriately joined here by a work of Llobet?s own composition. Lira Orfeo was a Barcelona music society of which Llobet was both a founder and the director. This recording employs only vintage instruments with connections to Spanish and Catalan music.