Miss Brown to You - Billie Holiday, Rainger, Ralph
What a Little Moonlight Can Do - Billie Holiday, Woods, Harry
I Cried for You - Billie Holiday, Arnheim, Gus
Mean to Me - Billie Holiday, Ahlert, Fred E.
Strange Fruit - Billie Holiday, Allen, L.
Fine and Mellow - Billie Holiday, Holiday, Billie
God Bless the Child - Billie Holiday, Herzog, Arthur Jr.
Trav'lin' Light - Billie Holiday, Mercer, Johnny
My Old Flame - Billie Holiday, Coslow, Sam
I'll Get By (As Long as I Have You) - Billie Holiday, Ahlert, Fred E.
Billie's Blues - Billie Holiday, Holiday, Billie
He's Funny That Way - Billie Holiday, Moret, Neil
Lover Man - Billie Holiday, Davis, Jimmy [3]
Don't Explain - Billie Holiday, Herzog, Arthur Jr.
Good Morning Heartache - Billie Holiday, Drake, Ervin
No Good Man - Billie Holiday, Fisher, Dan
The Blues Are Brewin' - Billie Holiday, Alter, Louis
Solitude - Billie Holiday, DeLange, Eddie
Easy Living - Billie Holiday, Rainger, Ralph
I Loves You Porgy - Billie Holiday, Gershwin, George
My Man (Mon Homme) - Billie Holiday, Charles, Jacques
'Tain't Nobody's Bizness if I Do - Billie Holiday, Grainger, Porter
Track Listings (20) - Disc #2
Them There Eyes - Billie Holiday, Pinkard, Maceo
You Can't Lose a Broken Heart - Billie Holiday, Johnson, James P.
You're My Thrill - Billie Holiday, Clare, Sidney
Crazy He Calls Me - Billie Holiday, Russell, Bob
Detour Ahead - Billie Holiday, Carter, Lou
These Foolish Things - Billie Holiday, Holt
You Go to My Head - Billie Holiday, Coots, J. Fred
Love Me or Leave Me - Billie Holiday, Donaldson, Walter
Willow Weep for Me - Billie Holiday, Ronell, Ann
I Thought About You - Billie Holiday, Mercer, Johnny
I've Got My Love to Keep Me Warm - Billie Holiday, Berlin, Irving
Come Rain or Come Shine - Billie Holiday, Arlen, Harold
It Had to Be You - Billie Holiday, Jones, Isham
What's New? - Billie Holiday, Burke, Johnny [Lyri
Lady Sings the Blues - Billie Holiday, Holiday, Billie
I Cover the Waterfront [Live] - Billie Holiday, Green, Johnny [1]
Body and Soul - Billie Holiday, Eyton, Frank
But Not for Me - Billie Holiday, Gershwin, George
One for My Baby (And One More for the Road) - Billie Holiday, Arlen, Harold
I'm a Fool to Want You - Billie Holiday, Herron, Joel
Billie Holiday (1917-59) wore gardenias, was a teenaged prostitute, did drugs, and died with a cop posted outside her hospital bed. But with her gravel-like vocals, and behind-the-beat phrasing, she was one of the grea... more »test singers of the twentieth century. This multimedia collection commemorates her ninetieth birthday. Two CDs contain forty two of her greatest hits, from her 1935 stint with Benny Goodman, to her chilling 1958 strings album, Lady in Satin. It features her signature songs like "Good Morning Heartache," "God Bless the Child," and her unforgettable anti-lynching number "Strange Fruit." The DVD includes film cameos with Duke Ellington and Louis Armstrong, photographs, posters, rehearsals and interviews with friends and musicians, including a rediscovered 1956 radio broadcast with a young Mike Wallace. Her achy artistry is timeless, and as Ashley Kahn wrote in his superb liner notes, "Billie will be there tonight, tomorrow night and a long time to come." --Eugene Holley, Jr.« less
Billie Holiday (1917-59) wore gardenias, was a teenaged prostitute, did drugs, and died with a cop posted outside her hospital bed. But with her gravel-like vocals, and behind-the-beat phrasing, she was one of the greatest singers of the twentieth century. This multimedia collection commemorates her ninetieth birthday. Two CDs contain forty two of her greatest hits, from her 1935 stint with Benny Goodman, to her chilling 1958 strings album, Lady in Satin. It features her signature songs like "Good Morning Heartache," "God Bless the Child," and her unforgettable anti-lynching number "Strange Fruit." The DVD includes film cameos with Duke Ellington and Louis Armstrong, photographs, posters, rehearsals and interviews with friends and musicians, including a rediscovered 1956 radio broadcast with a young Mike Wallace. Her achy artistry is timeless, and as Ashley Kahn wrote in his superb liner notes, "Billie will be there tonight, tomorrow night and a long time to come." --Eugene Holley, Jr.
