Search - Riccardo Muti, Salvatore Licitra, Barbara Frittoli :: Verdi: Il Trovatore

Verdi: Il Trovatore
Riccardo Muti, Salvatore Licitra, Barbara Frittoli
Verdi: Il Trovatore
Genre: Classical
 
  •  Track Listings (23) - Disc #1
  •  Track Listings (21) - Disc #2

Here's a Trovatore that's really out of the ordinary. You won't hear a more accurate or more dramatically coherent performance of this Verdi warhorse. Drawn from live La Scala performances, this may be the most thrilling T...  more »

     
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CD Details

All Artists: Riccardo Muti, Salvatore Licitra, Barbara Frittoli, Orchestra e coro del Teatro alla Scala, Leo Nucci, Violeta Urmana
Title: Verdi: Il Trovatore
Members Wishing: 0
Total Copies: 0
Label: Sony
Release Date: 1/8/2002
Album Type: Live
Genre: Classical
Style: Opera & Classical Vocal
Number of Discs: 2
SwapaCD Credits: 2
UPC: 696998955325

Synopsis

Amazon.com
Here's a Trovatore that's really out of the ordinary. You won't hear a more accurate or more dramatically coherent performance of this Verdi warhorse. Drawn from live La Scala performances, this may be the most thrilling Trovatore on disc. Riccardo Muti conducts the new critical edition of the score with a wide dynamic palette, refined orchestral detail, atmospheric slow scenes, and animated ones that sometimes border on the hectic. He's obsessive about textual fidelity, so don't wait for the high C in "Di quella pira"; it's not there. The loss is ours, as well as the tenor's. If the singing were on the level of the conducting, this would be the Trovatore of choice. As it is, it ranks among the best. Barbara Fritolli is a fine Leonora, presenting a rounded character lacking only the amplitude of great Leonoras like Maria Callas and Leontyne Price. Salvatore Licitra shows why he's attracting so much attention as one of the best young tenors on the scene, but he sometimes stresses words to the point of creating little bumps in the musical line, as in his "Ah! si ben mio." Otherwise, he's a fine Manrico. Violeta Urmana is a distinct asset, but Leo Nucci's Count and Giorgio Giuseppini's Ferrando are a bit undersized for their roles. But the pluses far outweigh the minuses, and it's a joy to hear the almost lost art of true Verdian phrasing again. --Dan Davis
 

CD Reviews

A great new Trovatore!
03/15/2002
(5 out of 5 stars)

"This is something new - a fresh interpretation of an opera I thought had been conducted and sung to death. Muti walks the fine line between the lyric and dramatic Trovatore with a fearless resolve, never letting the score sink into itself. The string section really moves here - and is always audible in the foreground. The choices on pacing of various scenes is remarkable. I can hear Nucci having fun as a Machiavellian-type count, Frittoli bringing out Leonora's suffering with a beautiful reserve, Urmana singing Azucena as a woman who has suffered a hard life rather than the typical crone caricature interpretation, and Licitra probably has the best suited voice for Manrico since Carlo Bergonzi. 'Di Quella Pira' comes on as if Manrico was firing a machine gun instead of raising a sword. This must have been like Verdi wanted it and although I love the high `C's that have become obligatory over the years - this version, with its breakneck pacing is just as satisfying. This isn't the recording for you if you want to hear big voices bark out the difficult Verdi phrasings with egocentric skill. The singers here become the characters and everybody serves the composer. Bravo!"
Art of pause in a hurry
seungohr | Ridgefield, CT USA | 02/27/2002
(5 out of 5 stars)

"Until I listened to this CD, I was not a great fan of Il Trovatore. Now CD2 is almost permanently in my player. Many aspects of the recording/performance are addressed by other reviewrs. I guess Frittoli is as good as any Leonora on records. Personally, I prefer her style over Pryce or Callas. What I think is special in my opinion is Muti. Just listen carefully to "Giorni poveri vivea" (track 3, CD2). The way string and the bass divert out of soprano (1:27) and the exquisite, extra pause around 2:10. A signature of masterful conviction and maybe reflecting its live recording atmosphere. In comparison, Giulini-Domingo, at least on this point, sounds graceful, but rather boring. I once stood for an hour among Italians trying to buy ticket for a Muti concert in Bologna. Of course, I could not make it, but now I appreciate the intensity of the mob which at the time was puzzling to me."
Disappointment reigns
seungohr | 09/20/2002
(3 out of 5 stars)

"I wanted to like this "pure" version of Trovatore, but I was disappointed. Maybe I'm a heathen, but I'm a sucker for the ringing high C's of Franco Corelli and the melting lyricism of Leontyne Price. I found Licitra's Manrico bland and plodding and Frittoli only servicable. The exciting part for me: Muti's vigorous tempi and the Azucena of Urmana (in 10 years, she'll be giving Giulietta Simionato a run for the money). I'll add these CDs to my collection."