Medley: Soon One Mornin' - What You Goin' Do When The World's On Fire? - You Can't Hide - Run On For A Long Time
Didn't It Rain
Sit Down Servant - Plenty Good Room
Keep Your Hand On The Plow (Hold On)
My Soul Is A Witness
There Is A Balm In Gilead
Medley: Sometimes I Feel Like A Motherless Child - Poor Pilgrim Of Sorrow - Walk In Jerusalem
Be Still And Know That I'm God
Chanticleer's repertoire ranges through many centuries. On this recording, the group again proves its infinite versatility in a program of gospel music and spirituals. The singing is so authentic that one feels like a part... more »icipant in a gospel meeting, swaying to the rhythm with the crowd. Contributing greatly to the impact is Chanticleer's guest, Yvette A. Funder. Possessor of a voice remarkable for its range, power, and flexibility, she brings to the music the empathy and authority of one born and raised in the tradition, whether leading call-and-response, engaging in improvisations that soar high above the chorus, crooning softly in meditation, or shouting in ecstasy. (She is also an active Bishop ministering to the poor and afflicted, and the founder of various social service agencies in California.) Several songs include soloists drawn from the chorus as well, most notably a tenor, a countertenor and a bass who provides a rhythmic ostinato. The program, designed for maximum variety of tempo, mood, character and texture, includes many favorite songs and spirituals, such as "Amazing Grace," "There is a Balm in Gilead," "Sometimes I Feel like a Motherless Child." The arrangements by Joseph Jennings, Chanticleer's Music Director for 20 years, are admirably simple and very good; only a few are marred by awkward modulations or overly sophisticated, Hollywood-inspired effects. Most of them are for a cappella voices. Jennings also contributes a new original composition: "Be still and Know that I'm God." Repeating these words like an invocation, it builds a cumulative drama with increasingly wild, elaborate improvisations in call-and-response between soloist and chorus; supported by a prominent piano part that includes solos, chordal and running passages, it ends with a rousing climax. --Edith Eisler« less
Chanticleer's repertoire ranges through many centuries. On this recording, the group again proves its infinite versatility in a program of gospel music and spirituals. The singing is so authentic that one feels like a participant in a gospel meeting, swaying to the rhythm with the crowd. Contributing greatly to the impact is Chanticleer's guest, Yvette A. Funder. Possessor of a voice remarkable for its range, power, and flexibility, she brings to the music the empathy and authority of one born and raised in the tradition, whether leading call-and-response, engaging in improvisations that soar high above the chorus, crooning softly in meditation, or shouting in ecstasy. (She is also an active Bishop ministering to the poor and afflicted, and the founder of various social service agencies in California.) Several songs include soloists drawn from the chorus as well, most notably a tenor, a countertenor and a bass who provides a rhythmic ostinato. The program, designed for maximum variety of tempo, mood, character and texture, includes many favorite songs and spirituals, such as "Amazing Grace," "There is a Balm in Gilead," "Sometimes I Feel like a Motherless Child." The arrangements by Joseph Jennings, Chanticleer's Music Director for 20 years, are admirably simple and very good; only a few are marred by awkward modulations or overly sophisticated, Hollywood-inspired effects. Most of them are for a cappella voices. Jennings also contributes a new original composition: "Be still and Know that I'm God." Repeating these words like an invocation, it builds a cumulative drama with increasingly wild, elaborate improvisations in call-and-response between soloist and chorus; supported by a prominent piano part that includes solos, chordal and running passages, it ends with a rousing climax. --Edith Eisler
"While I was a member of Chanticleer when this CD ("How Sweet the Sound") was recorded, I have been away from the group for over a year. When I listened to the advance copy, I was transformed.
The 12 singers of Chanticleer are hyper-critical when it comes to reviewing their work on recording and I'm certainly no exception. Having said that, this recording goes beyond just a casual listen and touches the soul.
Chanticleer is known for its prestine tone and perfect blend and this recording has many moments of that. On the other hand, what this album offers is something rarely recognized on other Chanticleer CD's: life, energy, and, dare I say it, FUN!
Another rarity is the decision to use only arrangements by Chanticleer's music director, Joseph Jennings. Having been with the ensemble for over 20 years, Joe knows each voice intimately and his arrangements are tailor-made for the twelve voices on this recording. Joe's gift is not of this world (even his piano playing is otherworldly) and his heart, soul, and spirit permiate this CD.
Chanticleer is joined by Bishop Yvette Flunder for this album. She is an inspiration and a joy to work with. Her energy, selflessness, and pure love of what she does is infectious. It was a privilege to work with such a consummate performer and spirit.
