Search - Richard [Classical] Wagner, Uri Caine Ensemble :: Wagner e Venezia

Wagner e Venezia
Richard [Classical] Wagner, Uri Caine Ensemble
Wagner e Venezia
Genres: Jazz, New Age, Classical
 
  •  Track Listings (7) - Disc #1

At a certain point in the course of these seven Wagner overtures and pieces it becomes clear that pianist Uri Caine's sextet has the good heart of a local community orchestra tackling demanding music. That's just the resul...  more »

     
?

Larger Image

CD Details

All Artists: Richard [Classical] Wagner, Uri Caine Ensemble
Title: Wagner e Venezia
Members Wishing: 1
Total Copies: 0
Label: Winter & Winter
Release Date: 9/15/1998
Genres: Jazz, New Age, Classical
Styles: Avant Garde & Free Jazz, Opera & Classical Vocal, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 025091001323

Synopsis

Amazon.com
At a certain point in the course of these seven Wagner overtures and pieces it becomes clear that pianist Uri Caine's sextet has the good heart of a local community orchestra tackling demanding music. That's just the result of the frontally loaded sound, with an audio brightness that's missing from altogether too many recordings and is here accomplished in a stunning live digital recording. Caine has stripped Wagner's portly scores down to a nimble string quartet, augmented by Caine himself on piano and Dominic Cortese on accordion. The strings, especially Mark Feldman's first violin, move to the ensemble's foreground only occasionally, playing instead a more integrated group-oriented music that lays the keel solidly in Erik Friedlander's cello and Drew Gress's bass. Given that at least most of the ensemble has strong roots in the downtown New York jazz community, it would stand to reason that they'd scramble the Wagnerian code pretty mightily (much as Caine did on his no-holds-barred Mahler set). Instead, they take Wagner almost at his word, squeezing the weepiest strains out of the Lohengrin overture but almost totally upending the Ride of the Valkyries so that it plays as a lighthearted little romp. From the exquisite packaging to the entertaining booklet insert to the sparkling sound--crowd noise and all, at the beginning and interstitially--this is an absolutely first-rate Wagner disc. --Andrew Bartlett
 

CD Reviews

Hearing the 19th Century
David J. Hildreth | 07/26/2003
(5 out of 5 stars)

"This is one of the cleverest and most endearing recordings I have ever heard. All my life I have heard about composers hearing and reacting (usually negatively) to popular renditions of their music - especially Verdi, frequently performed by gondoliers. This is the only opportunity I have had to savor what that might really have sounded like - at its highest level, of course. Anyone who knows and loves Wagner will be tickled to death by this and hopefully inspired to investigate other music by Uri Caine and his collaborators. Check out "The Sidewalks of New York." This guy understands music as artifact in the truest sense. Did you ever look at an ancient portrait and get that creepy feeling that people in the 15th or the 10th Century or even in ancient Egypt were not that different from us? That is the effect that Uri Caine's music has. Dig him."
Simply gorgeous
Voice of Chunk | NY | 04/25/2000
(5 out of 5 stars)

"Any disc that features Uri Caine, Erik Friedlander, Mark Feldman, and Drew Gress is guaranteed to be adventurous and exciting, but this release sees the whole even greater than its parts. Wagner is given a whole new spin by the ensemble. This may be the catalyst for other jazzers to take more chances with the western classical canon. We can only hope that future attempts at such crossovers yield such gorgeous results. HIGHLY recommended to Classical and jazz fans alike."
Fantastic recording
Drew Schatt | Los Angeles, CA | 05/19/1999
(5 out of 5 stars)

"I have just received this disc, and it sounds fantastic. I particularly enjoy the trueness of the recording, with the crowd noise and the applause, and particularly the bells of the cathedral. I wholeheartedly recommend this cd, as I don't think it is possible to dislike the recording if you enjoy classical music."