Search - Vaughan Williams, Abravanel, Utah Symphony Orch :: Vaughan Williams: Fantasia on a Theme by Thomas Tallis; 'Dives and Lazarus'; Flos Campi; Fantasia on 'Greensleeves'

Vaughan Williams: Fantasia on a Theme by Thomas Tallis; 'Dives and Lazarus'; Flos Campi; Fantasia on 'Greensleeves'
Vaughan Williams, Abravanel, Utah Symphony Orch
Vaughan Williams: Fantasia on a Theme by Thomas Tallis; 'Dives and Lazarus'; Flos Campi; Fantasia on 'Greensleeves'
Genre: Classical
 
  •  Track Listings (4) - Disc #1


     
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CD Reviews

Best version available
golson@dcnet2000.com | Porter, Texas | 09/05/1999
(5 out of 5 stars)

"This is, by far, the best version of these pieces available today. Abravanel has the "master's feel" for how these were meant to be played, in my opinion. The slower tempo, the gentler rise to the theme, and the plaintive "crying" of the solo violin sections are all differences discernible from other composer's more "brash" treatment of the pieces. If you must own only one version of these pieces, this is the one."
Glorious Music and Interpretation
S. Friedman | Vermont | 10/20/2009
(5 out of 5 stars)

"The "Thomas Tallis Fantasia" came into my life in 1973 when I was in college at Tulane in New Orleans. I saw the Edward Villella Dance Company do a double pas de deux and I couldn't quite believe what I was seeing; even more, what I was hearing! Immediately thereafter, and in later years, I searched out the Vaughan-Williams fantasy on LP, tape, in concert, and finally, on CD, and have made it my own for almost four decades. After numerous versions, the Abravanel remains my favorite due to its rich, caring and tender development. (It's a wonder my CD hasn't been worn to death or hopelessly marred by scratches since 1996.) Tremulous longing weaves, then soars round what is sonorous and earth-bound. It evokes Romantic and Pre-Raphaelite poets and painters of 19th century England - and a time gone by, that Vaughan-Williams so deftly captures in much of his work, especially pieces for String Orchestra. (I am eternally listening for the Lark.) His reverence, sensibility and genius make him the definitive composer for me, and the Abravanel, with but four stirring selections, seems the epitome of glorious music and balanced interpretation, should you desire to be lifted from the mundane and carried into the heavens, if but for an hour."