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Wolff: Tilbury (Complete); Snowdrop
Christian Wolff, Hildegard Kleeb
Wolff: Tilbury (Complete); Snowdrop
Genre: Classical
 
  •  Track Listings (6) - Disc #1

With references to early minimalism and a core sound that's as evocative as some of Morton Feldman's late works, Christian Wolff's Tilbury cycle is stunningly austere. He composed the works as demonstrations of pitch limi...  more »

     
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CD Details

All Artists: Christian Wolff, Hildegard Kleeb
Title: Wolff: Tilbury (Complete); Snowdrop
Members Wishing: 1
Total Copies: 0
Label: Mode
Release Date: 4/13/1999
Genre: Classical
Styles: Chamber Music, Historical Periods, Classical (c.1770-1830), Instruments, Electronic
Number of Discs: 1
SwapaCD Credits: 1
UPC: 764593007425

Synopsis

Amazon.com
With references to early minimalism and a core sound that's as evocative as some of Morton Feldman's late works, Christian Wolff's Tilbury cycle is stunningly austere. He composed the works as demonstrations of pitch limitations, restricting some to as few as three pitches, which, when played singly, sound frightening. But Wolff has scripted slow-build collisions of the multiple pitches, too, making for a slippery iciness in spots, especially wherever Hildegard Kleeb's resonant piano figures meet Roland Dahinden's blurty trombone or wheezy melodica and Dimitrios Polisoidis's violin and viola. While this recording--named in part for pianist John Tilbury--is in the Feldmanesque slow-grow mode, there are spots where the trio makes glistening dissonance together, an effect of the instruments' finding an almost coarse grain between them. Tilbury will likely become the best-loved Wolff chamber piece, and as you hear Snowdrops emerge between the fourth and fifth Tilbury pieces, the 15-minute piece that dates from 1970 sounds like part of an extended dialogue between the stark and the vivid. --Andrew Bartlett
 

CD Reviews

Austere Yet Pleasing
Christopher Forbes | Brooklyn,, NY | 01/30/2003
(5 out of 5 stars)

"With the recent passing of Earle Brown, Christian Wolff is now the sole remaining composer left amoung us from the highly influential New York School of the 50's. Mode has undertaken a series of recordings aimed at exploring the work of this intriguing composer. While the result have been of varied quality, this release is some of the best music that Wolff or Mode has ever put out.Wolff's Tilbury pieces are a product of the late 60s. Wolff had steadily developed his interest in static processes throughout the decade, experimenting with text scores, graphic scores, indeterminate elements and strict mathematical processes to create works of minimal and austere beauty. The Tilbury works I-IV and Snowdrop are perhaps the crowning achievement in this phase of the composer's career. Tilbury I restricts the tonal palette to a few notes that are within the range of an octave. It is scored for open ensemble, though Wolff said that all the Tilbury pieces were vaguely planned for keyboard with other instruments optional. This trio chooses to use violin or viola, trombone or melodica and piano. The resultant piece is calm and highly meditative, resembling nothing so much as a shorter version of late Feldman. Tilbury II uses notes that contrast widely in range and with a greater rhythmic variety. Tilbury III is based on arpegiated triads, with the rhythmic process determined by the ratios of the orbit of the planetary system. Tilbury IV is a text piece, dominated by varying scale fragments and long sustained notes. This is perhaps the lovliest thing on the disc and is played exquisitely. Snowdrop is related in process to the Tilbury series, based on the scale patterns of Tilbury IV and the rhythmic processes of Tilbury III. Tilbury V was written in the early 90s many years after the rest of the series. It shows more of the late Wolff style. The melodic material is based on a political song by Hans Eisler which is subjected to algorithmic treatments, creating something that on the surface sounds more traditional, but is ultimately as process driven as his earlier music. As always, Mode has assembled a very fine ensemble to interpret this music and has packaged it with intelligent liner notes from the composer himself. This is a marvelous introduction to this marvelous composer."