Search - Weezer :: Weezer (Red Album) [Deluxe]

A Brand New Weezer (3 1/2 stars)

Glen R. Coleman | Rutherford, NJ United States | 06/03/2008

(4 out of 5 stars)

"The Red Album is the biggest surprise that this band has released to this date. While at times it has its typical weezer hooks, chugging power chords, and cuomo melodies, this album sheds a whole new light on who Weezer actually is today in 2008. It's the first Weezer album where the other members had the same amount of insight as Rivers on ideas for the songs. Some of the songs are sung entirely by other members of the band. Also, the members of the band switch instruments multiple times. I think it is safe to say that this is the most experimental album by far by Weezer.



Troublemaker - This opening track is crazy catchy, but doesn't really go to many places and is probably one of the weakest tracks on the album(especially lyric wise). "Marrying a biatch, Having seven Kiads"...?? The track is able to keep you on your feet, but that's about it.



The Greatest Man That Ever Lived - The most epic track on the album crosses over to many different genres. The song constantly changes for the whole six minutes of the song includes challenging choral pieces, punk breakdowns, pop verses, and original Weezer and Rock melodies.



Pork and Beans - The first single of the album. In a way, it was a tease for what was to come for the album since a chorus of a Weezer song hasn't sounded like this for years. While the verse has a new Weezer feel, the chorus takes you back to 1994. Written after an intense meeting with Geffen, Rivers angrily went home to write this song that is an allout backlash at the record company for not respecting the freedom of the band. "Imma do the things that I want to, I ain't got a thing to prove to you". One of the strongest tracks on the entire album for sure.



Heart Songs - Rivers' influences mean a lot to him. Which is why this sincere ballad another one of the strongest tracks on the album. Describing all of his influences by name, Rivers mentions all of the rockstars and past musicians that helped him become who he is today. At times, the song sounds a bit corny moving into the chorus. But, the bridge is one of the strongest bits on the entire album with insanely catchy overlapping vocals and distorted guitars. He mentions that his room mate showed him "Nevermind" by Nirvana, and that it "broke the chains it had up on me" and by that time he set out to start a rock band with his friends.



Everybody Get Dangerous - One of the hardest tracks on the album. *Personally* its my least favorite on the entire album next to Troublemaker. But at the same time, the song starts out absolutely rockin. I also feel like the verses are really strong. Reminiscent also of the chili peppers and maybe zeppelin. The chorus seems a bit corny, especially with the "boo yah"! The highlight of the song is towards the end where Pat goes off by himself, and the rest of the band is just shouting having fun.



Dreamin' - Rivers pushed this one to be on the album. I see why he did it too. Maybe not the strongest track, but it definitely brings back the Weezer feel to the album. It sounds like a lost track off of Make Believe or Maladroit. Sort of has a "Keep Fishin" type of feel but a little harder. Also, a pretty interesting breakdown with Brian singing lead. Very psychedelic sounding, and then it gets a bit more poppy as it goes on.



Thought I Knew - Brian's song on the album. He sings lead vocals. It definitely has a "Space Twins" or "The Relationship" type of feel on the album. It doesn't sound like a Weezer song at all. But it is a good tune, it just doesn't feel like it flows too well with the rest of the album. The lyrics are definitely nice, as well as the guitar work. The track itself is really great, but I'm not too sure it belongs on here.



Cold Dark World - Scotts song on the album. Another weak one on the album (personally I feel this way). The song doesn't really go anywhere. It just feels dead. Scotts not exactly singing in the verse, its more talking. The chorus "Angel come in a cold dark world, im gonna be your man". The chorus had potential but doesn't really hit it right. The strongest part of the song is when the guitar has a break by itself. It's really pretty.



Automatic - Pats song on the album. Very rockin and pretty awesome. It's really in your face. The only thing that was a dissapointment was the tempo. In the remix that was first released, the tempo was set MUCH MUCH higher. And it gave a whole new feel to the song. Pats vocal perfomance is impressive, and this was definitely a good choice from him and the band to put this one on. Very solid track.



