Superior arrangements & performance. Billy May at his best!
W.Don Wood | Matawan,, New Jersey USA | 04/28/1999
(5 out of 5 stars)
"I purchased the 12" LP when it first appeared in the late fifties...the sound is brass that bites along with Billy's slurping sax sounds. The stereo set-up has brass right reeds left and rhythm center. Capitol knew some stuff about recording big bands...and it shows. Absolutly superp! The second album from NO STRINGS does not come off as well, but buy for GIRLS & BOYS. The first 12 tracks are a workout for your stereo system."
Broadway Big Band Style and without Strings
Darryl Geddes | Syracuse, NY | 04/24/2001
(3 out of 5 stars)
"Billy May meets Broadway in this Big Band send-off of some of the Great White Way's classic selections. The first album on this CD twofer finds May conducting a rich brass section that raises the volume on Till There Was You and Heart. The second album, The Sweetest Swingin Sounds of 'No Strings,' is May's take on the Richard Rodgers 1962 musical "No Strings," in which Rodgers composed all tunes with only brass, reeds and percussions. On the downside, the show tunes tend to be overly arranged and May's blaring brass section seems to overwhelm most selections."
THE ONE AND ONLY BILLY MAY
Giovanni | Chicago, IL | 10/25/2002
(5 out of 5 stars)
"The irascible Billy May, premire arranger and conductor for so many of the greats, and on his own, is presented here with two of his albums for Capitol on one great CD. May's popularity rose for his dance albums, and that got him on board at Capitol to do some arranging and conducting. A favorite of the likes of Nat King Cole and Frank Sinatra, needless to say those guys were no fools when it came to working with the best! His trademark lazy sax music and sharp brash arrangements for brass are probably the most recognizable of the era. But Billy wasn't all about swingin'; he could write a heartwarming slow ballad chart with equal ease (but somehow always found a way to get a brass blast in there somewhere!) The lusty undertones of WHERE DID WE GO? OUT! is one of the lesser known standouts on the GIRLS AND BOYS ON BROADWAY sides, which is worth the price of this CD just for the album cover (Billy May parading as a vendor selling chestnuts to the "cast kids"!) but there are other greats here, like Billy and the orchestra's reading of Frank Loesser's masterpiece GUYS AND DOLLS and the lovely TILL THERE WAS YOU from The Music Man, a tune Billy would later arrange for the great multi-octaved singer, John Gary with a similar chart.
While the NO STRINGS sides are, as my fellow reviewer mentions, not as exciting, they are still Billy May...and that means original and inventive, if nothing else! I love what is done with the charming LOOK NO FURTHER. The mood is perfectly captured and the slightest essence of swing is there (complete with the aforementioned "brass blast" on the bridge!) and the smart version of THE MAN WHO HAS EVERYTHING is also not to be missed. MAINE and LOVE MAKES THE WORLD GO are two more of Richard Rodgers' fine songs that make the NO STRINGS sides valuable. Great "two-fer" to have in your collection!"
Track Listings (26) - Disc #1