Not to be forgotten is the producer, Steve Barnett. Steve has produced countless recordings for Chanticleer and this one is, in my opinion, his best work. With engineer Preston Smith at his side, they created a blend that remains faithful to Chanticleer's "sound" and yet pushes the envelope ever so slightly to allow the "soul" of the ensemble to shine.
To end; Joe's original composition "Be still and know" is an anthem for the world! In this age of so much uncertainty and pain, this piece reminds us that there is something greater. Between "Be still" and "Balm in Gilead", well,...you get the idea.
This is a recording for our time. You will not be disappointed whether your a fan of Chanticleer or not. I highly recommend this CD. And, it makes a good stocking stuffer!"
They got it right this time
Elizabeth | Vermont | 09/28/2004
(5 out of 5 stars)
"I bought "Where The Sun Will Never Go Down" and found it "nice". Fine singing, nice arrangements, but very concert-like, very correct, and uninspired, except for "Twelve Gates of the City". The possibilities of that cut made me buy this CD, and there is no doubt that the guys got it right this time. This is as fine gospel singing as you will hear. If you think of the Dixie Hummingbirds or the Golden Gate Quartet or the Abyssinian Church Choir or Aretha Franklin and James Cleveland's "Precious Memories", this CD has a place right up there with the recordings of those luminaries."
Twelve Not at All Angry Men And One Inspired Bishop
Ed Uyeshima | San Francisco, CA USA | 11/02/2004
(5 out of 5 stars)
"Before this recording, I have to admit that I thought Chanticleer was a pleasing though rather pristine choir, a classic case of style over substance, granted a mellifluous group of voices but not all that stirring to my ears. Fortunately that perception has changed with this latest recording, which taps into a rich tapestry of spirituals and traditional gospel music. Recorded live at St. Ignatius Church here in San Francisco, this disc reflects pure and unbridled vocal beauty provided by the twelve men who make up Chanticleer plus an indispensable 13th voice, that of Bishop Yvette Flunder, a member of the fabled Hawkins Family Singers and a solo artist in her own right. No soul shouter, she unearths her power through her commitment to the words, an approach that grounds the fanciful vocal fireworks the men can generate.
What's nice is that this recording has no multiple tracking, no overdubs, just pure singing. Even with such familiar standards such as "Amazing Grace" and "There Is a Balm in Gilead", the combined effect of Chanticleer and Flunder is wondrous. But even by themselves, the sound these men achieve is incredibly full and rich, obviously inspired by the sacred program and nicely complemented by music director Joseph Jennings' expert arrangements. Jennings himself shows off some powerful vocal chops of his own on "You Can't Hide," "Sit Down Servant" and "Plenty Good Room". Even the one number that borders on camp, the opener "Jesus Hits Like an Atom Bomb" has a nice, doo-wop feel that allows the listener to sidle into the mainly gospel program easily. This is an unexpected surprise. Highly recommended, and I agree with the first review from Mr. White (who does a fine job on "Walk in Jerusalem")...this seems like the ideal holiday gift."
How Sweet the Sound: Spirituals & Gospel
ruby jewel | California | 10/07/2004
(5 out of 5 stars)
"I've been a Chanticleer fan for many years now and own almost all of their recordings, including "Where the Sun will Never Go Down, but, like another reviewer said, most of the gospel music on that CD was too "concert like"; but this one is just about the best gospel recording they've ever done. My CD arrived yesterday and it hasn't been of the player yet. If you're a gospel music fan, don't miss this CD!"
Amazing
news4fan | 10/08/2004
(5 out of 5 stars)
"This is truly an amazing recording from a surperior group--well worth your time and money. Chanticleer sings with inspired precision and makes you want to listen over and over again. On this recording, they sing mostly spirituals with a few gospel music selections at the beginning. The arrangements are solely by Joseph Jennings, the Music Director--every single one of his arrangements is thoroughly excellent.
The true stand out track is "Keep your Hand on the Plow," with a marvelous countertenor solo. A great delight to listen to. Other highlights include "Jesus Hits Like an Atom Bomb," and "Didn't in Rain." On the latter track, Chanticleer is joined by guest artist Bishop Yvette Flounder, an active member of the Church and powerful singer, who just adds to the great musicianship already assembled. She also sings with Chanticleer on a few other selections including the classics "Amazing Grace" and "There is a Balm in Gilead." On both of these tracks, Jennings' arrangments are very slow. This works against him on "Amazing Grace," a selection that drags on for over seven minutes and is a bit tedious to listen to. However, this works wonderfully for him on "There is a Balm," which goes on for quite a while, but every second is worth the deep passion felt while listening.
In summary, this is not to be missed. Don't think twice."