Il Farnace, opera: Recitativo. Ma d'onde, o mio Regina
Il Farnace, opera: Aria. Da quel ferro che ha svenato (Risoluto e staccato)
Farnace, opera in 3 acts, RV 711: Act 1. Sinfonia. Allegro
Farnace, opera in 3 acts, RV 711: Act 1. Sinfonia. Andante
Farnace, opera in 3 acts, RV 711: Act 1. Scene 1. Recitatvio. Benché vinto e sconfitto
Farnace, opera in 3 acts, RV 711: Act 1. Scene 1. Aria. Ricordati che sei
Farnace, opera in 3 acts, RV 711: Act 1. Scene 2. Recitativo. Ch'io me tolga col ferro
Farnace, opera in 3 acts, RV 711: Act 1. Scene 2. Aria.Combattono quest'alma
Farnace, opera in 3 acts, RV 711: Act 1. Scene 3. Coro. Dell'Eusino con aura seconda
Farnace, opera in 3 acts, RV 711: Act 1. Scene 3. Recitativo. Del nemico Farnace
Farnace, opera in 3 acts, RV 711: Act 1. Scene 4. Recitativo. Amazzone real dell'Oriente
Farnace, opera in 3 acts, RV 711: Act 1. Scene 5. Guerrieri eccovi a fronte
Farnace, opera in 3 acts, RV 711: Act 1. Scene 5. Coro. Su campioni, su guerrieri
Farnace, opera in 3 acts, RV 711: Act 1. Scene 5. Recitativo. In si gran punto ancora
Farnace, opera in 3 acts, RV 711: Act 1. Scene 6. Recitativo. Signor, s'anche fra l'armi
Farnace, opera in 3 acts, RV 711: Act 1. Scene 7. Recitativo. A'nostri danni armata
Farnace, opera in 3 acts, RV 711: Act 1. Scene 7. Aria. Nell'intimo del petto
Farnace, opera in 3 acts, RV 711: Act 1. Scene 8. Recitativo. A'sorprendermi il cor
Farnace, opera in 3 acts, RV 711: Act 1. Scene 8. Aria. Pesno che que' begl'occhi
Farnace, opera in 3 acts, RV 711: Act 1. Scene 9. Recitativo. Qual sembianza improvisa
Farnace, opera in 3 acts, RV 711: Act 1. Scene 9. Aria. Al vezzeggiar
Farnace, opera in 3 acts, RV 711: Act 1. Scene 10. Recit. Accomp. Figlio, non vi é più scampo
Farnace, opera in 3 acts, RV 711: Act 1. Scene 11. Recitativo. Fermati, ingrata!
Farnace, opera in 3 acts, RV 711: Act 1. Scene 12. Recitativo. Signor, costei ch'audace empie
Farnace, opera in 3 acts, RV 711: Act 1. Scene 12. Aria. Da quel ferro che ha svenato
Farnace, opera in 3 acts, RV 711: Act 1. Scene 13. Recitativo. L'Asia non è ancor doma
Farnace, opera in 3 acts, RV 711: Act 1. Scene 13. Aria. Leon feroce
Farnace, opera in 3 acts, RV 711: Act 1. Scene 14. Recitativo. Come ben fa veder
Farnace, opera in 3 acts, RV 711: Act 1. Scene 14. Aria. Sorge l'irato nembo
Track Listings (24) - Disc #2
Il Farnace, opera: Aria. S'arma il cielo di tuoni e di lampi
Farnace, opera in 3 acts, RV 711: Act 2. Scene 1. Recitativo. Principessa gentil
Farnace, opera in 3 acts, RV 711: Act 2. Scene 1. Aria. Lascia di sospirar
Farnace, opera in 3 acts, RV 711: Act 2. Scene 2. Recitativo. Di Farnace e del figlio
Farnace, opera in 3 acts, RV 711: Act 2. Scene 2. Aria. Langue misero quel valore
Farnace, opera in 3 acts, RV 711: Act 2. Scene 3. Recitativo. No ch'amar non e fallo
Farnace, opera in 3 acts, RV 711: Act 2. Scene 3. Aria. C'è un dolce furore
Farnace, opera in 3 acts, RV 711: Act 2. Scene 4. Recitativo. Non che ceder
Farnace, opera in 3 acts, RV 711: Act 2. Scene 5. Recitativo. Pupille o voi sognate
Farnace, opera in 3 acts, RV 711: Act 2. Scene 5. Aria. Gelido in ogni vena
Farnace, opera in 3 acts, RV 711: Act 2. Scene 6. Recitativo. Olà, queste superbe
Farnace, opera in 3 acts, RV 711: Act 2. Scene 7. Recit. Accompagnato
Farnace, opera in 3 acts, RV 711: Act 2. Scene 8. Recitativo. Dite che v'ho fatt'io
Farnace, opera in 3 acts, RV 711: Act 2. Scene 9. Aria. Arsa da rai cocenti
Farnace, opera in 3 acts, RV 711: Act 2. Scene 10. Recitativo. Ah, s'egli è ver che m'ami
Farnace, opera in 3 acts, RV 711: Act 2. Scene 10. Aria. Quel tuo ciglio
Farnace, opera in 3 acts, RV 711: Act 2. Scene 11. Recitativo. Dove mai ti trasporta
Farnace, opera in 3 acts, RV 711: Act 2. Scene 11. Aria. Spogli pur l'ingiusta Roma
Farnace, opera in 3 acts, RV 711: Act 2. Scene 12. Recitativo. Dell'iniquo Farnace
Farnace, opera in 3 acts, RV 711: Act 2. Scene 12. Aria. Roma invitta una clemente
Farnace, opera in 3 acts, RV 711: Act 2. Scene 13. Recitativo. Frà le libiche serpi
Farnace, opera in 3 acts, RV 711: Act 2. Scene 13. Aria. Lascerò d'esser spietala
Farnace, opera in 3 acts, RV 711: Act 2. Scene 14. Recitativo. Aquilio, ebben pensasti?
