Sinfonia (Concerto), for strings & continuo in G major, RV 146: Allegro
Sinfonia (Concerto), for strings & continuo in G major, RV 146: Andante
Sinfonia (Concerto), for strings & continuo in G major, RV 146: Allegro
Concerto for strings & continuo in G minor, RV 156: Allegro
Concerto for strings & continuo in G minor, RV 156: Adagio
Concerto for strings & continuo in G minor, RV 156: Allegro
Concerto for 4 violins, strings & continuo in D major ('L'estro armonico' No. 1), Op. 3/1, RV 549: Allegro
Concerto for 4 violins, strings & continuo in D major ('L'estro armonico' No. 1), Op. 3/1, RV 549: Largo e spiccato
Concerto for 4 violins, strings & continuo in D major ('L'estro armonico' No. 1), Op. 3/1, RV 549: Allegro
Concerto for 2 violins, cello, strings & continuo in D minor ('L'estro armonico' No. 11), Op. 3/11, RV 565: Allegro
Concerto for 2 violins, cello, strings & continuo in D minor ('L'estro armonico' No. 11), Op. 3/11, RV 565: Largo e Spiccato
Concerto for 2 violins, cello, strings & continuo in D minor ('L'estro armonico' No. 11), Op. 3/11, RV 565: Allegro
Concerto for strings & continuo in A major, RV 159: Allegro
Concerto for strings & continuo in A major, RV 159: Adagio
Concerto for strings & continuo in A major, RV 159: Allegro
Trio Sonata for 2 violins & continuo in D minor ('La follia'), Op. 1/12, RV 63
Violin Concerto, for violin, strings & continuo in E major ('L'amoroso'), RV 271: 1. Allegro
Violin Concerto, for violin, strings & continuo in E major ('L'amoroso'), RV 271: 2. Cantabile
Violin Concerto, for violin, strings & continuo in E major ('L'amoroso'), RV 271: 3. Allegro
Concerto alla rustica, for strings & continuo in G major, RV 151: Presto
Concerto alla rustica, for strings & continuo in G major, RV 151: Adagio
Concerto alla rustica, for strings & continuo in G major, RV 151: Allegro
Concerto for strings & continuo in F major, RV 138: Allegro
Concerto for strings & continuo in F major, RV 138: Adagio
Concerto for strings & continuo in F major, RV 138: Allegro
Through their development and quest for sonorities, on a mass scale and in minute detail, these concertos, described by Walter Kolneder as "orchestral studies" laid the foundations for the classical symphony. There are com... more »posers who fit precisely into their surroundings and their inspiration corresponds exactly to the resources at their disposal. With the students at the Pietà, of whom the most talented had only one distraction, the pleasure of making music, Vivaldi was able to reach the best; this exceptional instrument, this laboratory, allowed the blossoming, in the words of Marcel Marnat, "of the immense and complex work of one of the most discussed and yet inscrutable musical geniuses". The novelty, vigour, freshness and immediacy of Vivaldi's art, qualities which touch us today, could not have flourished without the youth and compliance of his students. The work he imposed on them demonstrates the power of combining discipline and artistic freedom.« less
Through their development and quest for sonorities, on a mass scale and in minute detail, these concertos, described by Walter Kolneder as "orchestral studies" laid the foundations for the classical symphony. There are composers who fit precisely into their surroundings and their inspiration corresponds exactly to the resources at their disposal. With the students at the Pietà, of whom the most talented had only one distraction, the pleasure of making music, Vivaldi was able to reach the best; this exceptional instrument, this laboratory, allowed the blossoming, in the words of Marcel Marnat, "of the immense and complex work of one of the most discussed and yet inscrutable musical geniuses". The novelty, vigour, freshness and immediacy of Vivaldi's art, qualities which touch us today, could not have flourished without the youth and compliance of his students. The work he imposed on them demonstrates the power of combining discipline and artistic freedom.
CD Reviews
Awesome
James Jankovich | Brainerd, MN United States | 01/22/2003
(5 out of 5 stars)
"Angele Dubeau is a great violinist, La Pietra are the cream of the crop of Canada's female (or male for that matter)musicians. Vivaldi happily spent 40 years writing music for the female musicians of the Pio Ospedale Pietra and the result is some of his most enthusiastic music. The playing and recording are top shelf and this is truly some of the best Vivaldi you will find anywhere."