Southern California's Young Dubliners may share a name with one of Ireland's most famous folk bands, but they draw their musical inspiration from Celtic rockers like U2, the Boomtown Rats, and Big Country. On Absolut... more »ely, the Young Dubs deliver a dozen songs that range from the guitar-driven anthem "Salvation" to the barroom bellow "Brown Dog" to the power ballad "These Days." While the band's chunky electric guitars and funky rhythms are rock & roll to the core, the fiddling of Chas Waltz gives the grooves a distinctly Celtic lilt, especially on the instrumental "Unreel" and the sweetly nostalgic cover of the Faces' "Ooh La La." The Young Dubliners are a very popular stage act--their fans crowd the front of the stage in "jig pits" rather than mosh pits--and even though they will never be mistaken for a traditional folk group, the music of the Young Dubs moves to the undeniable rhythm of a Celtic heartbeat. --Michael Simmons« less
Southern California's Young Dubliners may share a name with one of Ireland's most famous folk bands, but they draw their musical inspiration from Celtic rockers like U2, the Boomtown Rats, and Big Country. On Absolutely, the Young Dubs deliver a dozen songs that range from the guitar-driven anthem "Salvation" to the barroom bellow "Brown Dog" to the power ballad "These Days." While the band's chunky electric guitars and funky rhythms are rock & roll to the core, the fiddling of Chas Waltz gives the grooves a distinctly Celtic lilt, especially on the instrumental "Unreel" and the sweetly nostalgic cover of the Faces' "Ooh La La." The Young Dubliners are a very popular stage act--their fans crowd the front of the stage in "jig pits" rather than mosh pits--and even though they will never be mistaken for a traditional folk group, the music of the Young Dubs moves to the undeniable rhythm of a Celtic heartbeat. --Michael Simmons
"I got my copy of this album today along with "Breathe". It's interesting listening to the two next to each other. They're different but still similar.On this album they're definitely promoting their rock side. Gone are the mandolin, banjo, harmonica, sax, and whistles as well as a lot of their foundation-setting Irish sound. (The violin is the sole folk instrument remaining.)"Unreel" is the only instrumental, and that term is used technically. 1, there are more drums on the track than violin; 2, it's only 1:45 or so long and conveniently placed in the middle of the album, so it's really more of an intermission track. "Brown Dog" is a good fast-paced pub song. Their cover of "Ooh La La" comes off nicely. Overall the songs come off more mature than previous releases. They're touching on some big issues and deep emotions. Except for "Knickers"; you may not want to let the kids listen to that one. And there are NO re-worked traditional songs (such as "Rocky Road to Dublin" or "Follow Me up to Carlow"), which is moderately disappointing.I recently reviewed Seven Nations latest ("And Now it's Come to This") and bashed it all over. This may seem to be a hypocritical point to dislike their new turn but enjoying what YD is doing. But, while 7N and YD are both typically lumped in the "Celtic rock" file their styles are different. 7N has made a major shift in structure, while YD always has been a sort of Irish rock band. Personally, I find YD's new set different than previous releases but still catchy and respectable. The Irish tint is not as strong as before but still definitely present. This album is like a natural evolutionary step for them, as opposed to 7N which is forcing a new style...."
Sexy and Smart
R. Shumskis | 09/18/2003
(5 out of 5 stars)
"This is a tight studio album full of great originals and one excellent cover. There is something for everyone on this cd...I dare you to not like it. Great party music or road tripping music...anywhere any time...the dubs will have you rocking. The songs are a spectrum of emotion and energy, everything from the light hearted "Kickers" (written for their sponsors Killian's Irish Red) to the poignent "These Days" to the best drinking song I've heard in a long time "Brown Dog". You'll laugh you'll cry you'll dance....and I garuntee you'll love every minute of it. Best Celtic Rock band in the world. For more info on the band check out their website at www.youngdubs.com"
Love it!
Lauren L. Gaise | Colorado | 08/31/2003
(5 out of 5 stars)
"I absolutly love this cd. I would have to say that this one is definitely my favorite out of all there releases thus far. Keith, the lead singer, has an amazing voice and they all know how to rock. I have been to many of there shows and they, without a doubt, are one of the best bands to see live. They deliver a great show and know how to have a good time! You can't go wrong buying this cd!"
Irish roots grown into L.A. rock
hyperbolium | Earth, USA | 07/21/2002
(3 out of 5 stars)
"The Young Dubliners have been kicking around Los Angeles since the mid-90s. Their music never leans as heavily on its Irish roots as, say Black 47 or The Pogues, but underneath the mainstream electric rock there's more than a hint of the Emerald Isle. In particular, the stadium-sized electric guitar, bass and drums are often accompanied by fiddle, acoustic guitar, and the occasional tin whistle, and the melodies and rhythms sport a great deal more variety than your garden variety rock band.With Paul O'Toole apparently having left the band (and multi-instrumentalist Chris Waltz having returned), the vocals fall entirely to Keith Roberts. His singing sports a depth one won't find in the average MOR rock band, with a strength that's tempered by meloncholy, providing a stage from which to sing boldly without seeming overblown. The result is a true mix of their Dublin roots and Los Angeles home - passionate, and committed, but with a sound that's more of the metropolis than the hometown.Their originals speak to inspirational themes of freedom and redemption, finding your own path and breaking free of the shackles of one's history. The instrumental, "Unreel," does exactly that, with a manic edge, and "Brown Dog" kicks the energy up towards Pogues territory. The closing cover of "Ooh La La" is a welcome revival of the Faces early-70s hit and a perfect cap to the album's sentiment.3-1/2 stars, if Amazon allowed fractional ratings."