James J. Omeara | Long Island City, NY USA | 12/23/2007
(5 out of 5 stars)
"I recently decided to learn more about this Mengelberg guy, and was quite happy to find this set. The price is unbeatable -- you can get the set for around $15 now [I even found it for less], which right off the bat is an amazing price for 10 discs! Of course, with old recordings like these, the question is what do you get for you money. Here, you get some of Mengelberg's most famous recordings [the Mahler 4th, the Strauss Heldenleben, the premier of Bartok' 2nd violin concerto] in amazingly good transfers [the 4th is one of the best 'old' recordings I've ever heard!].
In fact, what you really get is a complete course in classical music in the grand romantic conducting style -- from Bach and Vivaldi [dated now, of course, but sounding good and of historical value] through the obvious Beethoven, Brahms, etc., on to Debussy, Bartok and Kodaly. The only really essential Mengelberg recording not here is the Beethoven 3rd, and perhaps the Strauss Tod und Verklarung, which can be found cheaply elsewhere. There are some inaccuracies in the credits, which can be found corrected, along with a nice discussion of the set, at classicalcdreview.
As for Mengelberg's style, being used to Furtwangler, I was not really 'dismayed' by his tempo changes. As he pointed out, he was 'entitled' to make changes in Beethoven, as he was 'the best pupil of Beethoven's best pupil;' in addition, he was a close associate of Mahler [he laid the foundations for the Mahler revival that Bernstein took credit for] and Strauss, who dedicated "Heldenleben" to him. A true heir to a musical tradition can be allowed 'interpret' where someone today, for example, cannot have the same organic connection to, say, Monteverdi or Josquin. The proof is in the results; Mengelberg manages to convey more excitement in these works than one usually associates with 'old style' conductors, combining perhaps Furtwangler's freedom with Toscanini's electricity. The best of both worlds? Well, he certainly shoves aside such boring 'perfectionists' as Karajan and company.
To anyone with the slightest inclination to sample a great pre-War interpreter of great pre-War music, I say just make the leap with this set!"
Nice set from an underappreciated artist
J. Grant | North Carolina, USA | 03/19/2009
(4 out of 5 stars)
"This 10 disc set contains many of Mengelberg's best performances with the Concertgebouw, but curiously missing is the 1928 Tchaikovsky Sym. No.5, which remains to this day one of the very best ever. Highlights include a fantastic Mahler 4th, Liszt Les Preludes, Tchaikovsky 6th and Strauss Ein Heldenleben and Don Juan. As of the time this review was written, the contents aren't listed, so:
VIVALDI - Concerto Grosso op.3/8 (1937); BACH - Concerto in D minor for 2 violins BWV 1043 (1935), Orchestral Suite No.2 BWV 1067 (1931), Orchestral Suite Suite No.3 BWV 1068 (1942); MOZART - Eine kleine Nachtmusik (1940); WEBER - Overture Der Freischutz (1931), Overture Oberon (1928); BEETHOVEN - Sym No 6 (1937), Sym No 7 (1940); SCHUBERT - Sym No 8 & 9 (1942); BRUCH - Violin Concerto No.1 w/Guila Bustabo (1940); WAGNER - Tannhauser Overture (1940), Lohengrin prelude to act 1 (1927); LISZT - Les Preludes (1929); BORODIN - In the Steppes of Central Asia (1941); BRAHMS - Sym No.3 (1932), Academic Festival Overture (1930), Tragic Overture (1942); TCHAIKOVSKY - Sym No.6 (1941), Romeo & Juliet Fantasy Overture (1930), 1812 Overture (1940); FRANCK - Sym in D minor (1940); DEBUSSY - Fantasy for piano & orchestra w/ Gieseking (1938); RAVEL - Daphnis et Chloe Suite No.2 (1938); MAHLER - Sym No.4 (1939); R. STRAUSS - Don Juan (1938), Ein Heldenleben (1941); BARTOK - Violin Concerto No.2 w/Zoltan Szekely; KODALY - Variations on The Peacock (1939).
** The current listed price of this set is $80. When I bought it about 6 months ago it only cost $21.99. ** The sound is not bad at all, about average for the era."