Noneto, for chorus & orchestra ('Impress?o r?pida de todo o Brasil'), A. 191
Quartet, for female chorus, flute, alto saxophone, harp & celeste (Quarteto simb?lico), A. 181: First Movement - Allegro con moto
Quartet, for female chorus, flute, alto saxophone, harp & celeste (Quarteto simb?lico), A. 181: Second Movement - Andantino
Quartet, for female chorus, flute, alto saxophone, harp & celeste (Quarteto simb?lico), A. 181: Third Movement - Allegro deciso
Noneto, for chorus & orchestra ('Impress?o r?pida de todo o Brasil'), A. 191
Quartet, for female chorus, flute, alto saxophone, harp & celeste (Quarteto simb?lico), A. 181: First Movement
Quartet, for female chorus, flute, alto saxophone, harp & celeste (Quarteto simb?lico), A. 181: Second Movement
Quartet, for female chorus, flute, alto saxophone, harp & celeste (Quarteto simb?lico), A. 181: Third Movement
Estudio, for guitar No. 8 in C sharp minor, A. 235/8
Prel?dio, for guitar No. 3 in A minor, A. 419/3
Estudio, for guitar No. 1 in E minor, A. 235/1
Prel?dio, for guitar No. 2 in E major, A. 419/2
Prel?dio, for guitar No. 4 in E minor, A. 419/4
Prel?dio, for guitar No. 5 in D major, A. 419/5
Gavotta-Ch?ro, for guitar (Suite populaire br?silienne No. 4), A. 020/4
Precocious and full of wonderment, the Nonetto and Quatuor, written by Villa-Lobos in 1924 and 1921 respectively, are surely two of the unsung minor masterpieces of the early 20th Century. In its fusion of pagan rhythms a... more »nd chanting with the brittle harmonies of the avant garde, Nonetto brings to mind Stravinsky's Les Noces and Prokofiev's Scythian Suite. Yet the piece is also characterized by a freewheeling playfulness more suggestive of Jazz and Folk music than the concert hall. This edition restores to print two historic performances of the Nonetto and Quatuor from 1941 and 1957 combining them with a set of exquisite Villa-Lobos guitar works performed by the great masters Andr?s Segovia, Julian Bream and Laurindo Almeida. El. 2008.« less
Precocious and full of wonderment, the Nonetto and Quatuor, written by Villa-Lobos in 1924 and 1921 respectively, are surely two of the unsung minor masterpieces of the early 20th Century. In its fusion of pagan rhythms and chanting with the brittle harmonies of the avant garde, Nonetto brings to mind Stravinsky's Les Noces and Prokofiev's Scythian Suite. Yet the piece is also characterized by a freewheeling playfulness more suggestive of Jazz and Folk music than the concert hall. This edition restores to print two historic performances of the Nonetto and Quatuor from 1941 and 1957 combining them with a set of exquisite Villa-Lobos guitar works performed by the great masters Andr?s Segovia, Julian Bream and Laurindo Almeida. El. 2008.