Not to be missed
07/11/2001
(5 out of 5 stars)
"Listening to the songs (which are the chief attraction of this set) it's difficult to understand why Korngold is not more well known than he is, at least for his "serious" works (i.e. not film scores). As beautifully executed by Anne Sofie von Otter, it should be apparent that his songs are worthy to be ranked with those of Schubert and Strauss and should be performed and recorded as often. Of the German songs "Sterbelied" ("Requiem") and "Mond, so gehst du wieder auf" ("Moon, thus do you rise again") from Op. 14 and "Was du mir bist?" ("What are you to me?") from Op. 24 are the most beautiful, in my opinion. It's no wonder that Korngold reused their melodies in the chamber works included. The Op. 14 songs come off better in their purely instrumental guise than does "Was du mir bist?" which, compared to the perfection of its vocal form, is little more than a barely adequate transcription as the fourth movement of the Suite, Op. 23. Of the English songs, "Desdemona's Song" from Op. 31 is memorable for it haunting quality and heartbreaking simplicity.While I would agree that the recording of the Suite, Op. 23, is better handled by Fleisher et al. on Sony (I have no comparison for the Quintet, Op. 15), in one respect I prefer this recording. In my opinion, the third movement "Groteske" requires a kind of wildness that this recording contains (perhaps inadvertently) while on Sony the playing is almost too controlled and thus sounds relatively restrained.The chamber arrangement of "Mariettas Lied" from "Die tote Stadt" is an interesting curiosity and while once again the singing is exquisite, without its lush orchestral colour the music is missing something. Charming but a bit thin."
Ecstatic, Voluptuous Korngold
Shaun Greenleaf | 05/26/2000
(5 out of 5 stars)
"Perhaps the best introduction yet to the unique sound world of the great Erich Korngold, this varied, entirely enjoyable set will be loved by afficianados and newcomers alike. Don't miss it."