Search - Christopher Purves, William [composer] Walton, Paul Daniel :: Walton: Belshazzar's Feast

Walton: Belshazzar's Feast
Christopher Purves, William [composer] Walton, Paul Daniel
Walton: Belshazzar's Feast
Genres: Special Interest, Classical
 
  •  Track Listings (11) - Disc #1

Walton?s searing oratorio, Belshazzar?s Feast, written for baritone, chorus and a huge orchestra with an augmented brass section, takes as its subject the scene from the Bible (Book of Daniel) in which, at King Belshazzar?...  more »

     
?

Larger Image

CD Details

All Artists: Christopher Purves, William [composer] Walton, Paul Daniel, English Northern Philharmonia, Simon Lindley
Title: Walton: Belshazzar's Feast
Members Wishing: 0
Total Copies: 0
Label: Naxos
Release Date: 5/18/2004
Genres: Special Interest, Classical
Styles: Marches, Opera & Classical Vocal
Number of Discs: 1
SwapaCD Credits: 1
UPC: 747313586929

Synopsis

Album Description
Walton?s searing oratorio, Belshazzar?s Feast, written for baritone, chorus and a huge orchestra with an augmented brass section, takes as its subject the scene from the Bible (Book of Daniel) in which, at King Belshazzar?s Feast, a hand appears and prophetically writes a doom laden message on the wall. Often compared on account of its pulsating drive and barbaric splendour with Orff?s Carmina Burana, Belshazzar?s Feast is now regarded as the finest British large-scale choral work since Elgar?s Dream of Gerontius.
 

CD Reviews

Very fine but not the best
L. Johan Modée | Earth | 02/15/2007
(4 out of 5 stars)

"I heard Paul Daniel's interpretation of Belshazzar's Feast "live" in Leeds Town Hall on March 17, 2001 - actually the place where the piece once was premiered in 1931 on the Leeds festival. Daniel's interpretation that day was a great musical moment - I hoped it would have been recorded.



But the interpretation on the present disc, recorded later in 2001 in Leeds Town Hall but without audience, does not really make the same impression. Walton's wild, jazzy music is more controlled here than what I can recall from the live performance.



Nonetheless it is a very good recording with a lot of musical excitement, partly due to the excellent orchestral playing (the brass is glowingly outstanding, as always in Britain), even if the choral singing is not quite up to the distinguished standard in Previn's seminal account (EMI). Daniel's bass Christopher Purves, moreover, is no match for Previn's John Shirley Quirk - there is more "bite" in the archaic words here.



So, to sum up, a very fine recording that can be recommended, even if not without some minor reservations. For most people, Previn must still be the first "mainstream" choice.



But my first recommendation is actually Ormandy's thrillingly taut interpretation on SONY (a bargain twofer that includes Szell's magical interpretation of Walton's second symphony - available at amazon.co.uk), even if the recording quality is not the very best and the choir sounds less massive and alert than the one in Previn's hands (and even the one in Daniel's recording). The conductor, as always, makes the whole difference."
High quality recording
David S. Pham | California | 12/09/2005
(5 out of 5 stars)

"I wasn't expecting much based on the inexpensive price, but this recording blew me away. The recording is phenomenol. The orchestra is outstanding and the brass section is wholesome (and even has a little edge, in a good way). The choir is powerful and full of emotion. Highly recommended."