Search - Wu Man :: Pipa from a Distance

The Best World Music CD in Decades has Arrived

o dubhthaigh | north rustico, pei, canada | 04/25/2003

(5 out of 5 stars)

"Wu Man is to the pipa, the Chinese lute-like instrument, what Robert Fripp is to the guitar. There are no limits, there is only walking out into the garden to greet the future. The music here is ecstatically inspired and while the Cd begins and closes with sublime traditional tones, what happens in between is the stuff of dreams, of wonder, of giving oneself over to Music so that Music may take you into its confidence.
Not since King Crimson's "Discipline" have I been so thoroughly amazed and inspired by a sustained effort throughout an entire CD. This is not to say that Wu Man is replicating Fripp's Bartok meets Hendrix in style, but certainly in spirit.The opening "Invocation" is as quietly spiritual a piece as you are likely to hear. A bit like Fripp's Soundscapes before the roar of Crimson. "Dancing" is almost Beatle-like and absolutely inspiring. All through I kept expecting to hear McCartney, Lennon and Harrison chime in, and if you're sitting all through this number, you have serious enjoyment issues. "Ancient Spirit" and "Walking to the East" begin an hypnotic, polyrhythmic journey into another culture. Surely Wu Man's participation in Yo Yo Ma's Silk Road Ensemble has given her a sense of adventure, and this sublimely sets the tone for the adventurous and blistering "Shanghai Blues", and here is where Fripp meets his match. The intensity of Wu Man's electric pipa is scorchingly awe-inspiring. This is as brilliant a display of electric blues as Hendrix's "Voodoo Chile, Slight Return." Stevie Ray, Jimi, and the remarkable Fripp would all pay homage to such protean fretwork. And it has a deep blues groove that is just fantastic. If you have ever seen Wu Man in concert, you know this girl can cook, and cook she does!
"Vincent's Tune" returns a sense of innocence to the proceeedings as it opens and closes with a sample from her young son on toy piano and voice. Very reminiscent of Yes's "Circus of Heaven." "White Crane Flying" is a zen like mesmerizing piece worthy of Takemitsu in its subtle complexities. "Ambushed Again" turns up an incendiary heat once more that is resolved in "Bamboo Dreams." Again, I would draw the analogy to Crimson's "Sheltering Sky", a polyrhythmic meditation.
As for the title track, I had steered clear of this disc for a few weeks because I dreaded the prospect that so intrepid a performer as Wu Man might have recorded the treacly pop tune of the same title. Imagine the overwhelming relief when I discovered that this is an original, as is the entire CD, composition setting a certain distance of reflection on the preceeding 50 minutes, before it closes with the hidden track that is just Wu Man singing, and her voice is gorgeous!
All in all, Wu Man has done that rare thing of advancing the art of a tradition with inspired new compositions. There are many wonderful interpreters of the canons of culture. There are few who take that culture on to an inspired new plane. Wu Man has done just that. I hope you will pick this CD up. I hope Amazon will promote it visibly on its site. This is worth the attention. All praise to Naxos for releasing it so affordably. This is the best 10 bucks you'll ever spend on music. Thank you deeply to Wu Man for sharing her vision and her art."

Long Road to China

Eric Joseph | New Orleans, LA | 11/14/2006

(5 out of 5 stars)

"It began for me like this, in 1989 or thereabouts, I was flipping through channels on the telly and happened upon the tail end of a documentary on China. I remember little of the program, save the ending. As the credits rolled a young Chinese woman was playing a stringed instrument that I thought at the time was a samisen (gives you an idea how long it had been since I'd seen one of those). I know now it was a pipa. Her performance was strikingly virtuosic. I was amazed at both her amazing technique and equally, the wonderful sounds she was coaxing from this unique instrument. Though I could see the pipa was lute-like, its sound reminded me of the guitar and the banjo, but with a level of sonority that dwarfed both. The player executed what American musicians would call trills and minor bends on the strings that gave the instrument an aural tactile quality that was quite haunting. I was blown away.