The ultimate starting point (collectors take notice, too)!
J. Lund | SoCal, USA | 04/13/2005
(5 out of 5 stars)
"It seems as if every year or two we're looking at a new and improved Billie Holiday anthology, and THE ULTIMATE COLLECTION is the latest and probably best Lady Day introduction to date. As others have mentioned, this set covers her entire career via 42 tracks on two CDs. The set is skimpy on Billie's first decade (albeit we do get such gems as "God Bless The Child"). However, you can easily balance that out by one additional purchase: the highly-recommended 2-CD set LADY DAY: THE BEST OF BILLIE HOLIDAY on Sony, which has 38 key tracks from the early years (only three of which are repeated here). Several key tracks from her 1939-1944 Commodore sessions (including "Strange Fruit") and the 1942 cut "Trav'lin' Light" (with Paul Whiteman) offer further proof of this set's wide reach in covering her career.
Being that the set is produced in collaboration with the Decca and Verve labels, the last fifteen years of Billie's career get excellent coverage. There's a certain point in the 1950s where some Lady Day fans mourn the perceived wear-and-tear in her voice, while others such as myself celebrate the deeper emotive power and increasingly inventive melodic, rhythmic, and harmonic chances she takes with classic pop tunes. Even so, by the final track "I'm A Fool To Want You" (from the much-debated 1958 LADY IN SATIN album) it's difficult for most listeners to not feel 1) pushed away by her fading voice and 2) pulled back in by the communicative power of her heart-on-sleeve phrasing (one error in the set's booklet: this cut is not from her last session).
The DVD has an effective mix of seen and unseen footage. The 1934 and 1946 movie appearances have been issued in their entirety: here we get some highlights. The key bit of material that will attract Billie Holiday collectors is some newly-uncovered 1956 footage from the STARS OF JAZZ television show (three songs), and there is a 1958 appearance, too. The most famous Lady Day clip (1957's all-star jam on "Fine And Mellow") is seen in its entirety. The DVD also has a clip of Billie's key influences Bessie Smith and Louis Armstrong, plus lots of other extras that are interesting but mostly not essential. Although some excellent Billie footage didn't make the cut, there's still enough of value on the DVD to recommend it. Add the timeless, extraordinary music on the CDs, and you've got a great introduction to arguably the greatest jazz vocalist of all-time."
KUDOS!!!
Blues Bro | Lakewood, Colorado USA | 04/08/2005
(5 out of 5 stars)
"So many great things about this collection its hard to know where to start. This is the first collection to include tracks from ALL the record companies that Billie recorder, not even the Ken Burns compilation touched so much ground. There are tracks that are unavailable in CD until now, like 'Detour Ahead', a classic song. The remastering, specially for the Blue Note and Verve catalog is breathtaking, the best these sides have sounded ever. Package is beatiful, this is one of those Sound + Vision collections, like the Hendrix at Isle of Wight. It includes a COMPLETE sessionography, every session, dates, musicians, places of every song released commercially. It includes a timeline, which is a biography, year by year of the life of lady day, with dozens and dozens of pictures and scans of documents and letters. Wow!! I was really impressed. The DVD also includes a bunch of audio feautures, like interview with Billie, and people who knew Billie. There is a great segment of Billie rehearsing with Jimi Rowles that is pure gold. Live tracks with Basie. The video clips are not remastered, some of them look and sound preety rough. There are more videos of Billie out there, I wish they had included more. The CD's are too heavy on the Verve material, some more Columbia sides with Lester Young could have been better, and where is 'Autumm in New York'? Still, this is a five star collection, recommended both for newbies and long time fans."
Finally, THE definitive overview .... ESSENTIAL
dvdtrkr | San Diego CA | 04/06/2005
(5 out of 5 stars)
"For years, there have been hundreds if not thousands of imports of Lady Day's music on subpar compilations that don't do her justice, various box sets put out by different record companies in the US (Columbia, Commodore, and Verve all have exhaustive box sets), but no true retrospective that covers the bases in one place.
Until now. This is one of the best collections of songs ever assembled in one place. Previous retrospectives were great, but because they were usually limited to the respective record label, they fell short.
In a way, if it wasn't for downloading as well as record companies finally being more willing to compromise, this probably wouldn't have been possible.
From one of her earliest recording sessions where she sings "Miss Brown To You" to her final recordings where she does "I'm A Fool To Want You", all 42 tracks are classics.
