Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra: 1. Agnus Dei (Lento)
Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra: 2. Beat! Beat! Drums! (Allegro moderato)
Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra: 3. Reconciliation (Allegro moderato)
Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra: 4. Dirge for Two Veterans (Moderato alla marcia)
Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra: 5. The Angel of Death has been abroad (L'istesso tempo) -
Dona Nobis Pacem, cantata for soprano, baritone, chorus & orchestra: O man greatly beloved
Sancta Civitas (The Holy City), oratorio: I was in the spirit (Lento)
Sancta Civitas (The Holy City), oratorio: And I Saw Heaven opened (Allegro)
Sancta Civitas (The Holy City), oratorio: And I saw an angel standing in the sun (Meno mosso)
Sancta Civitas (The Holy City), oratorio: Babylon the great is fallen (Lento)
Sancta Civitas (The Holy City), oratorio: Rejoice over her O Heavens (Allegro moderato)
Sancta Civitas (The Holy City), oratorio: And I saw a new heaven (Adagio)
Sancta Civitas (The Holy City), oratorio: Therefore are they before the throne of God (Poco meno largo)
Sancta Civitas (The Holy City), oratorio: And I saw a pure river
Sancta Civitas (The Holy City), oratorio: Holy, Holy, Holy (Andante sostenuto)
Sancta Civitas (The Holy City), oratorio: Heaven and earth are full of Thy glory (Poco animato)
Although Vaughan Williams described himself as 'a cheerful agnostic', he was not only steeped in the traditions of the Anglican Church, but sensitive to the mystical significance 'of what lies beyond sense and knowledge'. ... more »Written in 1936, his cantata Dona nobis pacem
sets powerful Biblical texts alongside those by Walt Whitman and John Bright and is both a warning that mankind was sliding disastrously towards another war and a plea for a
world without strife. The oratorio Sancta Civitas, one of his most original choral works, strikingly deploys vocal and orchestral forces to depict the battle between good and evil
Although Vaughan Williams described himself as 'a cheerful agnostic', he was not only steeped in the traditions of the Anglican Church, but sensitive to the mystical significance 'of what lies beyond sense and knowledge'. Written in 1936, his cantata Dona nobis pacem
sets powerful Biblical texts alongside those by Walt Whitman and John Bright and is both a warning that mankind was sliding disastrously towards another war and a plea for a
world without strife. The oratorio Sancta Civitas, one of his most original choral works, strikingly deploys vocal and orchestral forces to depict the battle between good and evil
from the Book of Revelation.