Search - Windsor for the Derby :: We Fight Til Death

We Fight Til Death
Windsor for the Derby
We Fight Til Death
Genres: Alternative Rock, Special Interest, Pop, Rock
 
  •  Track Listings (10) - Disc #1

This year Windsor For The Derby celebrates its tenth year with the release of its fifth full-length, We Fight Til Death. Over those ten years Dan Matz (newly relocated to Philadelphia) and Jason McNeely (from Austin) have ...  more »

     
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CD Details

All Artists: Windsor for the Derby
Title: We Fight Til Death
Members Wishing: 1
Total Copies: 0
Label: Secretly Canadian
Release Date: 8/17/2004
Genres: Alternative Rock, Special Interest, Pop, Rock
Styles: Indie & Lo-Fi, Experimental Music
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 656605011028, 656605011066

Synopsis

Album Description
This year Windsor For The Derby celebrates its tenth year with the release of its fifth full-length, We Fight Til Death. Over those ten years Dan Matz (newly relocated to Philadelphia) and Jason McNeely (from Austin) have managed to arduously maintain this project over many miles. Those years have seen many personnel changes and much help from their talented friends. Over the last few years, Timothy White and Ben Cissner have jumped on board to lend their invaluable assistance to WFTD and help create a solid quartet. We Fight Til Death finds WFTD in Bloomington with Dan Burton (Early Day Miners, Ativin) at the controls. This album was recorded and mixed over the last year at Grotto Home Studio with Burton and a few other locals sitting in. WFTD find a way to take each release to a wholly different trajectory while at the same time creating a progressive connection to the last. The skewed pop sensibilities of The Emotional Rescue are hinted at on We Fight Til Death, as well as the dark refrains of 1998?s Minnie Greutzfeldt. By combining elements of previous releases and exploring new terrain, We Fight Til Death is Windsor For The Derby?s most realized release to date.
 

CD Reviews

Melody of a Fallen Tree
M. Stafford | New York, NY United States | 02/25/2005
(5 out of 5 stars)

"From my BlogSpot site: "The Boy Reviewer"





We Fight Til Death, the latest release from Dan Matz (The Birdwatcher) and Jason McNeeley, is by far WFTD's most accessible work to date. The influence of Adam Wiltzie (Stars of the Lid, Bedhead), although he is absent from the current WFTD lineup, is still felt on this album. The opening track, "The Melody of a Fallen Tree," recalls an early Bedhead tooling around on top of the rhythm section from New Order's "Temptation." Anyone who has heard Bedhead's cover of "Disorder" can imagine this without taxing their imagination too much: just speed it up and add a melody. "For People Unknown" gives a nod to Can's "Mother Sky", but adds a certain emo feel to the oft-covered and oft-riffed tune. The organ on this track adds a nice dark touch. Imagine a ghostly couples-only song at a haunted high-school skate night, or any scene from Carnival of Lost Souls. "Black Coats" and "We Fight Til Death" are the most driving tracks on this album. Sombre, melancholy and raging at the same time, they represent a WFTD lineup that has found the right blend of rhythmic backbone and minor key introspection that have always been characteristics of WFTD, but rarely saw expression in the same track.



It's not too unusual these days for a new record to evoke the Factory Records sound, the washed thrashing timbres of Sonic Youth's alternate tunings, or the throbbing psychotropic dronings of a Kraut-rock dirge. What is rare, is for a record to distill the essential oils from each of these staples and combine them into a fresh, undated, non-derivative potion. Windsor for the Derby's latest album does just this."
Shoddy musicianship masking as edgy alternative pop
IRate | 09/29/2007
(2 out of 5 stars)

"Windsor's attempt to go more accessible falls flatter then their usual overrated releases. I am all for repetition, but on this seemingly catchier release hardly any of it sounds different. Instead, the band seems convinced that layering any cheap melody and bland vocal on top of a boring tempo for a long enough time and we will have hypnosis. They might have fooled many with their earlier instrumental-driven discs, but with a heavy focus on more of a pop element, it has never been more certain that the group's songwriting abilities remain questionable at best while striving for an aesthetic that has always been beyond their grasp."