How Should I Your True Love Know?, folk song - Alfred Deller, Shakespeare, Willia
Sweet Nightingale (Down in Those Valleys Below), folk song
I Will Give My Love an Apple, folk song
The Oak and the Ash (North Country Maid), folk song
Go from My Window, folk song
King Henry, folk song
Lullay, lullow: I saw a swete semely syght, christmas carol for 2 voice - Alfred Deller, Traditional
Barbara Allen, folk song
Heigh Ho, the Wind and the Rain, folk song - Alfred Deller, Shakespeare, Willia
Waly, waly, folk song
Down in Yon Forest, carol (English) - Alfred Deller, Traditional
Matthew, Mark, Luke and John, folk song
A Toye
The Tailor and the Mouse, folk song
Greensleeves, folk song
The Wraggle Taggle Gypsies, O!, folk song
Lord Rendall, folk song
Sweet Jane, folk song
The Frog and the Mouse, folk song
The Seeds of Love, folk song
Near London Town, folk song
O Who's Going to Shoe Your Pretty Little Foot?, folk song
Blow Away the Morning Dew, folk song - Alfred Deller, Traditional
Searching for Lambs, folk song
Sweet England's Pride is gone
Dabbling in the Dew, folk song
Just as the tide was flowing
Countertenors are thick on the ground these days, but Alfred Deller was the first to make an international impact; indeed, he's the father of the modern countertenor revival. This delightful collection of his renditions of... more » Elizabethan folk and minstrel songs is arguably Deller's best album, a delight from start to finish. His rarefied voice fits these beautiful songs like a glove. It combines with Desmond Dupré's gently apt accompaniments to make a memorable program, the kind you can't pick highlights from because everything's a highlight. After hearing Deller's version of the moving text of King Henry, you realize you're in the presence of great artistry, the voice perfectly reflecting every nuance of the text and each word registering with a clarity rarely heard from a high voice. Awe is confirmed with an "O Waly, Waly" to set beside Kathleen Ferrier's; artful simplicity taken to its highest degree. Dupré gets two lute solos, and you wish he'd have more, but then Deller starts singing again and you don't want him to stop. The 1955 sound comes up as fresh as yesterday's release; full texts of all the songs are included. --Dan Davis« less
Countertenors are thick on the ground these days, but Alfred Deller was the first to make an international impact; indeed, he's the father of the modern countertenor revival. This delightful collection of his renditions of Elizabethan folk and minstrel songs is arguably Deller's best album, a delight from start to finish. His rarefied voice fits these beautiful songs like a glove. It combines with Desmond Dupré's gently apt accompaniments to make a memorable program, the kind you can't pick highlights from because everything's a highlight. After hearing Deller's version of the moving text of King Henry, you realize you're in the presence of great artistry, the voice perfectly reflecting every nuance of the text and each word registering with a clarity rarely heard from a high voice. Awe is confirmed with an "O Waly, Waly" to set beside Kathleen Ferrier's; artful simplicity taken to its highest degree. Dupré gets two lute solos, and you wish he'd have more, but then Deller starts singing again and you don't want him to stop. The 1955 sound comes up as fresh as yesterday's release; full texts of all the songs are included. --Dan Davis
"Deller is reposonsible for the rediscovery of contertenor vocals. This album contains lighter, shorter folk tunes of the Elizabethan age. Some may find Deller's falsetto eery or unnerving but he offers a masterful recreation of an ancient technique."