Air Nymphs and Shepherds for voice and continuo (The Libertine, 1695)
Fantasia-suite in D major for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : I. Fantasia
Fantasia-suite in D major for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : II. Almain
Fantasia-suite in D major for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : III. Corant
Air Come away for voice and instruments (The Second Booke of Ayres containing Light Conceits of Lovers, Londres, v.1613)
Trio sonata No.6 in C major for 2 violins and continuo, Z.795 (Sonnata's of III Parts) : I. Sonnata
Trio sonata No.6 in C major for 2 violins and continuo, Z.795 (Sonnata's of III Parts) : II. Canzona
Trio sonata No.6 in C major for 2 violins and continuo, Z.795 (Sonnata's of III Parts) : III. Largo 2
Trio sonata No.6 in C major for 2 violins and continuo, Z.795 (Sonnata's of III Parts) : IV. Allegro
Air Her Rosie Cheekes for voice and instruments (The Second Booke of Ayres)
Fantasia-suite in A minor for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : I. Fantasia
Fantasia-suite in A minor for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : II. Almain
Fantasia-suite in A minor for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : III. Corant
Air Music for a While for voice and continuo (Oedipus, 1692)
Trio sonata No.5 in A minor for 2 violins and continuo, Z.794 (Sonnata's of III Parts, Londres, 1683) : I. Sonnata
Trio sonata No.5 in A minor for 2 violins and continuo, Z.794 (Sonnata's of III Parts, Londres, 1683) : II. Adagio
Trio sonata No.5 in A minor for 2 violins and continuo, Z.794 (Sonnata's of III Parts, Londres, 1683) : III. Largo
Trio sonata No.5 in A minor for 2 violins and continuo, Z.794 (Sonnata's of III Parts, Londres, 1683) : IV. Grave - Canzona - Adagio
Air Give Beauty all her Right for voice and instruments (The Second Booke of Ayres)
Fantasia-suite in G minor for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : I. Fantasia
Fantasia-suite in G minor for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : II. Almain
Fantasia-suite in G minor for 2 violins, 2 violas da gamba and continuo (manus., s.d.) : III. Corant
Air O Deare that I with thee might live for voice and instruments (The Second Booke of Ayres)
Air Sweet exclude Me not for voice and instruments (The Second Booke of Ayres)
Lamento When I am laid in Earth for voice, strings and continuo (Dido and Æneas, 1689)
Air The Peaceful Western Wind for voice and instruments (The Second Booke of Ayres)
If his music lacks the depth and harmonic richness of a John Dowland, Thomas Campion can still be counted among the early-17th-century masters of the lute song, a genre that Henry de Rouville described as a "miniature for ... more »voice and lute, with the accompaniment creating an atmosphere ranging from pastoral calm to unhappy love," and in which one finds "this sad humour, so typically British, which gives one the impression that one's tears would like to dance."« less
If his music lacks the depth and harmonic richness of a John Dowland, Thomas Campion can still be counted among the early-17th-century masters of the lute song, a genre that Henry de Rouville described as a "miniature for voice and lute, with the accompaniment creating an atmosphere ranging from pastoral calm to unhappy love," and in which one finds "this sad humour, so typically British, which gives one the impression that one's tears would like to dance."