Farnace, opera in 3 acts, RV 711: Act 2. Scene 14. Duetto. Io sento nel petto
Track Listings (19) - Disc #3
Il Farnace, opera: Marcia
Farnace, opera in 3 acts, RV 711: Act 3. Scene 1. Recitativo. Gilade. Gran Regina
Farnace, opera in 3 acts, RV 711: Act 3. Scene 1. Aria. Quel candido fiore
Farnace, opera in 3 acts, RV 711: Act 3. Scene 2. Recitativo. Signor; se la clemenza
Farnace, opera in 3 acts, RV 711: Act 3. Scene 2. Aria. Forse o caro in questo accenti
Farnace, opera in 3 acts, RV 711: Act 3. Scene 3. Recitativo. Si, qualche nume
Farnace, opera in 3 acts, RV 711: Act 3. Scene 3. Aria. Quel torrente che s'innalza
Farnace, opera in 3 acts, RV 711: Act 3. Scene 4. Recitativo. Gilade, il tuo pensiero
Farnace, opera in 3 acts, RV 711: Act 3. Scene 4. Aria. Scherzo l'aura lusingheira
Farnace, opera in 3 acts, RV 711: Act 3. Scene 5. Recitativo. Aquilio, il braccio forte
Farnace, opera in 3 acts, RV 711: Act 3. Scene 5. Aria. Ti vantasti mio guerriero
Farnace, opera in 3 acts, RV 711: Act 3. Scene 6. Recitativo. Oh, stelle quale impresa
Farnace, opera in 3 acts, RV 711: Act 3. Scene 7. Recitativo. Regina, in costui riconosci
Farnace, opera in 3 acts, RV 711: Act 3. Scene 8. Recitativo. Oh, Dio fermati i colpi
Farnace, opera in 3 acts, RV 711: Act 3. Scene 8. Quartetto. Io crudel?
Farnace, opera in 3 acts, RV 711: Act 3. Scene 9. Recitativo. Farnace i Numi alfine
Farnace, opera in 3 acts, RV 711: Act 3. Scene 9. Recitativo. Voglio che mora
Farnace, opera in 3 acts, RV 711: Act 3. Scene Ultima. Recitativo. Berenice morrà
Farnace, opera in 3 acts, RV 711: Act 3. Scene Ultima. Coro Finale. Coronata di gigli e di rose
For all Vivaldi's current popularity, his nearly 50 operas continue to languish in undeserved obscurity. This live performance of his 1727 hit, Farnace, should help rectify posterity's oversight, for the music is compellin... more »g and the spirited singing and conducting are irresistible. The plot is a typical 18th-century opera narrative concerning people in ancient times whose confusing doings resist concise summary, but combine family discord, high politics, hate, love, and forgiveness. Jordi Savall leads his crack period instrument ensemble in a spirited rendition that stresses dramatic values. His sterling cast has no discernible weak links and several especially strong ones, such as baritone Furio Zanasi in the title role, contralto Sara Mingardo as his wife, and the daughter of the villainess of the opera, Farnace's arch-rival, Queen Berenice, soprano Adriana Fernandez. In fact, everybody sings with dramatic abandon and uses stunning coloratura effects. Savall also interpolates about 20 minutes of music from another Farnace opera written a dozen years later by Francesco Corselli, emulating the period practice of inserting materials by other contemporary composers. The fluent singing and dynamic drive of the orchestra make this among the best recordings of Baroque Italian opera. The format is a book-style packaging, with lavish illustrations, full text, and translations. --Dan Davis« less
For all Vivaldi's current popularity, his nearly 50 operas continue to languish in undeserved obscurity. This live performance of his 1727 hit, Farnace, should help rectify posterity's oversight, for the music is compelling and the spirited singing and conducting are irresistible. The plot is a typical 18th-century opera narrative concerning people in ancient times whose confusing doings resist concise summary, but combine family discord, high politics, hate, love, and forgiveness. Jordi Savall leads his crack period instrument ensemble in a spirited rendition that stresses dramatic values. His sterling cast has no discernible weak links and several especially strong ones, such as baritone Furio Zanasi in the title role, contralto Sara Mingardo as his wife, and the daughter of the villainess of the opera, Farnace's arch-rival, Queen Berenice, soprano Adriana Fernandez. In fact, everybody sings with dramatic abandon and uses stunning coloratura effects. Savall also interpolates about 20 minutes of music from another Farnace opera written a dozen years later by Francesco Corselli, emulating the period practice of inserting materials by other contemporary composers. The fluent singing and dynamic drive of the orchestra make this among the best recordings of Baroque Italian opera. The format is a book-style packaging, with lavish illustrations, full text, and translations. --Dan Davis
