Es danke, Gott und lobe dich das Volk in guten Taten, BMV 76
Ach bleib bei uns, Herr Jesu Christ, BMV 649
Boccherini: Concerto in B-flat Major, G. 482
Concerto in D Major, G. 476
Cello Concerto in B flat major, G. 482: No. 3, Rondo. Allegro
Cello Concerto in D major, G. 476: No. 1, Allegro
Cello Concerto in D major, G. 476: No. 2, Largo
Cello Concerto in D major, G. 476: No. 3, Allegro piacere
This is the sequel to Yo-Yo Ma's wildly successful Simply Baroque, released last year. Again joined by the excellent Amsterdam Baroque Orchestra, with Ton Koopman conducting from the harpsichord, he plays with a baroque bo... more »w on his 1712 Stradivarius cello "reconfigured" as a baroque instrument with gut strings and no endpin and tuned a half-tone lower. This gives it a mellower, more subdued sound, though his tone, despite very sparing vibrato, retains its unique expressive warmth and purity. (In concert, he currently performs on his Montagnana cello and one made recently by the well-known American luthiers Moes & Moes.) The program again features two Boccherini concertos and a group of Bach transcriptions for cello and orchestra by Koopman, including the Aria from the Goldberg Variations. These are only intermittently successful and make great demands on the soloist. Ma, of course, meets the demands handily, soaring to stratospheric heights, blending into the orchestra, and weaving figurations around it. The Boccherini concertos are the core of the record, notably the famous B-flat, for which Ma and Koopman went back to the originals in search of a more authentic version than the familiar one (which was actually conflated later from several others by Grützmacher, a cellist and editor). Here, Ma has ample opportunity to display his virtuosity, his charm, and his pleasure in intimate give-and-take with the orchestra; one can almost see him smile. The result is pure delight. --Edith Eisler« less
This is the sequel to Yo-Yo Ma's wildly successful Simply Baroque, released last year. Again joined by the excellent Amsterdam Baroque Orchestra, with Ton Koopman conducting from the harpsichord, he plays with a baroque bow on his 1712 Stradivarius cello "reconfigured" as a baroque instrument with gut strings and no endpin and tuned a half-tone lower. This gives it a mellower, more subdued sound, though his tone, despite very sparing vibrato, retains its unique expressive warmth and purity. (In concert, he currently performs on his Montagnana cello and one made recently by the well-known American luthiers Moes & Moes.) The program again features two Boccherini concertos and a group of Bach transcriptions for cello and orchestra by Koopman, including the Aria from the Goldberg Variations. These are only intermittently successful and make great demands on the soloist. Ma, of course, meets the demands handily, soaring to stratospheric heights, blending into the orchestra, and weaving figurations around it. The Boccherini concertos are the core of the record, notably the famous B-flat, for which Ma and Koopman went back to the originals in search of a more authentic version than the familiar one (which was actually conflated later from several others by Grützmacher, a cellist and editor). Here, Ma has ample opportunity to display his virtuosity, his charm, and his pleasure in intimate give-and-take with the orchestra; one can almost see him smile. The result is pure delight. --Edith Eisler
I have Yo Yo Ma's first Baroque CD and really enjoy it. I hesitated on getting the second one based on unflattering revues of it. I am not a movie critic though so I cannot compare one to another or to other baroque music. The CD came, I listened, and listened again and again. To me, that's all the test I need. If you enjoy baroque music you will enjoy this CD.
2 of 2 member(s) found this review helpful.
CD Reviews
CelloTranscriptions Meet The Early Music Scene
Nicholas Good | Topeka, KS | 10/04/2000
(5 out of 5 stars)
"The Music: Both Vol 1 and this disc are really about Bach and Boccherini -- no other baroque composers are offered. I tend to think of Boccherini as early classical, not baroque. However this is all wonderful music, and a good juxtaposition of composers, even if the title is a little misleading.Having decided make transcriptions of Bach works written for other combinations a core offering of both this disc and the earlier vol 1, YoYo Ma avoids merely rehashing the warhorses that we have heard in endless arrangements and focused on less frequently transcribed works. All of them will be familiar to an avid Bach listener, but he goes way beyound the stereo-typed Jesu, Joy and Sheep May Safely Graze type of arrangements. Many of the selections are pieces that were Bach's own favorites as evidenced by the multiple versions that he himself circulated. I think the effectiveness of Ton Koopman's arrangements is a key component of the musical success of these albums.The Performances: A very effective partnership between a early music group and a performer using a modified modern setup. It has the crispness and lightness and nuanced articulation that are hallmarks of the HIP (historically informed performance) movement without sounding academic in any way.I have a very large classical CD collection and I keep listening to this one over and over. I would recommend it both to newcomers to classical music and to experienced classical listeners."
Yo-Yo Ma has done it again....
Trevor Gillespie | 08/20/2000
(4 out of 5 stars)
"This album truly lives up to all we have come to expect of the world's most prominent cellist. Ma's sweet nuances do wonders for the classic baroque pieces, bringing these standards to life in a most enchanting way. Unfortunately, only two composers are showcased in this recording (but the pieces prove to be good selections). Well worth your time and money."
Concerts in a sailboat's cockpit
July | Oregon | 10/20/2005
(5 out of 5 stars)
"I discovered the first CD of these two when sailing in British Columbia this summer and played it over and over again when sipping wine under fine sunsets in the San Juan and Gulf Islands. There can be no better accompainment to the soft rocking of the boat and a fine wine. This second CD is as wonderful as the first. Pure lisening pleasure."