Search - Nicolas Gombert, Declan Costello, William Towers :: Gombert: Missa Tempore paschali; Magnificat octavi toni

Gombert: Missa Tempore paschali; Magnificat octavi toni
Nicolas Gombert, Declan Costello, William Towers
Gombert: Missa Tempore paschali; Magnificat octavi toni
Genres: Pop, Classical
 
  •  Track Listings (10) - Disc #1

Nicolas Gombert may just have been a Bill Clinton-style "comeback kid": he died an admired and well-compensated composer of church music despite a scandal that got him briefly sentenced to the galley of a ship. He has been...  more »

     
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CD Details

All Artists: Nicolas Gombert, Declan Costello, William Towers, Robin Blaze, Duncan Byrne, Nick Todd, Nicholas Yates, Toby Watkin
Title: Gombert: Missa Tempore paschali; Magnificat octavi toni
Members Wishing: 1
Total Copies: 0
Label: Hyperion UK
Release Date: 6/10/1997
Album Type: Import
Genres: Pop, Classical
Styles: Vocal Pop, Opera & Classical Vocal, Historical Periods, Early Music
Number of Discs: 1
SwapaCD Credits: 1
UPC: 034571169439

Synopsis

Amazon.com
Nicolas Gombert may just have been a Bill Clinton-style "comeback kid": he died an admired and well-compensated composer of church music despite a scandal that got him briefly sentenced to the galley of a ship. He has been underrepresented on disc, probably because his restless imitative style can sometimes be difficult for nonspecialists to grasp. So Hyperion's series of Gombert recordings is valuable for more than just the lovely performance by Henry's Eight. The highlights of this release include In illo tempore, the motet on which Monteverdi based the Mass he published alongside his Vespers of 1610, and the Missa tempore paschali for Easter, written mostly for 6 voices but using 8 in the Credo and 12 in the final Agnus Dei. --Matthew Westphal

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CD Reviews

Astonishing Ear Opener
Thomas Tallis | Long Beach, CA United States | 01/09/2002
(5 out of 5 stars)

"We tend to think of Renaissance composers as purveyors of smooth, consonant, somewhat soporific music. Well... It turns out not to be the case. Modern editors edit out the crashing dissonances found in much Renaissance music under the guise of "musica ficta," allowing cross-relations only at cadences.Now comes this ear-opening recording which presents Gombert's music as he wrote it, jarring dissonances and all. Listen to the 12-part Agnus Dei on this recording. Sublimely dissonant, cross-relations abound.Don't miss this recording or its companion collection of Gombert's motets."