Barrett | Washington, D.C. United States | 10/24/2007
(5 out of 5 stars)
"It's a shame that Andy Bey is little known outside of jazz-vocal enthusiast circles, because his artistry has the capacity to connect with a broader audience -- possibly even in the manner of a Fitzgerald or an Armstrong. Heady comparisons, to be sure, and Bey's vocal signature isn't as singular or as immutable as those great artists' (for a start, he doesn't display much wit). But for most of "American Song" -- recorded when he was 64 -- he's virtually as commanding as either. Yes, the first-rate (or better) material helps, but in its occasional overfamiliarity it's also a snare, one that Bey gracefully sidesteps. His warm-bath baritone seems merely to be sidling up to the lyric, and his phrasing continually surprises without crossing the line into show-off territory. So a song may be half-over before you realize that he's cut to its core. He revives the warhorses -- and what a gift to hear these great numbers anew. The arranger, Geri Allen, supplies spare yet sensuous backdrops for the singer's dark-toned readings. (It's perhaps the most artful make-out disc since Coltrane and Hartman's.) And if Bey doesn't quite mint a new take on the trickiest lyric here, Strayhorn's "Lush Life," he takes flight with a vocalese coda as eloquent as the melody."
"So...slap it in your cart. This guy's voice is remarkable ; and the choice of material is superlative. Great CD to listen when the lights are low , with a beverage of choice , and partner of choice. So , simply indulge yourself !"
Liquid velvet sateen.
S. Barton | NYC | 03/04/2008
(5 out of 5 stars)
"I have never heard a bad note from Andy Bey, whether live or on record. His ability to mine and reinvent the American songbook is exemplary. Tunes that seem to have been recycled ad infinitum, become fresh in each of his interpretations. To me there is balance, grace and a depth of nuance and sophistication that comes together with his singing and accompaniment that is reminiscent of Nina Simone's gifts. American Song seems like the anticipated sequel to, "Ballads, Blues and Bey"; and an essential addition to anyone's collection who is interested in the American Song Book, jazz song and Andy Bey. The yang to this ying would be the live album, "Ain't Necessarily So." Do not let this American Original Musical Genius go unheard!"
American Song one of a kind
Darryl L. Brenzel | Frederick, MD | 09/09/2008
(5 out of 5 stars)
"Where to start?? I will keep it simple. I'm a professional saxophonist and have the typical dose of skepticism that most jazz instrumentalists have toward singers. But I am absolutely knocked out by the singing of Andy Bey. He is truly, truly an original voice. Warm, sensuous, thoughtful, insightful. The basic mood is mellow but it is so rich it is like drowning in dark chocolate. This is the type of performance that can only be given by someone who has been doing this a long, long time. Anyone who doesn't like this just doesn't get it."
"His Singing Voice Is A Natural Marvel"
Rebecca*rhapsodyinblue* | CA USA | 03/11/2010
(5 out of 5 stars)
""The centerpiece of course is, Bey's voice. In richness of texture and purity of sound, his timbre recalls the late Sarah Vaughan, his fellow Newarker and long-time friend. His singing voice is a natural marvel." ~ David Ritz ~
I received this wonderful CD as a Christmas gift from a good friend of mine. It's one of the most cherished gifts I have received last year. After listening to it, I confidently concur with David Ritz that Andy Bey's "singing voice is a natural wonder." He has the perfect description of Mr. Bey's musical asset.
Gifted with unparalleled, innately charming and pleasing voice that speaks of great composure and self-assurance, and piano skills to boot, Andy Bey takes ten self-chosen standards from the pens of Johnny Mercer, Duke Ellington, Billy Strayhorn, Harold Arlen, Kurt Weill, Jay Livingston, to name a few, and interprets them in glorious settings. The entire disc is such a lovely musical adventure from the eternal beauties of "Midnight Sun" and "Speak Low" to the unstoppable charms of "Satin Doll" and "Angel Eyes."
Listen closely with your undivided attention and let him serenade you with his cool, smooth as silk, velvety soft and mellow kind of voice with the able support of his band namely Geri Allen (piano), Frank Wess (sax/flute), Dwight Andrews (clarinet/flute/sax), Vernel Garnet (trumpet/flugelhorn), Steve Davis (trombone), Paul Meyers (guitar), Kiyoshi Kitagawa (bass) Mark McLean (drums) and Mino Cinelu (percussion).
This is my first exposure to Andy Bey's notable artistry and as a result I have added him to my very own book of "Who's Who In Jazz." His talent and versatility should never be unappreciated and underrated. If you enjoy listening to some of the most remarkable voices in the history of vocal jazz and appreciate the Great American Songbook, this is one great album to add to your collection.