As if that wasn't enough, you're also getting a DVD of rare TV and film appearances, a lot of which have only been seen in documentaries (except the clips from the "New Orleans" movie Holiday and Louis Armstrong starred in and available on Amazon and contains the "Symphony in Black" short) It also has a few rare audio tracks as well as an interactive timeline. The only criticism (other than it having a slightly higher price tag than it should) is that I would've wanted the clip of "Strange Fruit" to have been included on here (unless I've overlooked it or it's an Easter Egg). But considering there's so little footage of Billie Holliday otherwise, the DVD alone is worth getting the collection for people who have bought previous collections.
I highly recommend this to anyone who is a music lover of any age. If you own Jeff Buckley, Norah Jones, Frank Sinatra (who was a huge fan of hers) or Nina Simone (or liked Queen Latifah's foray into jazz) this should ABSOLUTELY be part of your music library. If you want to hear what a torch song is and one of the most significant figures of jazz music let alone music, you'll find it here. If you want to hear what is considered one of the most important songs of the 20th Century, it's here.
This is one of the best collections of music ever assembled, and warrants why more artists from the past should be putting out CD/DVD combos... This package is by far THE standard all compilations should go by, versus the 1 CD packaging done for the millionth time just to keep an artist's name alive.
I can't say enough good things about it.
Frank Sinatra is another artist that should have a comprehensive overview out like this one versus different record companies putting out the different eras. It strengthens a legacy as well as putting something comprehensive for future fans to enjoy.
(Side note: A couple of compilations that I found are called "Billy Remembers Billie" and "The Milt Gabler Story", which comedian Billy Crystal put together (and amazon.com has it as well). Crystal's uncle Milt Gabler produced Holiday's "Strange Fruit" and others like Louis Jordan and Bill Haley's "Rock Around the Clock". Crystal has talked about Holiday taking him to his first movie. There's something about personalized compilations that I like though...)
If there's one CD worth buying this year, this is the one."
A 90th Birthday Present From Lady Day To Her Fans! Superb!!
Jana L. Perskie | New York, NY USA | 06/07/2005
(5 out of 5 stars)
"My highest praise goes to this extraordinary compilation of songs which cover Lady Day's entire 25 year career - the first American collection to do so. The release commemorates what would have been Billie Holiday's ninetieth year and her spirit shines through on every track. What really makes this "Best of Billie Holiday" set so special, is that along with the two CDs, which contain forty-two of her greatest hits, is a DVD with rare footage of Ms. Holiday performing in eight films, and on television, with beloved friend and fellow musician, "Prez," a name she gave to Lester Young. He, in turn, nicknamed her "Lady Day." Also appearing with her are greats Coleman Hawkins, Ben Webster, Gerry Mulligan and Roy Eldridge. Highlights of the performances by Ms. Holiday are a 1935 video short with Duke Ellington, three songs from a rarely seen 1956 TV special, and her renowned 1957 TV appearance with an all-star combo. Audio reminiscences by friends and fellow artists like Billy Eckstein, Sylvia Syms and Jimmy Rowles are also included as well as an interview with Mike Wallace. The DVD also has a clip of Bessie Smith and Louis Armstrong, musicians who influenced Billie tremendously. "I always wanted Bessie's big sound and Pop's feeling."
To my mind Billie Holiday is the greatest jazz vocalist of all times. She lived such a difficult, often turbulent life, and died an untimely, tragic death at age 44. She had/has, however, the unique ability to communicate a lifetime's worth of intense personal emotion in her songs. French actress Jeanne Moreau once said of the legendary singer, "She could express more emotion in one chorus than most actresses can in three acts." Songs such as "God Bless the Child," "Good Morning Heartache," and "Gloomy Sunday" reveal not only her extraordinary talent, but her incredible pain as well. "Strange Fruit," a deeply powerful song about lynching, and an emotional condemnation of racism, is unforgettable. She once said, "You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling. No two people on earth are alike, and it's got to be that way in music or it isn't music." Many have tried to copy Lady Day's unique sound, but she was, is and always will be the original.
The album also features accompaniment by Louis Armstrong (vocals); Kenny Burrell, Barney Kessel, Mundell Lowe (guitar); Tony Scott , Benny Goodman, Buster Bailey (clarinet); Johnny Hodges, Willie Smith, Benny Carter (alto saxophone); Al Cohn, Lester Young, Paul Quinichette, Ben Webster (tenor saxophone); Frankie Newton, Harry "Sweets" Edison, Roy Eldridge, Billy Butterfield, Bobby Hackett, Buck Clayton, Charlie Shavers (trumpet); Jimmy Rowles (piano, celesta); Eddie Heywood, Oscar Peterson, Teddy Wilson, Wynton Kelly, Bobby Tucker (piano); John Kirby, Ray Brown (double bass); Chico Hamilton, Cozy Cole, Alvin Stoller, Sid Catlett (drums); Paul Whiteman & His Orchestra.