ATTO SECONDO, Quinta scena: Ed ora! ... Ed ora! ... Ora e per sempre addio, sante memorie (Otello/Jago)
ATTO SECONDO, Quinta scena: Era la notte, Cassio dormia ... (Jago/Otello)
ATTO SECONDO, Quinta scena: Si, pel ciel marmoreo giuro! (Otello/Jago)
Track Listings (17) - Disc #2
ATTO TERZO, Prima scena: La vedetta del porto ha segnalato ... (Araldo/Otello/Jago)
ATTO TERZO, Seconda scena: Dio ti giocondi ... Esterrefatta fisso lo squardo tuo tremendo... (Desdemona/Otello)
ATTO TERZO, Terza e quarta scena, Dio! mi potevi scagliar (Otello): Ah! dannazione!
ATTO TERZO, Quinta scena: Vieni, l'aula è deserta ... (Jago/Cassio/Otello)
ATTO TERZO, Quinta scena: Questa è una ragna (Jago/Cassio/Otello)
ATTO TERZO, Sesta scena: Come la ucciderò? (Otello/Jago/Ciprioti)
ATTO TERZO, Settima scena: Viva! Evviva! Viva il Leon di San Marco! (Coro/Lodovico/Otello/Desdemona/Emilia/Jago)
ATTO TERZO, Ottava scena: Messeri! Il Doge ... (Otello/Roderigo/Jago/Lodovico)
ATTO TERZO, Ottava scena: A terra! ... sì ... nil livido fango ... (Desdemona/Emilia/Cassio/Roderigo/Lodovico/Jago/Otello/Dame/Cavlieri/Ciprioti)
ATTO TERZO, Nona scena: Fuggirmi io sol non so...Sangue! (Otello/Jago/Ciprioti)
ATTO QUARTO, Prima scena: Era più calmo? (Emilia/Desdemona)
ATTO QUARTO, Prima scena: Mia madre aveva una povera ancella ... Piangea cantando nell'arma landa ... (Emila/Desdemona)
ATTO QUARTO, Seconda scena: Ave Maria, piena di grazia (Desdemona)
ATTO QUARTO, Terza e quarta scena: Chi è là? Otello (Desdemona/Otello)
ATTO QUARTO, Terza e quarta scena: Aprite! Aprite! (Emilia/Otello/Desdemona)
ATTO QUARTO, Terza e quarta scena: Qual grida! Orror! Orror! (Cassio/Lodovico/Jago/Emilia/Montano/Otello)
ATTO QUARTO, Terza e quarta scena: Niun mi tema (Otello/Cassio/Lodovico/Montano)
Track Listings (2) - Disc #3
Otello: Libretto
Otello: Synopsis
"This performance of Verdi's masterpiece is large, bold, and brilliant. The set represents a noble attempt to recreate on records the grandeur, the musical richness, the passions and the subtleties of Verdi's tragedy. List... more »ening to it was an exhilarating experience." Synopsis Verdi composed his towering penultimate opera when he was in his seventies. With a libretto brilliantly adapted by Arrigo Boito from Shakespeare's tragedy of the Moor of Venice, this compelling work moves with alarming speed as Otello, the great general and statesman, is manipulated by his nihilistic ensign Iago into believing that his beloved young wife, Desdemona, has been unfaithful with the officer Cassio. After a spectacular storm, Otello enters with a triumphant cry of `Esultate', establishing the heroic vocal stature of the role. The love duet he shares with Desdemona is the most blissful that Verdi ever wrote, and the couple's last moment of happiness together before Iago's evil - expressed in his chilling `Credo' - begins to take effect. Among the score's most powerful moments are Otello's `Ora e per sempre addio' as jealousy starts to destroy his world, and the duet of vengeance with Iago which follows soon afterwards. His traumatic Act III confrontation with Desdemona leads into a grandly conceived scene of public humiliation for both of them. Act IV brings Desdemona's doom-laden Willow Song and Ave Maria before her murder and Otello's suicide. To a yearning theme first heard in the love duet, he kisses his wife for the last time.« less
"This performance of Verdi's masterpiece is large, bold, and brilliant. The set represents a noble attempt to recreate on records the grandeur, the musical richness, the passions and the subtleties of Verdi's tragedy. Listening to it was an exhilarating experience." Synopsis Verdi composed his towering penultimate opera when he was in his seventies. With a libretto brilliantly adapted by Arrigo Boito from Shakespeare's tragedy of the Moor of Venice, this compelling work moves with alarming speed as Otello, the great general and statesman, is manipulated by his nihilistic ensign Iago into believing that his beloved young wife, Desdemona, has been unfaithful with the officer Cassio. After a spectacular storm, Otello enters with a triumphant cry of `Esultate', establishing the heroic vocal stature of the role. The love duet he shares with Desdemona is the most blissful that Verdi ever wrote, and the couple's last moment of happiness together before Iago's evil - expressed in his chilling `Credo' - begins to take effect. Among the score's most powerful moments are Otello's `Ora e per sempre addio' as jealousy starts to destroy his world, and the duet of vengeance with Iago which follows soon afterwards. His traumatic Act III confrontation with Desdemona leads into a grandly conceived scene of public humiliation for both of them. Act IV brings Desdemona's doom-laden Willow Song and Ave Maria before her murder and Otello's suicide. To a yearning theme first heard in the love duet, he kisses his wife for the last time.