Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Der Dichter, Als Prolog
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Das Wandern
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Wohin?
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Halt!
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Danksagung An Den Bach
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Am Feierabend
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Der Neugierige
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Ungeduld
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Morgengru?
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Des M?llers Blumen
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Tr?nenregen
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Mein!
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Pause
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Mit Dem Gr?nen Lautenbande
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Der J?ger
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Eifersucht Und Stolz
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Die Liebe Farbe
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Die B?se Farbe
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Trockne Blumen
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Der M?ller Und Der Bach
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Des Baches Wiegenlied
Die sch?ne M?llerin, song cycle, for voice & piano, D. 795 (Op. 25): Epilog
Dietrich Fischer-Dieskau has become an all-pervasive and increasingly mannered recording presence in the last few decades of his life. As a result, it takes an earlier, fresher recording such as this to remind you what ... more »a great singer he was. This 1961 outing with Schubert's second-greatest song cycle (the first being Winterreise) is consistently lively, straightforward, passionate, and sincere, almost completely devoid of the show-off trickery that mars many of his later efforts. Best of all, the voice has a supple richness that allows him to sound boyish at the start of this song cycle about a heartbroken youth, though he also has a vocal weight to go to the depths of tragedy as the protagonist experiences escalating devastation. Gerald Moore accompanies with his customary discreet intelligence. This recording has achieved classic status for good reason. --David Patrick Stearns« less
Dietrich Fischer-Dieskau has become an all-pervasive and increasingly mannered recording presence in the last few decades of his life. As a result, it takes an earlier, fresher recording such as this to remind you what a great singer he was. This 1961 outing with Schubert's second-greatest song cycle (the first being Winterreise) is consistently lively, straightforward, passionate, and sincere, almost completely devoid of the show-off trickery that mars many of his later efforts. Best of all, the voice has a supple richness that allows him to sound boyish at the start of this song cycle about a heartbroken youth, though he also has a vocal weight to go to the depths of tragedy as the protagonist experiences escalating devastation. Gerald Moore accompanies with his customary discreet intelligence. This recording has achieved classic status for good reason. --David Patrick Stearns