Anyway, Anyhow, Anywhere - The Who, Daltrey, Roger
Daddy Rollin' Stone - The Who, Blackwell, Otis
My Generation
The Kids Are Alright
The Ox - The Who, Entwistle, John
A Legal Matter
Pete Dialogue [Live] - The Who,
Substitute
I'm a Boy
Disguises
Happy Jack Jingle
Happy Jack
Boris the Spider - The Who, Entwistle, John
So Sad About Us
A Quick One, While He's Away
Pictures of Lily
Early Morning Cold Taxi - The Who, Daltrey, Roger
Coke 2 - The Who,
Last Time - The Who, Jagger, Mick
I Can't Reach You
Girl's Eyes - The Who, Moon, Keith [1]
Call Me Lightning
Track Listings (27) - Disc #2
Rotosound Strings - The Who,
I Can See for Miles
Mary Anne with the Shaky Hand
Armenia City in the Sky - The Who, Keen, John "Speedy"
Tattoo
Our Love Was
Rael 1
Rael 2
Track Records/Premier Drums - The Who,
Sunrise
Russell Harty Dialogue - The Who,
Jaguar
Melancholia
Fortune Teller - The Who, Neville, Naomi
Magic Bus
Little Billy
Dogs
Overture
The Acid Queen
Underture [Live]
Pinball Wizard
I'm Free
See Me, Feel Me [Live]
Heaven and Hell - The Who, Entwistle, John
Pete Dialogue [Live]
Young Man Blues [Live] - The Who, Allison, Mose
Summertime Blues [Live] - The Who, Capehart, Jerry
Track Listings (17) - Disc #3
Shakin' All Over [Live] - The Who, Kidd, Johnny
Baba O'Riley
Bargain [Live]
Pure and Easy
The Song Is Over
Studio Dialogue - The Who,
Behind Blue Eyes
Won't Get Fooled Again
The Seeker [Edit]
Bony Maronie [Live] - The Who, Williams, Larry [60
Let's See Action (Nothing Is Everything)
Join Together
The Relay
The Real Me
5:15 [Single Mix]
Bell Boy
Love Reign O'Er Me
Track Listings (20) - Disc #4
Long Live Rock
Life with the Moons - The Who,
Naked Eye [Live]
Slip Kid
Poetry Cornered - The Who,
Dreaming from the Waist [Live]
Blue, Red and Grey
Life with the Moons, No. 2 - The Who,
Squeeze Box
My Wife - The Who, Entwistle, John
Who Are You
Music Must Change
Sister Disco
Guitar and Pen
You Better You Bet
Eminence Front
Twist and Shout [Live] - The Who, Medley, Phil [Songw
I'm a Man [Live] - The Who, McDaniel, Elias
Pete Dialogue - The Who,
Saturday Night's Alright for Fighting - The Who, John, Elton
This exemplary four-disc box takes the high road, attempting nothing less than an honest reconstruction of the Who's stormy, adventurous, uneven pilgrimage. While offering an evenhanded cross-section of single hits and cla... more »ssic album tracks, 30 Years garnishes the expected high points with B-sides, alternate and live versions of familiar tracks, and the quartet's earliest singles as the High Numbers. Reinforcing the package's documentary agenda are interview and stage-patter sound bites. What emerges is a fascinating chronicle of how the Shepherd's Bush mods journeyed from the giddy, explosive concision of their January 1965 debut single, "I Can't Explain," to the discursive, knotty sweep of creative architect Pete Townshend's "rock operas," Tommy, Quadrophenia, and the uncompleted, unreleased Lifehouse. The Who's swift evolution into rock visionaries is traced chronologically, meaning the band's original immersion in "maximum R&B," which forged their earliest club dates, doesn't surface on record until midway through the sequence, on key tracks from their thundering Live at Leeds album. Fans may quibble over the relative weight given specific albums, but the shape of the Who's career and their passionate identification with their audience are rendered faithfully. So, too, is Townshend's skill at mingling issues of faith and identity with generational manifestoes and sly broadsides. And there's ample evidence of the quartet's outsize musical power; the sheer volume and violence that earned them notoriety early on is matched by a lyricism that deepens by mid career. Given the candor of the presentation, it's not surprising that 30 Years reaches its zenith midway through the set or that the last song (a reunion of the surviving trio covering Elton John) can't help seeming anticlimactic. --Sam Sutherland« less
This exemplary four-disc box takes the high road, attempting nothing less than an honest reconstruction of the Who's stormy, adventurous, uneven pilgrimage. While offering an evenhanded cross-section of single hits and classic album tracks, 30 Years garnishes the expected high points with B-sides, alternate and live versions of familiar tracks, and the quartet's earliest singles as the High Numbers. Reinforcing the package's documentary agenda are interview and stage-patter sound bites. What emerges is a fascinating chronicle of how the Shepherd's Bush mods journeyed from the giddy, explosive concision of their January 1965 debut single, "I Can't Explain," to the discursive, knotty sweep of creative architect Pete Townshend's "rock operas," Tommy, Quadrophenia, and the uncompleted, unreleased Lifehouse. The Who's swift evolution into rock visionaries is traced chronologically, meaning the band's original immersion in "maximum R&B," which forged their earliest club dates, doesn't surface on record until midway through the sequence, on key tracks from their thundering Live at Leeds album. Fans may quibble over the relative weight given specific albums, but the shape of the Who's career and their passionate identification with their audience are rendered faithfully. So, too, is Townshend's skill at mingling issues of faith and identity with generational manifestoes and sly broadsides. And there's ample evidence of the quartet's outsize musical power; the sheer volume and violence that earned them notoriety early on is matched by a lyricism that deepens by mid career. Given the candor of the presentation, it's not surprising that 30 Years reaches its zenith midway through the set or that the last song (a reunion of the surviving trio covering Elton John) can't help seeming anticlimactic. --Sam Sutherland