Why do the remixes have to be so elusive?
Daniel W. Kelly | Long Island, NY United States | 01/12/2006
(1 out of 5 stars)
"At least a half-a-dozen big club remixes were done for Night of My Life, including mixes by Junior Vasquez and LEX, and all we get is one mix on a 10 dollar import.
The US record label should have the smarts to release a domestic maxi so they'd actually MAKE some money after paying all these remixers, rather than having fans and music collectors download them for free...after which they file lawsuits against us for stealing music they never even released."
"Come Tomorrow" a Throw Back to By-Gone Yesterday
T. Yap | Sydney, NSW, Australia | 12/31/2005
(4 out of 5 stars)
"This time round this pleasure inducing couple has gone retro. "Come Tomorrow," the second single release from Streisand/Gibb's "Guilty Pleasures," is a throwback into the sixties complete with "doo woop" and a Motown pop feel. Though not the best track off their CD, "Come Tomorrow" tells a moving tale of two lovers trading lines of joy on the eve of their wedding. As always, Streisand's golden voice is a highlight, although Gibb sounds shakey with age getting a better hold of him. Also, as added heft is the inclusion of the Love to Infinity Mix of the rather mundane dance track "Night of My Life," of which the original version can also be found on "Guilty Pleasures.""
Just A Little Off...
Martin A Hogan | San Francisco, CA. (Hercules) | 06/08/2006
(2 out of 5 stars)
"Not every Gibb/Streisand song works and this is proof. "Come Tomorrow" is clever enough in its use of Fats Domino style `doo-wop', but it feels weak, as least for a second single. The catch here is the other song (B-Side, if you will) is the only place you will find the mind numbing extended version of "Night Of My Life". Mind you, I love "Guilty Pleasures" just as much as "Guilty", but consider these two of the weakest songs in both lyrics and melody."
Track Listings (2) - Disc #1