I Got It Bad (And That Ain't Good) - Billy Eckstine,
Jitney Man - Billy Eckstine,
Stormy Monday Blues - Billy Eckstine,
I Stay in the Mood for You - Billy Eckstine, Eckstine, Billy
I Want to Talk About You - Billy Eckstine, Eckstine, Billy
Lonesome Lover Blues - Billy Eckstine, Eckstine, Billy
I Love the Rhythm in a Riff - Billy Eckstine, Eckstine, Billy
Prisoner of Love - Billy Eckstine, Columbo, Russ
All I Sing Is Blues - Billy Eckstine, Gray, Fred
Tell Me Pretty Baby - Billy Eckstine, Eckstine, Billy
Oo Bop Sh'bam - Billy Eckstine, Fuller, Gil
All the Things You Are - Billy Eckstine, Hammerstein, Oscar
Blues for Sale - Billy Eckstine, Eckstine, Billy
Everything I Have Is Yours - Billy Eckstine, Adamson, Harold
I Apologize - Billy Eckstine, Goodhart
St. Louis Blues, Pts. 1 & 2 - Billy Eckstine, Handy, W.C.
Billy Eckstine was one of the top singers to emerge in the late 1930s and 1940s, with a deep baritone voice that stood apart and became very influential on future jazz singers. He had a broader range than his contemporarie... more »s; most of the male singers in black swing orchestras either performed jump tunes or sang ballads with high voices. Eckstine used his deep, masculine voice with equally high skill on romantic ballads and jazz songs, and he was even an underrated scat singer. Eckstine also holds a special place in jazz history because of his leadership of one of the very first bebop orchestras. This important compilation contains 20 of Mr. B?s most beloved jazz recordings, heard together on a single CD for the very first time, with remastered sound, detailed notes by Scott Yanow and rare historic photos.« less
Billy Eckstine was one of the top singers to emerge in the late 1930s and 1940s, with a deep baritone voice that stood apart and became very influential on future jazz singers. He had a broader range than his contemporaries; most of the male singers in black swing orchestras either performed jump tunes or sang ballads with high voices. Eckstine used his deep, masculine voice with equally high skill on romantic ballads and jazz songs, and he was even an underrated scat singer. Eckstine also holds a special place in jazz history because of his leadership of one of the very first bebop orchestras. This important compilation contains 20 of Mr. B?s most beloved jazz recordings, heard together on a single CD for the very first time, with remastered sound, detailed notes by Scott Yanow and rare historic photos.