The Angel And The One - One of my favorites on this album by far. This song has one of Rivers' best performances in years. Or maybe it's just nice to hear him talking about love again. It is by far the best album closer since Pinkerton, and has Rivers describing how he is at peace with his love life "I am complete, is what im sayin. I'm flying up so high, my purple majesty displaying". Even the guitar work is beautiful towards the end. Which is nice to hear since the album barely showcases any guitar work. Nothing else to say except that this is a beautiful song.



The other 4 deluxe tracks are amazing. Miss Sweeney starts to sound like Old Weezer but at first sounds like something completely new until it hits the chorus, the full band version of "Pig" is utterly satisfying compared to the demo, The Spider is beautiful and actually very trippy sounding, and lastly King is a great acoustic song sung by Scott. This one should have replaced Cold Dark World. King is a very strong track. I guess the only thing I have to say is that I was dissapointed that there wasn't one real guitar solo on the whole album. Also, the b sides/covers are really awesome so I suggest everybody tries to get their hands on them. Enjoy the album everyone, it is yet another success by Weezer.







"

Weezer's 'Red Album' aims to please, mostly hits mark

Dustin Perry | Sagamihara, Japan | 06/19/2008

(4 out of 5 stars)

"The dudes from Weezer have it rough.



Imagine being part of one of *the* defining rock bands of the mid-'90s post-grunge era -- a band whose members kick-started their careers with back-to-back, indisputable masterpieces (the blue-hued, self-titled debut "Weezer" and its painfully personal, less-pop-sensible follow-up "Pinkerton"). Now imagine the pressure that comes with trying to meet or exceed the stratospheric expectations of both critics and rabid fans looking for you and your bandmates to recreate that magic on subsequent releases -- to, in essence, make lightning strike twice, *twice*.



The band's 2001 comeback (also titled "Weezer," but nicknamed "The Green Album" because of the cover art's color palette) came closest to appeasing their mass of followers, partly because it was seen as somewhat of a return to form, but mostly because it was also literally Weezer's "return" after a four-year hiatus. By the time 2002's mildly praised "Maladroit" came out, even some of the band's most devout loyalists began to lose hope. And don't even mention 2005's schmaltzy "Make Believe" (or its ubiquitous, love-it-or-hate-it single "Beverly Hills") to a Weezer fan unless you want to get punched in the face.



So, does the band's sixth LP "Weezer" (dubbed "The Red Album" for clarity's sake) manage to finally recapture the glory days of the emo-pop foursome at their creative peak? Well ... no. I think by now, it's obvious that doing so would be impossible, which is why I believe "Red" (and the rest of the post-"Pinkerton" albums, for that matter) shouldn't be judged against the band's earlier work. Instead, it should be appreciated for what it is: a well-rounded collection of catchy, decent-to-great pop songs that, at the very least, will leave even the most finicky Weezophile satisfied.



If you've logged on to YouTube in the last couple of weeks, there's a good chance you've seen the video for "Pork and Beans," the album's first single. It's the band's latest incarnation of "Buddy Holly" -- after "Hash Pipe," "The Good Life," "Keep Fishin'" and "Beverly Hills" -- and was written by lead singer Rivers Cuomo to spite record executives who pressured him to pen a radio-friendly hit. (Ironically, with its inescapable chorus and driving guitar rhythms, all crammed into a perfect three-minute run time, "Pork and Beans" is the summer's prime candidate for nonstop airplay on Top 40 stations across the country.)



Elsewhere, Cuomo plants his tongue firmly in his cheek for a song detailing rock star excess ("Troublemaker"); "boo-yah"s his way through a speedy, metal-inspired tune about his days as a reckless teenage prankster ("Everybody Get Dangerous"); and lays out a laundry list of his diverse musical influences ("Heart Songs"). The band's most epic experiment to date comes in the form of "The Greatest Man That Ever Lived (Variations on a Shaker Hymn)," a six-minute, Queen-esque rock opera that cobbles together rapping, Prince-like falsetto wailing and church-choir backing vocals.



