CD Details
All Artists: Philip Glass, Edna Michell, Allen Ginsberg Title: Compassion: A Tribute to Yehudi Menuhin Members Wishing: 3 Total Copies: 0 Label: Angel Records Release Date: 6/19/2001 Genres: Pop, Classical Styles: Vocal Pop, Opera & Classical Vocal, Chamber Music, Forms & Genres, Concertos, Instruments, Strings, Symphonies Number of Discs: 1 SwapaCD Credits: 1 UPCs: 724355717924, 0724355717955, 724355717955 |
Synopsis
Amazon.comFifteen of the world's greatest living composers contributed works for Compassion, the musical tribute to Yehudi Menuhin and the enlightened ideals of the late violin maestro. The lineup is impressive and seemingly spans the entire spectrum of contemporary composing styles: John Tavener, Hans Werner Henze, Poul Ruders, Iannis Xenakis, Lukas Foss, Philip Glass, and numerous others. Oddly, the music they've written is, for the most part, quite similar--short, somber pieces that, not surprisingly, emphasize the violin. There are some impressive achievements, however. Somei Satoh's "Innocence" for soprano, violin, and cellos sounds a little like the "holy minimalism" of Arvo Pärt; Glass's "Echorus" features the narration of Allen Ginsberg; and Foss's "Romance" pursues a fading-Americana theme and includes an excerpt from Walt Whitman. The six-minute work for violin, string orchestra, and soprano also has a spirited mood, which is quite refreshing on this sobering disc. Violinist and Menuhin collaborator Edna Michell lovingly plays all these pieces with the Czech Philharmonic Chamber Orchestra. It's a unique tribute to a unique figure in Classical music, but it's not for everyone. For an even better sense of Menuhin's magic, check out one of his legendary early recordings. --Jason Verlinde
Similarly Requested CDs
| |
CD Reviews
Something for everyone -- and some things for no one ... Michael Simpson | Austin, TX USA | 06/02/2005 (4 out of 5 stars) "I agree that this collection of 15 20th-Century music is best taken in portions, rather than its entirety. I enjoy many of the compositions more than others, but on the whole the selections are engaging. I didn't care for the Glass work, "Echorus", but that's my own personal prejudice (this was the first Glass composition to make its way into my 400+ classical CD collection). The less tonal works are hard to digest all at once, but if you have an ear for atonality, you should enjoy the middle tracks, particularly the Leef, Xenakis, Foss, and Husa. The final Duet for violins and string orchestra was my first exposure to a composition by Steven Reich other than his Music for Eighteen Musicians. Unfortunately, my CD has some damage to this track at the very end; I don't know if this is a problem with copies other than my own. This is an eclectic selection, but one that belongs in the library of serious modern music connoisseurs."
|