Shake Hands with Santa Claus - Louis Prima, DeLugg, Milton
Oooh-Dahdily-Dah - Louis Prima, Prima, Louis
Basta - Louis Prima, Barer, Marshall
The Bigger the Figure - Louis Prima, Barer, Marshall
Boney Bones - Louis Prima, DeMare
One Mint Julep - Louis Prima, Toombs, Rudy
Chili Sauce - Louis Prima, Kinberg, B.
Oh, Marie - Louis Prima, DeCapua, E.
Luigi - Louis Prima, Antonio, A.
Paul Revere - Louis Prima, Darnell, B.
It's Good as New (I Painted It Blue) - Louis Prima, Bernier, Buddy
Barnacle Bill the Sailor - Louis Prima, Luther, Frank [Cout
Shepherd Boy - Louis Prima, Bagdasarian, Ross
Chop Suey, Chow Mein - Louis Prima, White, A.
The bulk of Louis Prima's finest, Vegas-era output for Capitol has yet to be reissued on CD, but this record--a true oddity in his discography--has somehow found its way onto the digital format. Catapulted to Columbia Reco... more »rds on the success of his self-released single of "Oh Babe"--eventually covered by Wynonie Harris, Kay Starr, and Lionel Hampton, among others--Prima recorded a handful of novelty sides under the production helm of Mitch Miller in the early '50s. This 1958 LP collects these tunes and showcases Prima's poppier, pre-swing sensibility. Heavy on the kitsch and light on the R&B and jazz, this is Prima at his most polished (thanks, no doubt, to Miller at the controls). It's hard not to enjoy "The Bigger the Figure" (Prima's ode to the overweight that's a play on The Barber of Seville) or the frolicking "Barnacle Bill the Sailor," comedic tunes with lightning-fast punch lines and plenty of semi-innocent sexual innuendoes. It's a must for Prima and Keely Smith fans--just don't expect the "Jump, Jive, an' Wail" of his later efforts. --Jason Verlinde« less
The bulk of Louis Prima's finest, Vegas-era output for Capitol has yet to be reissued on CD, but this record--a true oddity in his discography--has somehow found its way onto the digital format. Catapulted to Columbia Records on the success of his self-released single of "Oh Babe"--eventually covered by Wynonie Harris, Kay Starr, and Lionel Hampton, among others--Prima recorded a handful of novelty sides under the production helm of Mitch Miller in the early '50s. This 1958 LP collects these tunes and showcases Prima's poppier, pre-swing sensibility. Heavy on the kitsch and light on the R&B and jazz, this is Prima at his most polished (thanks, no doubt, to Miller at the controls). It's hard not to enjoy "The Bigger the Figure" (Prima's ode to the overweight that's a play on The Barber of Seville) or the frolicking "Barnacle Bill the Sailor," comedic tunes with lightning-fast punch lines and plenty of semi-innocent sexual innuendoes. It's a must for Prima and Keely Smith fans--just don't expect the "Jump, Jive, an' Wail" of his later efforts. --Jason Verlinde
"This set was masterminded by evil-genious Mitch Miller(who unfortionately produced middle of the road muzak for artists as diverse as Rosemary Clooney and Tony Bennett). He could take a great artist like Louis Prima and make him sing terrible songs backed by an all white "not swingin'" choir. However Louis Prima & Keely Smith got by(just as Rosemary Clooney did on many a session)even with Miller's middle of the road arrangements. Louis Prima is so influenced by Louis Armstrong(he's like an Italian Satchmo) that jazz collectors like myself can't help but buy his records, and Keely Smith(though not as comprehensive as Ella Fitzgerald) has a highly appealing sweet and always swinging voice. This CD re-issue of the original LP "Breakin' It Up" has informative liner notes by jazz critic Will Friedwald author of "Jazz Singing." Although some of the Mitch Miller-ish arrangements may be a tad dated Louis & Keely shine through, and come out winners in this overall enjoyable set, although one wishes Mitch Miller had stuck to playing the obo, rather then have chosen to cheapen american pop music during the 50's. Still this set comes recommended. Also try the more swingin' sets on Capital "The Wildest" and "Call Of The Wildest." Both re-issued on CD."
Authentic, and catchy!
Daniel Burke | 12/28/1998
(5 out of 5 stars)
"I got into this retro\new swing-esque stuff via the Squirrel Nut Zippers,who are awesome,followed by Royal Crown Revue and Brian Setzer, but Loius Prima is the real thang, baby. I had never really heard of the guy before getting this CD as a gift, but I was hooked by the authenticity, the sound, and Louis' husky-sounding playful swingin' from the start! Keely Smith is a wonderful complement, with her clear sounding voice. Not only is their sound authentic and catchy, you can hear the vernacular of the time, even the way they mis-pronounce Tofu as "Toofoo", heh, and Louis' Creole\Brooklyn Italian singing voice is great! If you love the bands I do, you'll love this album. A good one to add to your authentically 'retro' section. ;)Dan The Burke"
Ya Gotta' Love A Man With A Sense Of Humador
Daniel Burke | 03/10/1999
(5 out of 5 stars)
"A great remaster of some well produced early 50's studio dates. And it's plain to hear Louis is having a great time holding court in Mitch Miller's studio. Although Keely Smith isn't on but half the CD, the sound quality is superbulous, and it does capture a time when their chemistry together would have been inspiration at the Salt Flats. The tune 'One Mint Julep' is worth the price of admission alone. And I dug the fact this tune was recorded four days before I was born, somethings ya just gotta' love. Hip. Hip."
More traditional style swing Prima -- NOT Butera era
Joel L. Gandelman | San Diego, CA USA | 10/08/2003
(4 out of 5 stars)
"Any Louis Prima music is great music and if you collect Prima and/or are a fan of big band/swing music you'll love this CD. But there really needs to be a BUYER BEWARE posted on it.
This is similar to the Frank Sinatra collections issued by Columbia. Sinatra was not exactly..ahem...delighted by working with Columbia's Mitch Miller, who liked novelty numbers and a more traditional sound. It was only when he switched to Capitol and Nelson Riddle that his career was reborn. If someone bought a CD with the very early Sinatra they get great music, but NOT the later Sinatra sound...not Sinatra at his peak.
The same thing applies to Prima. This CD's recordings are from an earlier era, again under Miller. And while they are not bad (many are quite good) they are NOT the same Prima sound that emerged years later when Sam Butera joined Prima and created the increasingly popular (I had a teen clerk at a CD store recently go on and on about Prima) sound that Prima created with Butera.
Don't expect the rock-in-disguise sax, the sudden beat changes, etc. This CD music is more akin to music of the late to mid 40s than the Prima music that is used now in movies and commercials as he FINALLY gains the respect and adoration that he was denied during his lifetime.
So this is a good collection...but NOT the Louis Prima sound that has appealed to young people today. Even the novelty numbers don't have the pizazz of later recordings and it all sounds very studio-like. It's like watching a 50s t.v. western with a painted mountain backdrop versus a movie filed on location. The later Prima recordings were alive and reflected the beginnings of the rock revolution; the recordings in this CD look back to the 40s. Nothing wrong with that...but if you're looking for the later sound look elsewhere."
Worth adding to your Louis collection!
Katrina Sussmeier (k@starlinkproduc | San Jose CA USA | 07/11/1999
(4 out of 5 stars)
"I thought I had all the Louis Prima music I needed....and I love it, but....then I heard this album and knew I needed this too! It's different enough to need but reliably Prima, so of course it's an instant mood lifter! I catch myself singing Basta and The Bigger The Better all the time!"