When I heard each of the three other band members -- guitarist Brian Bell, bassist Scott Shriner and drummer Patrick Wilson -- would be getting lead-vocal duties for one track apiece on this album, I was a bit leery. And alas, after hearing their respective entries, my fears were largely confirmed. Bell's "Thought I Knew," Shriner's "Cold Dark World" and Wilson's "Automatic" aren't necessarily "bad" songs; their biggest detriment is simply due to the fact that, without Cuomo's trademark voice, not one of them is identifiable as a Weezer Song. Sequenced one after another near the end of the album, they have a jarring effect on the listener, like someone placed a trio of generic alt-rock staples from 1999 on the CD as a joke.



The best way to wash the aftertaste of those misfires out of your mouth is to pick up the deluxe edition of "Weezer," which includes four Cuomo-sung bonus cuts, including fan favorite "Pig" and the heart-laid-bare "Miss Sweeney," about a real estate executive who secretly pines for his secretary.



Pound for pound, The Red Album is another solid effort from the elder statesmen of emo. And although this album doesn't come close to matching the decade-defining influence of Weezer's first two outings, it definitely gets points for *not* trying."

Confused by the extreme reactions to this album.

Kyle Garret | Los Angeles, CA United States | 06/06/2008

(4 out of 5 stars)

"Is this Weezer's best album? No. It is their worst? No. Is it their strangest? Definitely. It would seem to me, though, that people are either so enamored with the band or so enamored with the past they've lost a critical ear. But let's take it song by song:



1. Troublemaker -- Fairly standard Weezer fare, really, although a bit more pop than perhaps their earlier stuff. Enjoyable, but not really memorable.



2. The Greatest Man That Ever Lived -- Yes, it's strange and rarely repeats -- save for the main chorus -- but each section is pretty catchy on it's own. They lyrics are pretty hilarious.



3. Pork and Beans -- Again, fairly standard Weezer fare, backed by a great video. It's pretty catchy, but not really that interesting.



4. Heart Songs -- Yes, it sounds a bit cheesy when it starts, but it's a great song, backed by an experience we all share: those songs that never leave you, that will always be important no matter how much time passes. It builds really nicely, too.



5. Everybody Get Dangerous -- For what it's worth, I liked "We Are All On Drugs," which probably informs my opinion of this song. I enjoy the heck out of it. The chord changes are great and the lyrics are hilarious -- a great job of taking me back to my youth and a legitimate question: what do we do when our kids act like we did?



6. Dreamin' -- An obvious single, made less obvious by the outro, which is really cool. A good song and classic Weezer.



7. Thought I Knew -- Yes, Brian sings lead on this. And, yes, it doesn't sound like a Weezer song at all, even on a album that's redefining what a "Weezer" song is. On it's own merits, this might be a great song, but it's simply too jarring to hear on the album.



8. Cold Dark World -- Scott sings lead on this one and it's much less jarring to me. I actually like this song. It's fairly driving and Scott delivers his vocals a lot like Rivers (who sings on the choruses).



9. Automatic -- I think this might be Pat on vocals here. Again, a twist from Weezer, but not completely different. It's an okay song. I think a big problem people might have with this album is the fact that these three songs come in a row.



10. The Angel and The One -- This is a great song. This is classic, heartfelt Weezer. I read a review where someone said this album didn't have the emotional appeal that previous Weezer albums have had, and while that might be true on a whole, this song (and Heart Songs) just really hit home.



BONUS TRACKS



11. Miss Sweeney -- I agree with a previous reviewer -- this song makes the bonus album a required purchase. It's just a great song and Rivers' vocal delivery is just so great. It's songs like this that make you realize just how creative Weezer can be.



12. Pig -- Another good one, kind of folksy, kind of earthy, but still quirky in that Weezer way.



13. The Spider -- Yeah, it's a little bizarre and kind of sounds like one of Rivers' home recordings. It might grow on me in time, but now it's just kind of there.



14. King -- Man, I don't know if Scott writes the vocal lines and lyrics or if Rivers handles that and just has Scott sing it, but I have to say that he's pretty freaking great. This is probably better than "Cold Dark World."



Overall, I think it's a good album. I'd have given it 3 and a half stars initially, but I'm sure it will earn the extra half a star going forward."