Flash ahead 17 years.



I was walking through the Xavier University Library near the magazine section and happened upon an issue of World Literature Today. Famed cellist Yo-Yo Ma was on the cover and there was a blurb about his Silk Road Project. Being a fan of Ma, I decided to pull the mag and check out the article. On one of the pages there was a picture of Yo-Yo Ma, and two other musicians, one of them, a woman, playing a pipa. When I saw the instrument I immediately flashed back to the closing of the documentary 17 years before. The woman playing the pipa was Wu Man. Later, I came here to seek the Silk Road recordings for samples, then on a whim clicked on the link to Wu Man, saw pipa: from a distance, listened to samples and was instantly hooked.



Pipa from a distance is a remarkable recording. Wu Man manages to give the listener a taste of tradition and the contemporary, and at times the surreal. The pipa is the lute of China, with a history spanning two millennia. Its unique voice is not unlike the American banjo at times, but the pipa's dynamic range is far greater. Wearing artificial nails taped on all fingers of the right hand, a master pipa player can coax all manner of sounds from the instrument; individual notes can burst from the instrument in a staccato cascade, picking patterns that sound like rainfall, strings are sometimes trilled as in Blues, chords can be either delicate or thunderous. In capable hands, the pipa can be a formidable means of self expression, and Wu Man conjures the magical on this breathtaking recording.



The blend of musical forms is adventurous and amazing. There is the tranquil first track, "Invocation". Man wafts over the sounds of bells and e-bowed electric guitar, with the use of sound manipulation, the piece is both meditatively traditional, yet bordering on the mildly psychedelic.



"Dancing" is a joyous tune. This piece includes banjo and it compliments the pipa well. Their voices are similar, yet so different, as they call back and forth. The didgeridoo is used to good effect here and elsewhere on the recording.



"Journey" displays the lyrical side of the pipa. Lilting and graceful, yet powerful, Wu Man glides through the piece like a bird in flight. Tabla samples, shaker and didgeridoo provide gentle accompaniment. This is one of my favorites on the CD. I often leave it looped to bask in the beauty of it.



"Hangzhou Blues" was quite a surprise. Wu Man plugs in, connecting her pipa to a wah wah pedal and into an amp. I had this image of her sitting next to a Marshall stack, pipa induced feedback rising behind her. You'd think this wouldn't work, but it exceeded my expectations. The sound is otherworldly, and massive. I had to remind myself she was playing a pipa. This track stands out from the others in sheer daring. She doesn't overplay her hand, and her technique transferred well to the electric context. Hendrix would have loved it (of course, the pipa acoustically would have stunned him).



"Vincent's Tune" is another favorite. The piece slowly builds to a climax that made me think of Meredith Monk, the screeching "toy" used at the end comes very close to sounding like a human voice. The piece exudes an almost overwhelming exuberance.



The last track I'd like to comment on is one of the solo pipa pieces, "Ambushed Again" The pipa alone is incredible. As a solo instrument one can hear how versatile the pipa can be in the right hands. Wu Man bears down on the instrument, drawing out its subtleties and its thunder. Any rock guitarist could appreciate the edgy chordal passage of "Ambushed Again". Man's rhythmic sense shines through on this piece; darting back and forth like a boxer, until the pipa sounds like its being shaken to pieces.



This recording is a great place to start for the novice to pipa music. Here it is very accessible and beautifully produced. Still, one should not overlook the classical pipa music of China. Wu Man has a two disk set of this traditional music. "From A Distance" clearly shows how well she works in collaboration, but alone she is a wonder to behold. I can only hope I get the chance to see her live.

















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East meets modern

Rod E. Surber | 11/09/2006

(4 out of 5 stars)

"What an interesting CD. Pipa from a Distance presents an exciting blend of ancient styles and modern sounds. Very interesting to the ear. Some selections are unusual - almost irritating (but so is Led Zepplin and I own all of those CDs) - but overall a CD for the person who likes variety and sometimes the unusual.



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