Dr. Peter J. Glidden | Gli Angeli, California | 06/27/2003
(5 out of 5 stars)
"Vivaldi's vocal music will, I believe, eventually be adulated on a level approaching Bach's. For those who have labored through the rocky trails of bizarre, overpriced, and obscure recordings of his sacred music, recently revitalized by Robert King and Rinaldo Alessandrini, to name two, his operatic repertoire is a godsend, all the more so since these latter CD's have been favored by truly excellent singers. And no wonder. Who, other than Bach (and, to lesser extent, Handel), forges the indissassociable link between instrumental and vocal writing, giving us wind instruments that sigh and weep and cadenzas that soar like violins (or, in the case of our altos, like violas)? Jordi Savall's Farnace is bold. The more-or-less incomprehensible plot, with its gratuitious secondary love story, is simply the occasion for the music. This is the forgiveness we have to extend to these Venetian operas in order to enter them. When they are graced with such singers as these, the music opens our ear, heart, and mind and lets the trumpet call in. I bought this recording, (full-price!), for its three contralti, Sara Mingardo, Gloria Banditelli, and, my current favorite, Sonia Prina. Ms Mingardo and Ms. Banditelli are long-time heralds of the true contralto in baroque music, but only Ms. Prina, at the ripe old age of 29, makes my heart both thrill and melt. Perhaps less so in this recording than her Aristea in Alessandrini's Olympiade with her incomparably languid force, than here with her Marilyn Horne-worthy coloratura, but as part of this ensemble her major talent announces a great work. I will confess another miscasting in the role of the "Amazone d'Oriente" Berenice in Ms. Fernandez (too sweet for a murderous, tyranical queen! Her photo belies the role 100%) but the blame lies elsewhere than in her voice. The surprises came with Cinzi Forte, aptly named indeed, and her wind-swept mastery, and even more so, Furio Zanasi, whom I have not heard since Rene Jacob's legendary Guilio Cesare (Achilla). His full-throated approach to singing can leave one overwhelmed, but that is desireable here in a man bent with grief for his dead son. His 9:09 minute long aria "Gelido in ogni vena" is beyond the pale, metaphor intended.
There is much to discover in these three disks and Savall's additions from Corselli's version are ultimately enriching. Final note: the set photos are dramatic, baroque, and utterly splendid, making you regret having missed the performance and hoping fervently for its revival."
Totally brilliant Vivaldi
Bruce Bogin | rural France | 06/23/2004
(5 out of 5 stars)
"I agree wholeheartedly with reviewer Glidden's very expert review with the sole exception that I am madly in love with Sara Mingardo and although I am basically a soprano-lover, Sara is my absolute favorite Vivaldi singer. You should also purchase La Verità in Cimento, L'Olimpiade and Vespri per l'Assunzione di Maria Vergine. You will be totally convinced of her tremendous ability. The CDs come with an absolutely superb libretto. There is one minor flaw in this whole thing but by no means should you permit it to deter you from purchasing this work. The CDs are actually stored in slip-in jackets which are pages in the libretto. It cannot possibly be beneficial for the CDs to be put in and pulled out of these very tight jackets. Very definitely buy this work and then do yourself a big favor by buying a couple of empty jewel cases and storing the CDs in them as CDs should be stored. It will be well worth the small price (I buy them 3 for about $5)."