Search - Antonio Vivaldi, Herbert von Karajan, Vienna Philharmonic Orchestra :: Vivaldi: 4 Seasons

An excellent modern instruments performance.

Joseph M. Perorazio | Columbus, OH USA | 11/10/2009

(5 out of 5 stars)

"For those who prefer their baroque music on modern instruments, this wonderful performance by Anne-Sophie Mutter stands out as the best in a vast number of other good choices. Karajan leads the Vienna Philharmonic in a sensuous, ultra-romanticzed performance of this overplayed warhorse, and Anne-Sophie's youthful exuberance shines through (at least as much as Karajan would allow.)



EMI has issued several fine versions of the 4 seasons, including the much celebrated/maligned Nigel Kennedy version, as well as readings by Perlman and other violin superstars. This present version stands out because of its lush and creamy sound. Without question, this is the modern-instruments version of choice."

Fine Big-Orchestra Version With Talented Young Soloist

James Yelvington | USA | 10/05/2009

(5 out of 5 stars)

"
This recording sounds fine for what it is: a large group performance of a work originally played by the lesser forces of the Venetian orphanage where Vivaldi taught, conducted, and of course composed. If you especially value period authenticity in a recording this may not be the disk for you.



Related to the question of group size is that of leadership. In Vivaldi's own performances he may well have played the solo part and conducted simultaneously. Here, however, we have Werner Hinck leading the Vienna Philharmonic players, thus allowing Ms. Mutter to concentrate on her solo playing. (Karajan, Read, and Scholz offer continuo support via harpsichord and organ.)



A final probable departure from Vivaldi's early 18th century performances lies in what some have described as a "romanticization" of the music, especially by the soloist. Again, purists may find this unacceptable. On the other hand, this music is being played for 20th and 21st century ears, so it may well be more pleasurable overall than a strictly baroque performance. (For my part, I sense no unpleasant stylistic distractions when listening to this music.)



The liner notes are quite adequate. The digital sound quality is fine and well-balanced, with pleasing spatial disposition. The focus is not particularly close for the group, but Ms. Mutter is miked close enough to provide all the detail and nuance needed.



The bottom line for me is that this is a very satisfying, enjoyable, and artistically valid performance of one of the pillar works of the Italian Baroque. I'm pleased to have it in my collection and, in addition to 4 or 5 other recordings, I enjoy hearing it, especially at the turn of seasons.

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